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Don't be afraid of the stars
In other news my copy of Hetty McKinnon's latest, Linger, has arrived. Coronation cauliflower and chickpeas is calling to me.
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“Great art is somehow already in the future, showing us a place we haven’t arrived at yet. Not just to entertain us but to make us grow.” — Jan Younghusband, in Loaded: The Life (and Afterlife) of the Velvet Underground (Dylan Jones), p. 173.
'Tis the season of sneezing, and I'm doing a lot of it these days. At 5 AM this morning, I was awakened by my own sneezing. It was completely unpremeditated and unexpected. The sounds that came out were aaah-HOOOOO!!!!! Low level / high rising.
The conventional representation of this sound in writing is "achoo". Other variations include "kerchoo" and "hachao", etc. In German, I think that the sound of a sneeze is represented as "hatschee" and in Japanese it is "hakushon".
This morning, the sound that I explosively emitted was aaah-HOOOOO!!!!! Twice.
Since I have a large, Alpine schnoz that acts as an echo chamber, causing the sound to reverberate in my nasal passages, it is extremely loud and ends shrilly. It can be heard a block away, or all the way down the turn of the corridor from my office to the departmental office about 40 paces distant.
As the day wore on, the beginning of the second syllable took on more the characteristics of wheezing, and later became a hushing sibilant, then a hissing sibilant. By late afternoon, it was a "ch-" sound (voiceless postalveolar affricate /ʧ/). The incipit of the second syllable was not constant throughout the day, but I have to say I was surprised when I heard my own sneeze in the morning and realized that its second syllable began quite differently from the conventional onomatopoeic representations of the word.
I must add that sometimes the first syllable began with an "h-" and sometimes with a "k[h]-". The second syllable often ended with a melodic flourish, sometimes quite elaborate, like the cadenzas I used to play when I was a serious French hornist. None of this was intentional. These "sneezes and variations" just happened; they took their own course; I did not consciously control them.
"Sneeze" is an intransitive verb meaning "to involuntarily and with great rapidity expel air as a reflex induced by an irritation in the nose" (adapted from Wiktionary); "to make a sudden violent spasmodic audible expiration of breath through the nose and mouth especially as a reflex act" (Merriam-Webster). As a noun, "sneeze" indicates the act of sneezing.
Everyone who is a native / fluent speaker of English knows the meaning of "sneeze", both as a verb and as a noun. "Sneeze" is not a hard word to spell, so virtually anyone who knows this common word for such a natural human reflexive physiological response to an allergenic irritant will be able to record the word in written form, whether the spelling is "correct" or not.
Similarly, everyone who is a native / fluent speaker of Modern Standard Mandarin (MSM) will know the word for "sneeze" and how to pronounce it: pēntì 噴嚏. But there the similarity ends. In all my decades if teaching and interacting with hundreds of native speakers of MSM, I only met two who could write both sinographs for pēntì 噴嚏, and only a handful who could write one of the two sinographs (the first one, of course). All the rest were stumped and had to leave a blank space or resort to pinyin (like this).
Selected readings
What kind of works are allowed?
All fandoms and original work are allowed. Works must be your own and not previously posted, but do not need to be exclusive to this event - they can also be used as entries for concurrent events. This is a writing focused event, and there is a minimum wordcount of 100 words, and no maximum wordcount.
How many fics do I need to write?
For a bingo, 5 prompts in a line (horizontal, vertical, or diagonal). You can do more if you like, or even go for a blackout (all 25 prompts).
Do the songs/lyrics I pick need to be in English?/Can I translate non-English lyrics?
You can use songs from any language (aside from the "Song in a language other than English" prompt). Titles/Lyrics may be in their original language, or you may translate them if you wish. For that matter, works can be in any language as well.
Do the lyrics need to be incorporated into the work?
No, this event is focused on titles, lyrics do not need to be used in the work itself.
What counts as a "Meme song"?
Any song that's used as a meme (past or current), such as "Never Gonna Give You Up" - Rick Astley, "Angel" - Sarah McLachlan, "All Star" - Smash Mouth, etc. Basically, if there's a "Know Your Meme" page for it, you can consider it a meme song.
What is meant by "Song that isn't available on mainstream digital music platforms"?
Anything that's not available on Spotify, Amazon MP3, iTunes, etc, or uploaded to Youtube by a record label. If it's only on Bandcamp or uploaded to Youtube by an independent artist or random channels, that's fine and can qualify for this prompt. Same if you can purchase the physical vinyl, CD, or cassette from Amazon, that's fine as long as it's not available digitally.
What is meant by "Song from a concept album/rock opera"?
A concept album or rock opera, is an album where the songs are not independent of each other, but instead tell a story that progresses across the album, such as with Pink Floyd's The Wall. Does not need to necessarily be in the "rock" genre.
What is meant by "Chart-topper"?
Anything that is or has been at the top of a music chart. Does not matter which country or year.
Do the "song with ___ in the title" and "lyric with ____" prompts apply to both song titles and fic titles?
No, prompts 29-34 apply to the song selection only - your fic title does not need to include the requirement for the song title. Prompts 38-46 are the only ones with restrictions on the title of your fic, but do not limit the song selection (other than it must have lyrics and, for 41-46, include one of the two words somewhere in the lyrics).
Does the Free Space mean I choose from any of the above prompts, or any song/lyric at all?
Any song you want!
Which 2012 Clarke Award Finalists Have You Read?
The Testament of Jessie Lamb by Jane Rogers
0 (0.0%)
Embassytown by China Miéville
17 (47.2%)
Hull Zero Three by Greg Bear
6 (16.7%)
Rule 34 by Charles Stross
25 (69.4%)
The Postmortal by Drew Magary
1 (2.8%)
The Waters Rising by Sheri S. Tepper
6 (16.7%)
How are you doing?
I am OK
12 (54.5%)
I am not OK, but don't need help right now
10 (45.5%)
I could use some help
0 (0.0%)
How many other humans live with you?
I am living single
8 (36.4%)
One other person
8 (36.4%)
More than one other person
6 (27.3%)