I don't have the 2002 tape (the first I have for Vividcon or Escapade is 2003), but I knew I had copies of both the Witchblade vids, so I dug them out, and, huh. Comin' Up from Behind still works extremely well for me (and reminds why I had such a crush on Sara Pezzini), but Go feels long to me now. It's not particularly long - 4:03, according to the timestamp - but, I don't know. It's not the longer cuts, because I still really love a lot other vids from the same period. Don't get me wrong, it's still an awesome vid, but. Hmm. I'm really not sure what it is.
Though, speaking of that 2002/2003 digital/analog shift, I have two vids by Bonibaru in my Witchblade folder. One is Go, which is a 46 MB .mov . The other is Parallax, which is an 8 MB .rm . I know I downloaded them when they were posted, and it probably wasn't a huge time difference between the two. And those two file size and file format differences kind of illustrate that shift perfectly, along with just the general stop assuming everyone was on dial-up shift. (Also, Parallax is to Linkin Park's "In the End". Hi there, early 2000s. It does some interesting jump cuts for the time, though.)
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timeasmymeasure
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Date: 2013-07-13 11:35 am (UTC)Though, speaking of that 2002/2003 digital/analog shift, I have two vids by Bonibaru in my Witchblade folder. One is Go, which is a 46 MB .mov . The other is Parallax, which is an 8 MB .rm . I know I downloaded them when they were posted, and it probably wasn't a huge time difference between the two. And those two file size and file format differences kind of illustrate that shift perfectly, along with just the general stop assuming everyone was on dial-up shift. (Also, Parallax is to Linkin Park's "In the End". Hi there, early 2000s. It does some interesting jump cuts for the time, though.)