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The Gauche in the Machine (
china_shop) wrote2025-08-18 03:05 pm
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Writing meta: What Middles Are For
Context and disclaimer: Most of these thoughts are not the kinds of things I take into account when I'm drafting. I'm hoping that looking at them in the abstract will a) train my subconscious in useful directions, and b) help me un-stick some WIPs.
I’ve mulched a bunch of Writing Excuses podcasts and Brandon Sanderson's Youtube writing lectures over the years, which have deeply influenced this random crop of ideas. I made some of it up myself, but I'm not claiming any kind of authority or even experience.
What Middles Are For
Arguably a story consists of 1) promises, 2) progress, and 3) payoff (cf Sanderson, Youtube). The promises are "here's what you're in for", including main characters, setting/genre/tone, goals and stakes. Most of that gets set up at the start. The payoff happens at the end, obviously, as all of it comes to fruition or failure. But middles can feel a bit formless. What does "progress" even mean?
Here are some thoughts about what the middles of stories are for.
( Many bullet points beneath the cut. )
Anyway, all of this has been swirling around my head for a while now. What do you think? Do you get stuck in the middles of stories? Do you have other ideas about what middles are for (other than putting some space between the beginning and the end)? Does thinking about it in these kind of terms help you, or do you prefer to frame your writing in other ways? If you look at your current WIPs or just-finished stories, what broadly/structurally are the middles of those stories "doing"? Do you think all this is different for fanfic, where you can assume a certain amount of reader pre-investment in the characters, at least, and where backstory is often canon?
I’ve mulched a bunch of Writing Excuses podcasts and Brandon Sanderson's Youtube writing lectures over the years, which have deeply influenced this random crop of ideas. I made some of it up myself, but I'm not claiming any kind of authority or even experience.
What Middles Are For
Arguably a story consists of 1) promises, 2) progress, and 3) payoff (cf Sanderson, Youtube). The promises are "here's what you're in for", including main characters, setting/genre/tone, goals and stakes. Most of that gets set up at the start. The payoff happens at the end, obviously, as all of it comes to fruition or failure. But middles can feel a bit formless. What does "progress" even mean?
Here are some thoughts about what the middles of stories are for.
( Many bullet points beneath the cut. )
Anyway, all of this has been swirling around my head for a while now. What do you think? Do you get stuck in the middles of stories? Do you have other ideas about what middles are for (other than putting some space between the beginning and the end)? Does thinking about it in these kind of terms help you, or do you prefer to frame your writing in other ways? If you look at your current WIPs or just-finished stories, what broadly/structurally are the middles of those stories "doing"? Do you think all this is different for fanfic, where you can assume a certain amount of reader pre-investment in the characters, at least, and where backstory is often canon?
The Untamed: An Elegant Solution by Giraffeter
Fandom: The Untamed
Pairings/Characters: Lan Wangji/Nie Mingjue/Wei Wuxian, Jiang Cheng, Jiang Yanli, Wen Qing, Wen Ning, Wen Yuan, Lan Xichen, Nie Huaisang, Jin Zixuan
Rating: Explicit
Length: 205K words
Creator Links:
giraffeter
Theme: Marriage of Convenience, Everybody Lives/Nobody Dies, Fork in the Road AU, Fix-It
Summary: When Jiang Yanli joins Jiang Cheng in visiting Wei Wuxian at the Burial Grounds, the two brothers are on the verge of cutting ties forever — until Jiang Yanli has a better idea. Wei Wuxian doesn't need to leave the sect. He needs to get married, and she has the perfect Sect Leader in mind.
When Lan Wangji is invited to come along on Wei Wuxian's visit to the Unclean Realm to spend time with his new betrothed, Nie Mingjue, he agrees — even though his heart is breaking. How else is he ever going to see Wei Wuxian again?
When Nie Mingjue welcomes Wei Wuxian and Lan Wangji into his home, he realizes two things very quickly: 1.) They clearly want each other so badly they can barely stand it, and 2.) Nie Mingjue is Into That.
(In which arranged marriage to Nie Mingjue solves just about everyone's problems)
Reccer's Notes: In the normal course of things, I'd say LWJ/WWX is my OTP. This story, however, has made me feral for LWJ/NMJ/WWX. More than that, though, this is a brilliant, carefully constructed fix-it. Giraffeter takes the time to set up every way this reality is changed from canon by the single decision to solve the friction between Wei Wuxian and the rest of the cultivation world by marrying him to a Sect Leader rather than cutting him off in the Burial Mounds. It's a long, immersive story that's well worth the time investment. The sex scenes are also some of the best I've read in my nearly thirty years in online fandom.
Fanwork Links: An Elegant Solution
Pairings/Characters: Lan Wangji/Nie Mingjue/Wei Wuxian, Jiang Cheng, Jiang Yanli, Wen Qing, Wen Ning, Wen Yuan, Lan Xichen, Nie Huaisang, Jin Zixuan
Rating: Explicit
Length: 205K words
Creator Links:
Theme: Marriage of Convenience, Everybody Lives/Nobody Dies, Fork in the Road AU, Fix-It
Summary: When Jiang Yanli joins Jiang Cheng in visiting Wei Wuxian at the Burial Grounds, the two brothers are on the verge of cutting ties forever — until Jiang Yanli has a better idea. Wei Wuxian doesn't need to leave the sect. He needs to get married, and she has the perfect Sect Leader in mind.
When Lan Wangji is invited to come along on Wei Wuxian's visit to the Unclean Realm to spend time with his new betrothed, Nie Mingjue, he agrees — even though his heart is breaking. How else is he ever going to see Wei Wuxian again?
When Nie Mingjue welcomes Wei Wuxian and Lan Wangji into his home, he realizes two things very quickly: 1.) They clearly want each other so badly they can barely stand it, and 2.) Nie Mingjue is Into That.
(In which arranged marriage to Nie Mingjue solves just about everyone's problems)
Reccer's Notes: In the normal course of things, I'd say LWJ/WWX is my OTP. This story, however, has made me feral for LWJ/NMJ/WWX. More than that, though, this is a brilliant, carefully constructed fix-it. Giraffeter takes the time to set up every way this reality is changed from canon by the single decision to solve the friction between Wei Wuxian and the rest of the cultivation world by marrying him to a Sect Leader rather than cutting him off in the Burial Mounds. It's a long, immersive story that's well worth the time investment. The sex scenes are also some of the best I've read in my nearly thirty years in online fandom.
Fanwork Links: An Elegant Solution
Star Trek AOS: the warp and weft of your being by tardigradeschool
Fandom: Star Trek Reboot/AOS
Pairings/Characters: Kirk/Spock
Rating: Teen
Length: 7,701
Creator Links:
tardigradeschool
Theme: Marriage of convenience
Summary: When getting legally married to Spock is the only way to keep him on the ship, Jim is more than willing to do so. (In fact, upon reflection, it turns out that there are very few things he wouldn't do for Spock.)
Reccer's Notes: Okay, normally, I would not rec a story with 9,000 kudos. First, because that story does not need any help. Second, I usually hate stories with 9,000 kudos. But guess what. I love this story THAT MUCH, and, as our mod, Punk, helpfully pointed out, MAYBE SOME OF YOU HAVE NOT READ THIS. It was posted in 2016, long after much of the Reboot fever had passed (at least for me); I feel glad to have discovered it. Therefore, let me tell you about it.
In this story, Spock is offered a captaincy, which he can't refuse without suffering career consequences. Jim is devastated by the thought of losing his first officer. Fortunately, Spock has a proposal involving a loophole: Starfleet won't separate married crew members.
The Jim in this story is wonderfully Jim, getting his mind stuck on the regulation about public nudity because the reg number is similar to the marriage reg number. He's also delightfully clueless. In fact, this story has all the good Reboot Trek tropes and appearances by the supporting cast. I don't want to give away all the hilarious details that come up, but, despite the hilarity, there are lovely moments of emotional truth that really make this story happen for me.
I like marriage of convenience stories where the characters are already very close friends at the time of the marriage. That is the case here, with the depth of the friendship revealed to the reader in small ways throughout. And, as you might guess, this story also fits the theme "everyone thinks we're dating."
Fanwork Links: the warp and weft of your being
Pairings/Characters: Kirk/Spock
Rating: Teen
Length: 7,701
Creator Links:
Theme: Marriage of convenience
Summary: When getting legally married to Spock is the only way to keep him on the ship, Jim is more than willing to do so. (In fact, upon reflection, it turns out that there are very few things he wouldn't do for Spock.)
Reccer's Notes: Okay, normally, I would not rec a story with 9,000 kudos. First, because that story does not need any help. Second, I usually hate stories with 9,000 kudos. But guess what. I love this story THAT MUCH, and, as our mod, Punk, helpfully pointed out, MAYBE SOME OF YOU HAVE NOT READ THIS. It was posted in 2016, long after much of the Reboot fever had passed (at least for me); I feel glad to have discovered it. Therefore, let me tell you about it.
In this story, Spock is offered a captaincy, which he can't refuse without suffering career consequences. Jim is devastated by the thought of losing his first officer. Fortunately, Spock has a proposal involving a loophole: Starfleet won't separate married crew members.
The Jim in this story is wonderfully Jim, getting his mind stuck on the regulation about public nudity because the reg number is similar to the marriage reg number. He's also delightfully clueless. In fact, this story has all the good Reboot Trek tropes and appearances by the supporting cast. I don't want to give away all the hilarious details that come up, but, despite the hilarity, there are lovely moments of emotional truth that really make this story happen for me.
I like marriage of convenience stories where the characters are already very close friends at the time of the marriage. That is the case here, with the depth of the friendship revealed to the reader in small ways throughout. And, as you might guess, this story also fits the theme "everyone thinks we're dating."
Fanwork Links: the warp and weft of your being
私信 まるです。 (
maru_feed) wrote2025-08-17 11:00 pm
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跳べます。Maru can jump.
新しいソファ、まるさんにはちょっと高さがありすぎるかなー、なんて思っていたら。 I thought this new sofa might be a little too tall for Maru. まる:「とうっ!」 […]
fadedwings (
fadedwings) wrote in
fan_flashworks2025-08-17 11:58 am
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Leverage: Fanfiction: too much twinkle
Title: too much twinkle
Fandom: Leverage
Characters: Eliot Spencer, Alec Hardison, Parker
Length: 200 words
Rating: Teen
Warnings: none
Summary: Parker’s tree might have a little too much twinkle.
( too much twinkle )
Fandom: Leverage
Characters: Eliot Spencer, Alec Hardison, Parker
Length: 200 words
Rating: Teen
Warnings: none
Summary: Parker’s tree might have a little too much twinkle.
( too much twinkle )
Punk (
runpunkrun) wrote in
fancake2025-08-17 08:25 am
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Entry tags:
Round 178 Theme Poll
Poll #33498 round 178 theme poll
Open to: Registered Users, detailed results viewable to: Just the Poll Creator, participants: 99
Pick the next theme of fancake:
Food & Cooking
42 (42.4%)
Manners & Etiquette
26 (26.3%)
Whump
31 (31.3%)