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Beth H ([personal profile] bethbethbeth) wrote2025-08-24 06:50 pm
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The Ninth of the Recced Book Reviews: America

On May 8th, I offered to read the first five books people recced - assuming they were available (preferably from the library) - and I'd give a short review [https://bethbethbeth.dreamwidth.org/701769.html].

This is the ninth recced book review.

America (1986), by Jean Baudrillard (recced by Hannah on dreamwidth)

(Note: I read this at least a month ago, but I forgot to post the review!)

America is two entirely different books. If I hadn't felt compelled to complete America (I started it four times before I could move beyond the fifth page), I would have given up the ghost by the end of chapter one. There's no denying that it's beautifully written, poetic, philosophic, deeply thoughtful at times. I have no particular problem with his critique of America - even in what he sees as its "banality." But god, did it feel pretentious and oddly incoherent for the longest time.

It's also weirdly racist. when it most tries to be anything but, and so much of it feels just...wrong. Take his observations of New York City, for example. Yes, much is "fast" about NY - both literally and metaphorically - but of all things, cars aren't the things that are faster (those of you who have experienced an Uber taking 20 minutes to drive from 2nd Avenue to 8th Avenue know what I mean). And eating alone in New York? It isn't incredibly "sad" as Baudrillard suggests... far more often it's a way to feel a moment of pleasurable solitude in a city of so many millions of people.

Some of what I perceive as wrongness in the book could be that Baudrillard is writing about the America of the 80s, yet treating it as if that's all there is of the America of past and future instead of it being a snapshot of time. Or it could be as simple as the translation missing the point at times (although, I suspect that's not the case). But one way or the other, this America seems not just subjective, but far too often like a work of fiction.

There are also an incredible number of similes...sometimes a half dozen per page. :)

Anyway, once America hits the "Utopia Achieved" chapter, it morphs into something both readable and insightful. I'm not sure how that happened. It might possibly have been magic.

I'm not entirely sure it made up for the first 3/5 of the book, however.
umadoshi: (pretty things & clever words (iconriot))
Ysabet ([personal profile] umadoshi) wrote2025-08-24 10:54 am

Weekly proof of life: media intake and some boggling over actors

Reading and watching: [personal profile] scruloose and I have made some more progress on listening to Rogue Protocol, albeit not a huge amount; this is not helped by the fact that for some reason this book is a bit glitchy on Hoopla (every now and then a few [?] words just get skipped).

I'm lumping all of my media intake together this week because I seem to be in/have been in an "only really focusing on a show or a book" phase, so I didn't start reading anything new until I'd finished watching Glass Heart. I really liked it! No fannish feelings at this time, but it was a lot of fun.

And then I watched this behind-the-scenes video, which has left me absolutely agog over the fact that none of the TENBLANK actors knew how to play their characters' instruments at all. My brain is shattered by this information. I've never been all that close to Being A Musician (and the only way in which I came at all close was as a singer), so I'm not looking at what they're doing with a professional eye and I realize that it may look rather less convincing to people who actually do play those instruments, but.

[ETA for badly-needed clarification: It's not that the main cast in this show are faking playing the instruments. It's that none of them are musicians at all, and they learned to play the specific material for the show well enough to visually pass not only as being able to play but as being very good (the male lead is explicitly a musical genius), with full shots of them doing bits of it rather than having body doubles or clever cuts or anything, AND doing some pretty heavy-lifting acting at the same time. (What I don't know is whether their performances pass as looking professional to actual professional musicians, but one of the supporting cast is an actual singer and seems pretty impressed with it.)]

(I've now showed [personal profile] scruloose and Ginny and Kas the opening of episode 8, which is a flashback to two of the characters meeting after one sees the other playing. If you have Netflix and want a quick non-spoilery look at what this looks like, check that bit out. The guy in the hoodie is the male lead, played by Satoh Takeru, who also executive produced this show. Having seen him pull off playing Himura Kenshin plausibly, I should perhaps not be this dumbfounded by watching him play a musician, but here we are.)

Anyway! Since finishing that drama, I've read KJ Charles' Any Old Diamonds and Jordan L. Hawk's The Forgotten Dead and am now reading These Burning Stars (Bethany Jacobs). I also currently have a non-fiction read on the go: Warmth: Coming of Age at the End of Our World (Daniel Sherrell).

And cutting back to watching things, I've also now seen a few episodes (three?) of K-foodie meets J-foodie on Netflix, in which two passionate foodies, one from Japan and one from Korea, eat a lot of delicious things together. The bit I've seen has been entirely in Japan, but I assume some episodes (or possibly the second season?) will be in Korea.