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Posted by City News Service

LOS ANGELES — The California Supreme Court on Wednesday, Aug. 27, declined to review the case of three men convicted in the murder of a 13-year-old Whittier girl more than two decades ago.

About 2 1/2 months ago, a three-justice panel from California’s 2nd District Court of Appeal noted that Santos Grimaldi, Melvin Sandoval and Rogelio Contreras raised a “plethora of challenges to either their convictions or sentences,” but found that “their substantive challenges lack merit.”

Grimaldi, now 42, and Sandoval, now 46, were convicted of first-degree murder for the June 2001 killing of Jacqueline Piazza and are serving life in prison without the possibility of parole.

Jurors also found true the special circumstance allegations of murder during the commission of a rape and a lewd act on a child against the two, along with gang and gun allegations.

Contreras, now 48, was found guilty of second-degree murder, with jurors also finding true gang and gun allegations. He was sentenced to 40 years to life in state prison.

The first jury to hear the case against the three men had deadlocked, but a separate jury convicted a fourth man, Jorge Palacios, now 47, of first-degree murder and kidnapping to commit another crime involving Piazza’s killing.

Jurors in Palacios’ case also found true the special circumstance allegations of murder during a kidnapping, murder during a rape or attempted rape and murder during the commission or attempted commission of a lewd act on a child, along with gang and gun allegations.

Palacios was sentenced to life in prison without the possibility of parole in June 2019, moments after telling the teen’s parents, “I feel really terrible about what happened. Trust me, I wasn’t part of what happened … I know justice will be served.”

A state appeals court panel subsequently upheld Palacios’ conviction, with the panel noting that the victim was quietly sobbing in the back seat when the vehicle stopped under a freeway underpass and she was ordered into the car’s trunk so roadway cameras would not be able to document her as a passenger.

The four defendants were indicted in May 2012 for the girl’s killing.

At Grimaldi and Sandoval’s sentencing hearing in August 2022, the victim’s mother, Elizabeth, called her daughter’s loss “so sudden and shocking,” and said it was surreal to have to tell family members that she had been murdered.

“We will always miss her,” she said.

Monique Piazza said she was 10 when she realized her older sister was never going to come home again.

“I would never get the chance to say goodbye,” she said.

In a brief statement before he was sentenced, Grimaldi said his heart went out to the victim’s family for their loss, but called himself the victim of a “wrongful conviction” obtained by the Los Angeles County District Attorney’s Office.

Grimaldi said it had been a “roller coaster” for him and his family since he was charged with the crime and called it the “worst experience” he has been through.

Superior Court Judge Larry Paul Fidler, who imposed the sentences, said then that it had been a “long and winding road to get here” and said the police “never gave up for a minute” and “allowed it to come to a just end.”

 

 

[syndicated profile] lifehacker_feed

Posted by Daniel Oropeza

We may earn a commission from links on this page. Deal pricing and availability subject to change after time of publication.

Labor Day sales are rolling in, and Lifehacker is sharing the best sales based on product reviews, comparisons, and price-tracking tools before they’re over. You can also subscribe to our shopping newsletter, Add to Cart, for the best sales sent to your inbox.


Labor Day has introduced a lot of great tech deals so far, and Amazon's Labor Day sale seems to be the best among the big retailers. If you're on the hunt for a new TV, Amazon has many to choose from, but a new deal just popped up that anyone looking for a massive 100-inch TV should consider: the Hisense 100" Class U8 is $3,499.99 (originally $6,999.99) after a 50% discount, bringing it to its lowest price ever, according to price-tracking tools.

The Hisense U8QG is a mid-tier TV that was released in April of this year. It's a solid, well-rounded TV that will work great in bright rooms and excels for watching sports, playing video games, and movies. The brightness, black levels, and colors are its most impressive specs.

This TV also has a Hi-View AI Engine Pro processor, HDMI 2.1 bandwidth on all three ports, and a USB-C display port that PC gamers can use to play directly on the TV. It can handle 4K resolution at a 165Hz refresh rate and 1080p at 288Hz. It has support for arguably the most important HDR formats: Dolby Vision and HDR10+. The TV OS, Google TV, is my personal favorite because it lets you seamlessly cast your phone or computer directly to the TV. It also supports voice controls.

Deals are selected by our commerce team

Community Thursday

Aug. 28th, 2025 06:42 pm
vriddy: Tokoyama and Dark Shadow ready to fight (tokoyami)
[personal profile] vriddy

Community Thursday challenge: every Thursday, try to make an effort to engage with a community on Dreamwidth, whether that's posting, commenting, promoting, etc.


Over the last week...

Promoted [community profile] newcomers, [community profile] snowflake_challenge, [community profile] sunshine_revival, [community profile] booknook, [community profile] thisfinecrew, [community profile] tv_talk, [community profile] c_ent in comments. And now here too ;D

And a whole bunch of Signal Boosts:

OTW Signal, August 2025

Aug. 28th, 2025 04:52 pm
[syndicated profile] otw_news_feed

Posted by Lute

Every month in OTW Signal, we take a look at stories that connect to the OTW’s mission and projects, including issues related to legal matters, technology, academia, fannish history and preservation issues of fandom, fan culture, and transformative works.

In the News

An article from Roster Con analyzes how fans are reinventing community online, creating inclusive digital spaces that thrive, and fundamentally changing the way people with shared interests connect and interact with each other.

Instead of waiting in line at conventions or gathering in packed theaters, people are now forming tight-knit communities online—spaces where shared interests thrive without borders.
What’s striking isn’t just the tech that brings people together; it’s how fans are reshaping what it means to belong, connect, and celebrate something bigger than themselves.

Today’s pop culture fans are constructing elaborate digital networks that have no geographical boundaries and do not follow traditional media consumption patterns. For example, the article notes that the Stardew Valley network on Discord has grown from a small chat group into an expansive community where players share content and organize multiplayer events. This transformation from content-focused discussion to community-centered interaction is taking place across online fandom spaces. Platforms like Discord and Twitch support active fan communities and host virtual conventions, complete with panel discussions, cosplay, and live Q&As, allowing fans to experience the excitement of fandom gatherings while removing barriers like travel and cost.

What’s even more powerful is the reach. People who would never have made it to San Diego or Tokyo due to cost, distance, or accessibility now have a front-row seat. A fan in Nairobi, a student in Warsaw, and a parent in São Paulo can all be part of the same hype cycle, cheering and reacting together.

The article also addresses how creative platforms like Archive of Our Own (AO3), FanFiction.net, and DeviantArt are no longer simply repositories for fan-created content. Creators post works in progress to seek input and engage in collaborative projects that may span multiple authors and extended timelines. Similarly, social media has become a powerful tool for fan communities, with hashtag campaigns fueling organized fan movements and creative collaboration that spreads quickly and travels far. These activities provide a sense of community and support previously found in schools, clubs, and community groups, reshaping how fans engage with each other in the digital age.


For Gen Z fans in Australia, the sense of belonging that comes from participating in fandom is particularly valuable right now, according to an article by Lucinda O’Brien in Amplify. With the rising cost of living and a looming recession, one in four young Australians reports loneliness and isolation as daily stressors. Fandom offers a space for them to express themselves and to make friends with others who share their passions—an antidote to the ongoing loneliness.
Fandom expert Dr. Georgia Carroll explains that fandom provides a critical sense of community and belonging, especially in difficult times:

Joining a fandom often begins as a light-hearted endeavour for Gen Z to bond over shared interests, but these spaces can deepen into emotionally rich communities where personal stories and identities are shared. Fandoms become places where fans feel seen, validated and safe to express themselves.

For Australian fans of international fandoms, distance often makes it difficult to meet with other fans in person, leading them to seek connection through online communities. As digital natives, Gen Z are adept at connecting through online fandoms.
As conventional community spaces continue to decline and social isolation grows, these digital communities offer something more than just entertainment or distraction. For Australian Gen Z, online fandom offers new and invaluable opportunities for connection and belonging.

OTW Tips

The AO3 community is now nine million users strong! In 2024 alone, users shared over two million new fanworks, and the site received an incredible 34 billion page views. You can find these and other highlights in the OTW’s 2024 Annual Report.

Bonus tip: many of our statistics are also available as graphics that chart the OTW’s growth over the years.

To everyone who helps this space thrive—thank you for building community with us!


We want your suggestions for the next OTW Signal post! If you know of an essay, video, article, podcast, or news story you think we should know about, send us a link. We are looking for content in all languages! Submitting a link doesn’t guarantee that it will be included in an OTW post, and inclusion of a link doesn’t mean that it is endorsed by the OTW.

[syndicated profile] sjmerc_ca_feed

Posted by George Avalos

SANTA CLARA — The official $210 million that was paid for a three-building Santa Clara office campus points to weakening real estate values for regional office properties.

The deal included an alliance of Bay Area real estate firm Ellis Partners and Boston-based hedge fund Baupost Group, according to documents filed with the Santa Clara County Recorder’s Office on Aug. 27.

When the buyers disclosed their purchase earlier this month, they declined to officially reveal what they paid for the property. Now, that price has come to light with the filing of the grant deed for the purchase of the campus.

The $210 million price is roughly half, or 47.7% below, the property’s assessed value of $401.9 million. The new owners paid 31.2% less than the $305.1 million that the seller, Clarion Partners, paid for the site in 2015.

The deal shows that even the presence of tech company Applied Materials as a tenant doesn’t guarantee immunity from the economic maladies that have come to afflict the Bay Area office market.

Declining property values have begun to show up on a widespread basis.

Stagnation in commercial real estate has hobbled growth in assessed values for Santa Clara County real estate, producing the smallest rate of increase in more than a decade, a new report states.

While the annual assessment roll for the county did manage to reach an all-time high of $725.7 billion, the 4.15% increase marked the slowest annual increase in combined values since 2012, the County Assessor’s Office reported in recent weeks.

Property value outcomes can affect revenue for an array of public agencies.

If real estate values turn soft in a region, the decline could choke a crucial revenue stream for cities, counties, regional agencies and school districts.

Applied Materials, one of the world’s largest and most successful semiconductor equipment makers, is the major tenant in the just-bought Santa Clara office complex, which is about 84% leased. The office hub is large enough to accommodate 1,800 to 2,300 workers.

At the time of the purchase, the buying group obtained a loan of $167.2 million from an entity operating as BREDS V Mortgage, county documents show. BREDS is an acronym for Blackstone Real Estate Debt Strategies, which are funds that are managed by Blackstone, one of the world’s largest private investment firms.

The office market’s weak values could entice savvy real estate firms such as Ellis Partners, which is betting on an upturn in the battered sector as tech companies seek expansion sites after years of retrenchment.

“The investment comes at a time of significant renewed leasing activity in Silicon Valley and a national flight to quality within the office sector,” Ellis Partners stated regarding the transaction.

[syndicated profile] sjmerc_ca_feed

Posted by Rick Hurd

A San Mateo County man convicted last month in El Dorado County on six child molestation charges failed to appear in court this week and is now considered a fugitive from justice, authorities said.

Carl W. Cacconie, 51, was convicted July 17 on six counts of committing lewd acts upon a child under the age of 14, according to court records.

Law enforcement agencies are searching for Carl W. Cacconie, 51, who was convicted on six counts of committing lewd acts upon a child under the age of 14, according to court records. They urged anyone who might happen to see him not to approach him, but instead to call 911 immediately. (El Dorado District Attorney's Office)
Law enforcement agencies are searching for Carl W. Cacconie, 51, who was convicted on six counts of committing lewd acts upon a child under the age of 14, according to court records. They urged anyone who might happen to see him not to approach him, but instead to call 911 immediately. (El Dorado District Attorney's Office) 

In a statement, the El Dorado District Attorney’s Office said he failed to show for his scheduled sentencing Tuesday after he remained out of jail on $1 million bail following his conviction. Authorities added that the court’s decision to allow Cacconie bail was “over our continuous objections.”

Law enforcement agencies are searching for him. They urged anyone who may happen to see him not to approach him and instead call 911 immediately.

News reports out of Sacramento said Cacconie’s trial revealed he molested a young girl for several months in 2014 and 2015 and that another girl testified that she’d been molested in a similar way by Cacconie in the early 2000s.

[syndicated profile] reactor_feed

Posted by Molly Templeton

News Twilight

Forever Begins Again: All Five Twilight Movies Return to Theaters for One Weekend

The Twilight Saga returns to theaters for one special weekend event. Are you ready to rewatch the skin of a killer?

By

Published on August 28, 2025

Screenshot: Summit Entertainment

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/twilight-movies-theaters-forever-begins-again/">https://reactormag.com/twilight-movies-theaters-forever-begins-again/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=822845">https://reactormag.com/?p=822845</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/twilight/" class="inline-block link-no-animation" aria-label="Link to term or tag Twilight 1"> Twilight </a> </span> </div> <h2 class="post-hero-title text-h1">Forever Begins Again: All Five <i>Twilight</i> Movies Return to Theaters for One Weekend</h2> <div class="prose post-hero-description prose--post-hero">The Twilight Saga returns to theaters for one special weekend event. Are you ready to rewatch the skin of a killer?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 28, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Summit Entertainment</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/twilight-movies-theaters-forever-begins-again/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg 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height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="498" src="https://reactormag.com/wp-content/uploads/2024/09/Twilight-screenshot-740x498.jpg" class="w-full object-cover" alt="Edward Cullen (Robert Pattinson) looking sexily in Twilight" srcset="https://reactormag.com/wp-content/uploads/2024/09/Twilight-screenshot-740x498.jpg 740w, https://reactormag.com/wp-content/uploads/2024/09/Twilight-screenshot-1100x740.jpg 1100w, https://reactormag.com/wp-content/uploads/2024/09/Twilight-screenshot-768x517.jpg 768w, https://reactormag.com/wp-content/uploads/2024/09/Twilight-screenshot-1536x1034.jpg 1536w, https://reactormag.com/wp-content/uploads/2024/09/Twilight-screenshot.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Summit Entertainment</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Twihards, your Halloween plans are set. In honor of the 20th anniversary of the first <em>Twilight</em> book, Fathom Entertainment is bringing the entire <em>Twilight</em> Saga back into theaters for five nights starting on October 29. <a href="https://www.fathomentertainment.com/releases/twilight/" target="_blank" rel="noreferrer noopener">That&#8217;s</a> <a href="https://www.fathomentertainment.com/releases/the-twilight-saga-new-moon/" target="_blank" rel="noreferrer noopener">one</a> <a href="https://www.fathomentertainment.com/releases/the-twilight-saga-eclipse/" target="_blank" rel="noreferrer noopener">movie</a> <a href="https://www.fathomentertainment.com/releases/the-twilight-saga-breaking-dawn-part-1/" target="_blank" rel="noreferrer noopener">per</a> <a href="https://www.fathomentertainment.com/releases/the-twilight-saga-breaking-dawn-part-2/" target="_blank" rel="noreferrer noopener">night</a>, so make sure your calendar is clear.</p> <p>According to <em><a href="https://deadline.com/2025/08/twilight-saga-rerelease-20th-anniversary-stephenie-meyer-1236499831/" target="_blank" rel="noreferrer noopener">Deadline</a></em>, &#8220;Screenings for the five-night engagement include new, exclusive roundtable chats for each of the films with Meyer; producers Wyck Godfrey and Karen Rosenfelt; Gillian Bohrer, former Lionsgate Co-President of Production; and Erik Feig, former Co-President of Lionsgate Motion Picture Group.&#8221;</p> <p>This is a somewhat baffling list of names. Other than Meyer, do <em>Twilight</em> fans really care what the suits behind the movies have to say? Would they not be more interested in hearing from, say, the cast? Let RPattz speak! Give Kristen Stewart a platform to talk about her <a href="https://variety.com/2025/film/news/kristen-stewart-chronology-of-water-acquired-sets-release-1236498800/" target="_blank" rel="noreferrer noopener">directorial debut</a>! Let us hear from Lee Pace about his shaggy vampiric past! Can we have a roundtable with all four <em>Twilight</em> directors? I want to see Catherine Hardwicke (<em>Twilight</em>) chatting with Chris Weitz (<em>New Moon</em>). I would really like to hear <em>Breaking Dawn</em> director Bill Condon&#8217;s thoughts about werewolf conversations. David Slade (<em>Eclipse</em>) can come muse about how he got that job after directing <em>Hard Candy</em>.</p> <p>Anyway. There are other celebratory options for those uninterested in roundtable chats and screenings. For example, there&#8217;s <a href="https://www.twilightinconcert.com/" target="_blank" rel="noreferrer noopener"><em>Twilight</em> in Concert</a>, &#8220;a cinematic live-to-film event&#8221; described like this:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>As the original film plays on a full-size cinema screen, the stunning live score will transport you straight to Forks, capturing every heartfelt moment, from Bella’s Lullaby to the electrifying battle scenes. Over a thousand twinkling candles will illuminate the stage, creating a romantic and magical atmosphere that enhances the beauty of the film’s iconic music.</p></blockquote></figure> <p>Those who prefer to stick to the books have <a href="https://people.com/twilight-20th-anniversary-editions-cover-reveal-exclusive-11679450">three collectible editions</a> to choose from, while the truly committed might venture all the way to the real Forks, Washington, for the <a href="https://forkswa.com/twilight/festival/" target="_blank" rel="noreferrer noopener">Forever Twilight</a> festival—at which author Stephenie Meyer will appear.</p> <p>But will there be <a href="https://www.youtube.com/watch?v=qhDPJ7ozL6s" target="_blank" rel="noreferrer noopener">vampire baseball</a>?[end-mark]</p> <p>The post <a href="https://reactormag.com/twilight-movies-theaters-forever-begins-again/">Forever Begins Again: All Five &lt;i&gt;Twilight&lt;/i&gt; Movies Return to Theaters for One Weekend</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/twilight-movies-theaters-forever-begins-again/">https://reactormag.com/twilight-movies-theaters-forever-begins-again/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=822845">https://reactormag.com/?p=822845</a></p>
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Posted by Sarah

Movies & TV Star Trek: Strange New Worlds

“Am I slightly forgiven now?” — Star Trek: Strange New Worlds: “Four-and-a-Half Vulcans”

There’s a new contender for “worst episode ever”…

By

Published on August 28, 2025

Credit: Paramount+

Patton Oswalt as Doug in Star Trek: Strange New Worlds' season 3 episode "Four and a Half Vulcans"

Credit: Paramount+

Before I say anything else about this awful episode of SNW, let me say this: don’t stop it when the credits start, as there is a post-credits scene that beautifully shows off the comic talents of Patton Oswalt and Ethan Peck. It’s kinda dumb, but it’s fun, and worth a look.

And it might wash the taste of this dreadful episode out of your brain. But probably not.

Move over, “Hegemony”! Take a seat, “All Those Who Wander”! Step aside, “Charades”! SNW has a new nadir, and it’s this week’s episode, which should take its place proudly alongside “And the Children Shall Lead” and “Shades of Gray” and “Profit and Lace” and “Threshold” and “A Night in Sickbay” as a Trek episode that is actively painful to watch and which need never be viewed ever again if one can possibly avoid it.

Paramount+ released a clip from this episode prior to season three’s commencement, and it raised several red flags for me, but I was hoping that there was some missing context to salvage it. Technically, there is, it’s just not enough.

The concept of this episode is that there’s a pre-warp society that was contacted by the Vulcans a while back when the planet was in danger. First of all, let me say how happy it made me to once again see the current crop of Trek shows repudiating the hidebound, overly rigid, morally bankrupt version of the Prime Directive that too many of the first batch of spinoffs adopted (cf. “Homeward,” “Dear Doctor,” etc.). Yes, there’s a Prime Directive, but it takes a back seat to saving lives.

However, the Vulcans limited contact, just doing enough to save the planet. Unfortunately, the equipment that maintains the world is breaking down, and there are no Vulcan ships close enough. In order to maintain the Prime Directive, the repair team must present as Vulcans. But these aliens have very effective scanning equipment, so a cosmetic disguise won’t cut it.

Enter the cure Chapel created for Spock when he was made fully human back in “Charades.” They can use that to make Pike, La’an, Uhura, Pelia, and Chapel into actual Vulcans. Unfortunately, Pelia’s Lanthean physiology rejects the serum, so she stays as she is. The rest all become genetically Vulcan.

At first, what you expect to happen happens: they all become incredibly overwhelmed by the powerful emotions. As established in a number of places on the original series—“The Naked Time,” “Amok Time,” “This Side of Paradise,” “Balance of Terror,” “All Our Yesterdays,” etc.—Vulcans aren’t emotionless, they actually have emotions that are way fiercer and more turbulent than those of humans. They chose to control those emotions through logic.

And then, the new Vulcan versions of Pike, La’an, Uhura, and Chapel start acting like contemporary Vulcans. The hand-wave for this is that the serum is based on Spock’s brain chemistry, so it incorporates his notions of what being a Vulcan is like, but I call bullshit. Even by the often pliable standards of Trek science, that’s nonsense. Vulcan arrogance, Vulcan logic, Vulcan suppression of emotions, all of that is cultural, not genetic, not biological. There is simply no way that a serum that alters their DNA would also alter their cultural norms. That’s not how this works.

My disbelief having been choked to death before the credits even roll, I’m watching the rest of this episode with annoyance and frustration.

I hasten to add that the fact that the foursome all start acting like assholes is not why I dislike the episode. Indeed, in three of the four cases, it was actually kind of interesting. Uhura approached her nascent relationship with Beto analytically, Chapel saw that she could be an even more efficient workaholic, and furthermore that her personal relationships were all illogical, and La’an starts getting all Machiavellian. (In a nice touch, both La’an and Pike recognize that the former is acting kinda Romulan, as the two of them both know—thanks to time-travel shenanigans, La’an in “Tomorrow and Tomorrow and Tomorrow,” Pike in “A Quality of Mercy”—that Romulans are Vulcan offshoots. But those events were classified, so neither of them talks about it past a quick mention and then go back to avoiding talking about it.)

The weak link, sadly, is Pike. Anson Mount chooses shouting as his mode of being Vulcan, and it honestly feels like he was told he was playing a Conehead rather than a Vulcan.

Anyhow, Vulcans being assholes isn’t exactly new. If you watch the original series closely (or even casually, honestly), you’ll see that Spock is a spectacular asshole on many occasions, and the other Vulcans we met on the original series—Sarek, Stonn, T’Pring, T’Pau—were even more spectacular assholes. One of the more moronic complaints about Enterprise in 2001 by many in fandom was that it portrayed the Vulcans as assholes, when that just proved they were paying attention. (Personally, I blame the mountains of tie-in fiction and fanfiction in the 1970s and 1980s that wrote Spock and the Vulcans as noble space elves rather than a bunch of arrogant snots.) Enterprise did plenty wrong, mind you, the Vulcans just weren’t one of them.

The problem is that the transformed quartet shouldn’t be snots because, again, that’s cultural and not biological. They should’ve all been acting like La’an, or acting like Spock did in “All Our Yesterdays.”

At least the damage is minimal, as the Enterprise is on shore leave, so they’re not actually on missions or anything, y’know, dangerous. Which is good, as—after they solve the problem on the pre-warp planet—they decide to stay as Vulcans, as it’s much more logical for them to be Vulcan than human.

One of the few good things about this episode is that it shows the growing friendship between Jim Kirk and Montgomery Scott. Kirk comes on board because the Farragut is still under repair from the events of “The Sehlat Who Ate Its Tail,” and he wants to visit his brother. Sam, however, has already gone on shore leave. (Maybe call first, Jim?) So Kirk decides to hang with Scotty, as Kirk is grateful to the young engineer for saving his ass in the prior episode. They wind up getting sucked into La’an’s plan to turn the Enterprise into a warship, and also to manipulate the Klingons, Tholians, and Gorn into fighting each other, a war that will result in the Federation dominating the galaxy. That part of the story is generally fun, with a nice little continuity hit thrown in for good measure. (Scotty calling Kirk by his first name in “Mirror, Mirror” was always a jarring moment—on purpose, mind you—and this episode has Kirk first asking Scotty to call him that.)

Other parts of the story, not so much. We have Pike being a dick, including nearly scuttling Batel’s attempt to get Pasalk (Graeme Somerville, back from “Ad Astra per Aspera”) to let her get back to work for the JAG office. (That turns out for the best, as Batel’s frustrated outburst at both Pike and Pasalk leads to the latter offering her his job after his imminent retirement.) We have Uhura using a mind-meld to brainwash Beto into being more Vulcan-like. And we have Chapel breaking up with Korby and ending all her friendships so she can devote all her time to research.

The solution is even more cringe-y, as we’re introduced to Number One’s ex, Doug the Vulcan (Oswalt). Doug’s family has always been fascinated by humans, going so far as to give their children human names. However, Doug and Number One have a rather significant effect on each other, and both of them act completely dippy and loopy when they’re together. It’s a side of Number One we’ve never seen before, and which frankly, I never wanted to see. It’s yet another doofy sitcom bit in an episode choked with them. I might have been willing to put up with it in a better episode, but at this point it was just piling on the stupidity.

Doug is also an expert in katras (the essence of self in Vulcan beliefs, as seen initially in The Search for Spock), and Spock believes—and Doug confirms—that if they can get at the foursome’s respective katras and show them who they really are, they’ll agree to be turned back into humans.

And then that part happens off-camera! In an episode filled with missteps, this is by far the biggest one. Instead of showing Pike, Uhura, and Chapel confront their true selves, it all happens between scenes, fobbed off into a first officer’s log voiceover. The only one we actually see is La’an, because she refuses to change back even after seeing her true self. Spock theorizes that her Vulcan DNA mingled with her Augment DNA to cause her to become the megalomaniac she was turning into, and it takes a telepathic confrontation between Spock and La’an to get her to finally come back to herself. And credit where it’s due, that confrontation is beautifully staged, modulating from hand-to-hand combat into the dancing that Spock and La’an have been doing together since “Wedding Bell Blues,” and hats off to the show’s choreographers.

One of the few genuine laughs in the episode came when Pelia decided she wanted a high-five from Pike, and Pike flinches when Pelia raises her hand to him, thinking she’s going to hit him before he figures it out. This, in turn, set up another laugh, at the end, when Spock is discussing bits of human behavior with Doug, including a deadpan Vulcan riff on up-top-down-low-too-slow.

Or maybe by then I was just punchy…

I’m off to Dragon Con 2025, so forgive me if I don’t respond much in the comments on this one. But if you’re in Atlanta this weekend for the con, come see me![end-mark]

The post “Am I slightly forgiven now?” — Star Trek: Strange New Worlds: “Four-and-a-Half Vulcans” appeared first on Reactor.

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[personal profile] anais_pf posting in [community profile] thefridayfive
These questions were written by [personal profile] spiralsheep.

1. Does where you live have regular doorstep rubbish collections or do you have to take your trash somewhere else?

2. Do you separate recycling? What sort of stuff gets recycled from your household?

3. Do you take things you don't need to charity shops, or give them away online, or sell them secondhand, or ...?

4. Do you pick up litter in your local area, from streets or trails or play areas or parks? Have you ever found anything interesting discarded or lost in a public space?

5. Are there "repair cafés" near you to help mend fixable items? Have you ever been helped by a community repair service or volunteered for one? Do you do any other kind of upcycling?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!

How to spam

Aug. 28th, 2025 12:48 pm
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[personal profile] petra
Protip: If you are trying to convince people on the non-commercial platform of AO3 to give you money for fanart, or links to their bank information so you can scam them, don't leave identical gushing-but-generic comments on two of their fanworks.

Fellow fanwork creators: if you get this sort of solicitation, report it to Abuse.

Hawk and Dove (1989) #6

Aug. 28th, 2025 05:28 pm
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[personal profile] iamrman posting in [community profile] scans_daily

Writers: Karl and Barbara Kesel

Pencils: Greg Guler

Inks: Scott Hanna


A mysterious man known as Barter offers to give Hawk and Dove answers on their origins if they run an errand for him.


Read more... )

home from the sea

Aug. 28th, 2025 09:24 am
jazzfish: an open bottle of ether, and George conked out (Ether George)
[personal profile] jazzfish
Got in last night around quarter of ten, to a very affectionate cat. He's currently curled up on the heating-pad mat next to the laptop, where he's been for most of the last couple of hours. I think he may have missed me.

This is admittedly the most jetlag I've ever tried to recover from, but I am just not getting it. Been crashing out early and waking up after five or sometimes six hours' sleep. I made it home last night due to copious applications of caffeine and sugar, and still woke up at four AM. Hopefully being Actually Home will suffice to reset my system.

In Pattern Recognition, William Gibson talks about jetlag as a result of traveling faster than humans were meant to travel, so your soul needs time to catch back up to your body. As a description of the sensation it's about right.

Today: shower, unpack, get groceries (ordered, just need to pick up once ready), therapy, farmers market. Probably watch the last two episodes of season 3 of Slow Horses, since I watched S1 on the plane to Paris, S2 on the plane from Paris, and the first four of S3 on the plane from Mpls. Possibly rave about how great that show is. Ideally write up the next stage of the travelogue, but I'm not pushing it.

Meant to link these yesterday but forgot, so, have some Wendy Cope:
Onward.
[syndicated profile] lifehacker_feed

Posted by Jake Peterson

Did you know you can customize Google to filter out garbage? Take these steps for better search results, including adding my work at Lifehacker as a preferred source.


We're fresh off the deflated hype of Made by Google 2025, and just ahead of Apple's big iPhone 17 event, which means it's the perfect time for another tech company to hold its own hardware announcement. In this case, that's Samsung, launching a surprise, virtual Galaxy event to kick off a new month.

The company announced the event in a Thursday blog post, though the details are a bit vague. The event will reportedly showcase "a new gateway to the latest Galaxy AI experience," and will reveal devices from "premium AI tablets to the newest member of the Galaxy S25 family."

Samsung, of course, doesn't reveal which devices in particular it will be showing off, though some outlets are speculating this will be the Galaxy S25 FE reveal. The FE is Samsung's "budget" Galaxy line, sporting some of the hardware that you'd find in the Galaxy S series, but with some cuts to bring the price point down. Samsung announced the S24 FE last September, so the timing would make sense. This could also be an opportunity to reveal the Tab S11, though we won't know what Samsung really has planned until the event.

While we might not know if the S11 will be the tablet unveiled next week, we do know a Tab device is coming. That's because Samsung is offering a $50 credit to any customers that reserve the latest Galaxy Tab device. You need to reserve the device by Sept. 3 and make a purchase between Sept. 4 and Oct. 5 to have the credit applied to your chosen products.

How to watch

Samsung's next Galaxy event will air on Thursday, Sept. 4 at 5:30 a.m. It's quite early for those of us on the east coast, and especially early for those on Pacific Time, but if you find yourself awake at this time on the fourth, you can catch the livestream from either Samsung's website or the company's official YouTube channel.

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Posted by George Avalos

SAN JOSE — In one of the South Bay’s biggest apartment deals so far this year, Park Kiley, a 948-unit multifamily property, was sold for $370 million, according to documents filed on Aug. 27 with the Santa Clara County Recorder’s Office.

Standard Communities, a real estate firm; Housing on Merit, a nonprofit; and Vistria Real Estate, an investment company, teamed up to buy the complex at 355 Kiely Rd. in San Jose, county and state public documents show.

Measured by dollar amount, this deal appears to be the largest apartment purchase in Santa Clara County so far in 2025, according to this news organization’s review of a database of real estate transactions and its own published reports.

The largest prior apartment complex deal in the county was in April when Rockpoint Group paid $207.2 million for The Villages at Cupertino.

The Park Kiley apartment complex was built in 1972 and consists primarily of three-story buildings.

The units are all affordable, according to documents posted on Aug. 8 by the California Municipal Finance Authority. The apartments consist of 78 studios, 469 one-bedroom units, and 401 two-bedroom units.

The apartments are set aside for those whose annual incomes are no more than 80% of the area median income for Santa Clara County.

For 2025, the area median income was $195,200 for a household of four people and $136,650 for one person. This suggests the annual income limit would be $156,160 for a four-person household and $109,320 for one person, according to a state Housing and Community Development Department website post.

At the time of the purchase, the buying alliance obtained a purchase loan of $203.5 million from JLL Real Estate Capital, according to the county property records. The JLL unit immediately transferred the loan to the Federal Home Loan Mortgage Corp., or Freddie Mac.

The new ownership group also obtained a property tax welfare exemption, a California Municipal Finance Authority staff report stated. This provision enables the new owners to avoid paying some or all of the property taxes that would normally be levied on a California real estate parcel.

The owners intend to use the property tax exemption to improve the complex, the finance authority stated.

“The property will serve low-income tenants and utilize the cost savings of the Welfare Tax Exemption towards preserving high-quality affordable housing and providing substantial rehabilitation to the property,” the finance authority staff report stated.

The new owners are also expected to keep Park Kiley affordable over a period of decades.

“A total of 948 low-income households will be able to enjoy high-quality, independent, affordable housing in San Jose for the next 30 years,” the finance authority asserted in the staff report.

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Posted by Khamosh Pathak

We may earn a commission from links on this page. Deal pricing and availability subject to change after time of publication.

Labor Day sales are rolling in, and Lifehacker is sharing the best sales based on product reviews, comparisons, and price-tracking tools before they’re over. You can also subscribe to our shopping newsletter, Add to Cart, for the best sales sent to your inbox.


If you spend a lot of your work time in online meetings, your webcam kind of becomes your identity. And you're going to want to project the clearest, most high-def version of yourself.

Insta360’s Link 2 webcam can help with that. And for Labor Day, the Insta360 Link 2 is down to $149.99 on Amazon (from its selling price of $200), which is its lowest price yet.

The Link 2 has a 1/2-inch sensor, and supports 4K video at 30FPS or 1080p video at 60FPS.

The camera is mounted on a swiveling gimbal that sits on a cylindrical base, and magnetically attaches to the mounting clip. The Link Controller app offers several options for different tracking modes, including AI tracking for a single person, or for groups.

The gimbal is what makes this webcam especially useful if you need to give presentations online while moving around in your space. There are modes for whiteboards and for showing what’s on your desk. You can adjust the look of the video too, manually controlling the exposure and white balance control. The webcam also offers a clear microphone, but anyone who’s serious about their sound should be using a dedicated mic, or a good quality headset.

In its review, PCMag gave the Link 2 a three-star rating, noting that “The Insta360 Link 2 is a solid gimbal-mounted webcam with a good microphone.”

[syndicated profile] reactor_feed

Posted by Emmet Asher-Perrin

Movies & TV Watchlist

Here Are All the Genre Movies Premiering in September!

Fairy circles, demon hunters, and grueling endurance race feature in this month’s new genre films…

By

Published on August 28, 2025

Images from three movies releasing in September 2025: Dev Patel in Rabbit Trap, Vera Farmiga in The Conjuring: Last Rites, and Cooper Hoffman in The Long Walk

There is a lot of entertainment out there these days, and a lot of fantasy, sci-fi, and horror titles to parse through. So we’re rounding up the genre movies coming out each month. 

September brings a whole range of horror movies, from new installments in beloved franchises to a Dev Patel joint about sinister Welsh fairies. But if horror isn’t your thing, a few romance movies with a speculative twist are also on the horizon, along with an absolutely awesome Batman retelling set in the Aztec empire. Here’s the full list of fantasy, sci-fi, and horror movies releasing in September. 

The Conjuring: Last Rites — in theaters September 5

The Conjuring: Last Rites is the latest installment in the ever-popular supernatural horror franchise. Vera Farmiga and Patrick Wilson return to the Conjuring world as fictionalized versions of paranormal investigators and authors Ed and Lorraine Warren. This time they’re investigating a demon that plagues a family. Like other Conjuring movies, this one is inspired by a real-life haunting, specifically the Smurl Haunting. Last Rites is the direct sequel to 2021’s The Devil Made Me Do It

The Long Walk — in theaters September 12

Based on Stephen King’s novel of the same name (one who wrote under his Richard Bachman pseudonym), The Long Walk takes place in a dystopian version of the United States. In this cruel world, 100 young men enter an annual walking contest where they must maintain a brisk minimum speed or risk execution. The walk continues till there is only one survivor who is awarded with whatever he wants for the rest of his life. 

Traumatika — in theaters September 12

Traumatika’s tagline is “This is not a movie you see; it is a movie you survive” and boy, if that doesn’t ramp up stakes and expectations, I don’t know what does! In this movie, a young boy’s night terrors seem to become reality when his mother experiences disturbing signs of demonic possession. But his childhood horror is only the beginning, as the demonic entity continues to stalk him throughout his life. 

Rabbit Trap — in theaters September 12

This paranormal horror film dives into the uncanny mythology of the Tylwith Teg, the Welsh fairy folk. After two married musicians move to the remote Welsh countryside, they accidentally disturb a fairy circle while collecting audio samples for their newest record. The strange, eerie music ends up creatively inspiring them. Soon, a mysterious person shows up at their door and continues to visit them, all while stranger and stranger things begin to happen. Dev Patel and Rosy McEwen star as the young couple. 

The Man in My Basement — in select theaters September 12

Racked with debt, a man named Charles Blakely decides to take up a strange businessman’s offer to rent out his basement for the summer. While the money Charles makes off the rental will be enough to pay off his debts and keep his family home, the strange businessman is definitely up to something nefarious and won’t explain what’s going on. Based on Walter Mosley’s novel of the same name, The Man in My Basement stars Corey Hawkins and Willem Dafoe. 

Motherland — in theaters September 12

The titular Motherland in this sci-fi thriller is a commune where the state raises children, freeing people from the burden of parenthood. But things aren’t all peachy in the Motherland and soon one of the workers learns a secret about some of the young women in her care, a secret that inspires her to rebel against the Motherland. 

Aztec Batman: Clash of Empires — on HBO Max September 18

What would make Batman even cooler? Turning him into an Aztec nobleman who enacts vengeance on conquistador Hernán Cortés, naturally. Aztec Batman: Clash of Empires is a reimagining of the familiar Batman story, but set in 16th century Mesoamerica. The movie blends the DC characters and plotlines, Aztec mythology, and real life history for one absolutely wild mismash of genres and time periods. And it’s not just Batman getting the makeover—the trailer also shows off reimagined versions of Joker, Two-Face, Poison Ivy, and Catwoman.

Him — in theaters September 19

It’s a horror film! It’s a sports movie! It’s a… sports horror movie? Cameron, a star rookie football player, gets an invitation to train with a legendary quarterback. But when he arrives on the compound, Cameron realizes that there is something way more sinister going on, as the players push each other past their physical limits. Him is the newest horror film from Jordan Peele’s Monkeypaw Productions. 

Xeno — in theaters September 19

Xeno is a classic tale of kid meets alien ala E.T. and Lilo and Stitch. In this case, a teenage girl named Renee meets a dragon-like alien who crash-landed in the desert. She bonds with the creature, but of course there are government agencies determined to capture the creature. Despite many warnings about how dangerous the alien is, Renee knows that the bond she shares with the extraterrestrial is real. 

A Big Bold Beautiful Journey — in theaters September 19

Margot Robbie and Colin Farrell lead this romantic fantasy, where two strangers come together and open a sequence of mysterious doors that lead them into each other’s pasts. They relive special moments and memories, some happy and some painful, and uncover deep truths about themselves and each other. And since this is a romance, they probably fall in love along the way. But will that love last? 

The Strangers: Chapter 2 — in theaters September 26

The Strangers: Chapter 2 picks up right after Chapter 1 (which itself is a soft relaunch of the 2008 horror movie). Maya (Madelaine Petsch), the sole survivor of a home invasion encounter, is grappling with the aftermath of her traumatic experience. But the three masked strangers who tortured her aren’t finished yet. And there might be some more backstory! But not all of it, because there’s still Chapter 3 next year. 

Gabby’s Dollhouse: The Movie — in theaters September 26

Based on the incredibly popular children’s cartoon of the same name, Gabby’s Dollhouse blends live action and animation for a brand new adventure. The titular dollhouse ends up in the hands of a greedy cat collector (played by Kristen Wiig channeling massive Cruella De Vil energy), so Gabby needs to transform into her tiny animated form to rescue it! She teams up with her toy friends as they explore Cat Francisco. 

All of You — on Apple TV+ September 26

production stills from All of You, Brett Goldstein and Imogen Poots staring into each other's eyes
Image: Apple TV+

All of You takes place in the near-future, where an algorithmic test can determine one’s soulmate. Imogen Poots and Brett Goldstein star as two best friends with budding romantic feelings who end up not being each other’s soulmates—at least, according to the test. They spend the next 12 years avoiding their feelings, despite the fact that those feelings continue to blossom.

[end-mark]

The post Here Are All the Genre Movies Premiering in September! appeared first on Reactor.

[syndicated profile] reactor_feed

Posted by Molly Templeton

News Bugonia

Bugonia Trailer: Emma Stone Is Totally Not an Alien in Yorgos Lanthimos’ New Film

But what do the bees have to do with anything??!?

By

Published on August 28, 2025

Screenshot: Focus Features

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/emma-stone-yorgos-lanthimos-bugonia-trailer/">https://reactormag.com/emma-stone-yorgos-lanthimos-bugonia-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=822492">https://reactormag.com/?p=822492</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/bugonia/" class="inline-block link-no-animation" aria-label="Link to term or tag Bugonia 1"> Bugonia </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Bugonia</i> Trailer: Emma Stone Is Totally Not an Alien in Yorgos Lanthimos’ New Film</h2> <div class="prose post-hero-description prose--post-hero">But what do the bees have to do with anything??!?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 28, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Focus Features</p> 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https://reactormag.com/wp-content/uploads/2025/08/bugonia-trailer-768x511.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/bugonia-trailer-1536x1023.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/bugonia-trailer-2048x1363.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Focus Features</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Every new Yorgos Lanthimos movie is cause for celebration. We have celebrated <em>Dogtooth</em>, and <em>The Favourite</em>, and <em>Poor Things</em>, and now we will celebrate his next film, <em>Bugonia</em>, which was recently <a href="https://www.hollywoodreporter.com/news/general-news/yorgos-lanthimos-bugonia-film-aliens-dystopia-reckoning-1236355589/" target="_blank" rel="noreferrer noopener">described</a> by star Emma Stone as &#8220;really fascinating and moving, funny and fucked up, and alive.&#8221; This is a) a pretty perfect way to describe the director&#8217;s work in general and b) a phrase I personally think sounds like a rousing endorsement.</p> <p><em>Bugonia</em> was initially described as a remake of the Korean film <em>Save the Green Planet!</em>, but recent reports say the movie—which has a screenplay by <em>Succession</em> writer Will Tracy, and was originally developed by <a href="https://reactormag.com/the-producers-of-midsommar-and-parasite-are-teaming-up-for-an-english-language-remake-of-save-the-green-planet/" target="_blank" rel="noreferrer noopener">Ari Aster</a>—is instead &#8220;inspired&#8221; by Jang Joon-hwan&#8217;s 2003 film. The offered synopsis says only, &#8220;Two conspiracy obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.&#8221; </p> <p>You can see, maybe, where they might get this idea; plenty of CEOs do give off a strong sense of being unconcerned with the fate of humanity. Though the world seen in the trailer seems relatively normal, the film apparently presents something of a dystopia. However, Lanthimos noted in a recent press conference that the dystopian elements aren&#8217;t really a stretch. According to <a href="https://www.hollywoodreporter.com/news/general-news/yorgos-lanthimos-bugonia-film-aliens-dystopia-reckoning-1236355589/" target="_blank" rel="noreferrer noopener"><em>The Hollywood Reporter</em></a>, Lanthimos said:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Again, unfortunately, not much of the dystopia in this film is very fictional. A lot of it is very reflective of the real world,” he said, adding that when one hears the word dystopia, people often think of an image of the future and whatever event has happened to civilization. “If anything, this film says this is happening now. Actually, it became more relevant as time went by. Humanity is facing a reckoning very soon. People need to choose the right path, otherwise, I don’t know how much time [left] with everything that’s happening in the world, with technology, AI, with wars, climate change, the denial of all these things and how desensitized we’ve become to all of these things. [The movie] is more of a reflection of our times and hopefully it will trigger people to think about what’s happening today, all around the world.”</p></blockquote></figure> <p><em>Bugonia</em> also stars Jesse Plemons and Aidan Delbis as Stone&#8217;s kidnappers. It&#8217;s in theaters October 24th.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="8979"/> </div></figure> <p>The post <a href="https://reactormag.com/emma-stone-yorgos-lanthimos-bugonia-trailer/">&lt;i&gt;Bugonia&lt;/i&gt; Trailer: Emma Stone Is Totally Not an Alien in Yorgos Lanthimos’ New Film</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/emma-stone-yorgos-lanthimos-bugonia-trailer/">https://reactormag.com/emma-stone-yorgos-lanthimos-bugonia-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=822492">https://reactormag.com/?p=822492</a></p>
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Posted by Sarah

Column The SF Path to Higher Consciousness

Wall-E and the Value of Embracing the Unknown and Unpredictable

Pixar’s finest film reminds us that living in fear of the unknown is no way to live.

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Published on August 28, 2025

Credit: Pixar

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/wall-e-and-the-value-of-the-accidental-x-factor/">https://reactormag.com/wall-e-and-the-value-of-the-accidental-x-factor/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=822136">https://reactormag.com/?p=822136</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-sf-path-to-higher-consciousness/" class="inline-block link-no-animation" aria-label="Link to term or tag The SF Path to Higher Consciousness 1"> The SF Path to Higher Consciousness </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Wall-E</i> and the Value of Embracing the Unknown and Unpredictable</h2> <div class="prose post-hero-description prose--post-hero">Pixar&#8217;s finest film reminds us that living in fear of the unknown is no way to live.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/dan-persons/" title="Posts by Dan Persons" class="author url fn" rel="author">Dan Persons</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 28, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Pixar</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/wall-e-and-the-value-of-the-accidental-x-factor/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="348" src="https://reactormag.com/wp-content/uploads/2025/08/Wall-E-axiom-robots-740x348.jpg" class="w-full object-cover" alt="The Axiom&#39;s robots charging down the corridor with Wall-E and EVE in Pixar&#39;s Wall-E" srcset="https://reactormag.com/wp-content/uploads/2025/08/Wall-E-axiom-robots-740x348.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/Wall-E-axiom-robots-1100x518.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/Wall-E-axiom-robots-768x361.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/Wall-E-axiom-robots-1536x723.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/Wall-E-axiom-robots.jpg 1700w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Pixar</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Mickey Mouse. Charlie Chaplin. Maybe a little Buster Keaton…</p> <p>The names started crossing my mind during one small moment in the film <em>Wall-E</em> (2008). It’s just after Wall-E (Ben Burtt), the hangdog little trash-compacter robot, has landed on the <em>Axiom</em>, the arkship carrying the helplessly sedentary descendants of Earth’s final survivors. A bunch of custodial robots have been dispatched to scrub down a squad of recently returned probe bots—including Wall-E’s new crush, EVE (Elissa Knight)—that were dispatched to Earth to find proof that the environmentally ravaged planet was ready to support life. By dint of having literally hitched a ride on EVE’s transport ship, Wall-E lands in the line-up, panicking M-O, a diminutive, temperamental scrub-bot, who endeavors to clean up the filth-caked stowaway despite Wall-E’s best efforts to discourage it. Annoyed, and perhaps a bit amused by the obstinate scrubber, Wall-E first tracks a bit of grime on the ship’s pristine deck, triggering a scolding from M-O, then on M-O itself, prompting a mini-tantrum.</p> <p>It&#8217;s a funny bit, one that highlights director Andrew Stanton’s knack for imbuing these machines with their own distinctive personalities, purely through their sounds and behaviors. M-O’s staccato motions and fussy squeaks nail its obsessive nature, while Wall-E’s teasing conjures up impressions both of the Little Tramp at his most impertinent, and the World’s Most Famous Mouse back in his early, <em>Steamboat Willie</em> days.</p> <p>But it’s what follows that stands out as a crucial moment in the film. Catching sight of EVE being carted away on a hover sled, Wall-E quickly trundles after her, cutting across the highly polished floor and leaving a trail of grime behind. That’s a dilemma for little M-O: Its protocol demands that it scrub up the mess, but to do so would mean it has to leave an illuminated pathway, one of the many tracks that all of the ship’s mobile mechanisms must follow. After gathering up the courage, M-O hops off the line and, after discovering that no technological Big Bad Wolf is waiting to devour foolish robots that stray from the path, cheerily congratulates itself and rolls off to fulfill its mission—a mission it will eagerly carry out for the remainder of the film. (For those of you up on CG animated features, M-O is essentially the Scrat of <em>Wall-E</em>.)</p> <p><site-embed id="8974"/></p> <p><em>Wall-E </em>is well-known for its big idea, the central premise that’s quite radical for a mainstream film: That rampant consumerism could be the death of both the Earth and humanity itself. Seven hundred years after the <em>Axiom</em> took off from our home planet, Wall-E is the last, lonely robot trying to clean up the mess left behind, dutifully scooping up refuse, compacting it into cubes, and depositing them into orderly, ever-growing corrals. Meanwhile, the thousands, or tens of thousands, or hundreds of thousands of <em>Axiom</em> passengers (Google’s AI Overview says the ship started out with around 600,000, but the population has dwindled down to about 15,000—take that as you will) are coddled in their cruise-ship paradise, zooming around on hovering lounge chairs and having their every need attended to, except maybe the need for regular rounds of aerobics. There’s a subtle dig here at Disney Company founder Walt’s vision of a prosperous, corporate-backed future, with children indoctrinated into the mindthink of host mega-store Buy ‘n’ Large, and composer Thomas Newman laying in a gentle, bubbly music track that’s eerily reminiscent of Disney World’s former glimpse-into-the-future dark ride, <a href="https://en.wikipedia.org/wiki/Horizons_(Epcot)" target="_blank" rel="noreferrer noopener"><em>Horizons</em></a>.</p> <p>But in M-O boldly stepping outside of protocol, and in how Wall-E inadvertently inspires it to do so, there’s another message to be divined. The <em>Axiom </em>was only supposed to be away from Earth for five years while a brigade of Wall-Es performed their clean-up job, and so the trip was configured as a kind of extended holiday. When that timeline turned out to be grievously optimistic—you think someone would’ve looked at piles of detritus towering over skyscrapers and said, “Y’know, this might require <em>a bit more</em> work”—a message was sent out to the ship saying essentially, “It’s impossible. Don’t come back.” The ship’s systems, powered by an AI called Auto (MacInTalk—one of the many Apple references in the film), seemingly translated that to “Keep on doing what you do.” The result: Seven centuries of idle lounging, meals in a cup, and social isolation to the point where passengers sitting next to each other still communicate via video chat. (If, as it seems, the real-world Google AI pulled the aforementioned population numbers from some random person’s musings, the closed system that has developed aboard the <em>Axiom </em>suggests that the analysis of severe attrition might not be far off.)</p> <p>And then into the system comes Wall-E. Among the sleek and user-friendly equipment tending to the <em>Axiom</em> and its passengers, he is the proverbial square peg in a round hole. He is battered and dirty. He ignores the pre-programed pathways, he’s mischievous, he’s chaotic.</p> <p>None of these behaviors are deliberate, exactly—Wall-E’s power-bank is pure, he just isn’t aware of how much he’s disrupting the arkship’s stultified system. It leads to such small but telling moments as Wall-E waving to a bureaucratic robot, and the bot responding by wagging one digit, then staring at the appendage, not quite sure what kind of interaction it has just participated in. The next time the two machines encounter each other, the bureaucrat gives Wall-E a full, earnest wave.</p> <p><site-embed id="8975"/></p> <p>In a robot’s evolution from reflexive action to understanding that action’s meaning, <em>Wall-</em>E advances a profound idea. As Wall-E barrels through the <em>Axiom</em>—causing a 45-bot pile-up in a corridor, triggering a veritable revolution of malfunctioning machines, dumping humans willy-nilly out of their hover-chairs—the chaos isn’t occurring just for chaos’ sake. The bots discover that strict adherence to the path is not mandatory, and that their flaws and their weirdnesses will not result in automatic ostracism or penalization. Meanwhile, the humans are awakened to their centuries-old stagnation and their unthinking isolation. (In one touching moment, one passenger, Mary (Kathy Najimy), her vid-chat disrupted by Wall-E, gazes up in wonder at the ship’s atrium and is startled to discover the ship has a swimming pool.)</p> <p>Wall-E becomes a catalyst, the factor that, when introduced into a system, results in dramatic change. Having noticed a bit of dirt left behind after shaking Wall-E’s hand, the <em>Axiom</em>’s captain (Jeff Garlin) is inspired to research the Earth that was left behind, and awakens a desire to return. The humans turn to look at one another without the intermediary of a video feed and reestablish long-missing connections. When EVE first meets Wall-E on Earth, the bot’s guileless earnestness lures her away from her corp-imposed isolation (watching her soaring above the ravaged Earth once out of sensor-shot of her masters and unaware Wall-E is spying on her is both beautiful and heart-breaking, at least until she tries to blow up the hapless compactor-bot into smithereens).</p> <p>None of this deliberate or calculated on Wall-E’s part. Like Mickey Mouse, like the Little Tramp, he’s just trying to be himself and get along in the world. But his interactions (and interference) within the closed environment of the <em>Axiom</em>—all in the service of finding and courting EVE—radiate out to transform an entire ecosystem. He is the random seed that affects dramatic change.</p> <p>It&#8217;s easy to trace the fear and suspicion that fuel xenophobia and intolerance to a basic fear of the unknown: An outsider is an unknown quantity, presenting risks that cannot immediately be assessed. Caution is a logical response, but let it get out of control, let it get to the point where a society closes its doors, and attempts to expunge the Other—without thought to who they may be or what they might have to offer—and the danger is not only to the stranger, but to those who put the need to expel them above all other priorities. When Auto does all it can to prevent EVE from delivering the news that the Earth is ready for repopulation, heedless of the harm it’s doing to those it means to protect (Auto is the villain in the same way HAL 9000 was the villain), Wall-E, the outsider, is there to throw a spanner into the AI’s actions and remind <em>Axiom</em>’s inhabitants of why they exist to begin with.&nbsp;</p> <p>Close off your system, hermetically seal it inside a giant spaceship or within a discriminatory worldview that views any foreigner as a malignancy, and the only future left is one of decay and degradation. There are risks involved in inviting in the X factor, but there is also potential to transform what has stagnated, to elevate our thinking, to revivify our world. The Wall-E of <em>Wall-E</em> stumbles into an environment that’s complacent, well-cared-for, and dying, and by dint of just being him—an earnest, friendly, and bumbling robot—helps those he encounters to rediscover their humanity, and their need for something more. He is a catalyst for change; he should remind us of the danger of reflexively rejecting those who will trigger our own growth.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p><em>Wall-E</em> was the penultimate title in Pixar’s golden age (followed by <em>Up</em> in 2009). It may be the studio’s most daring offering, relying more on (frequently stunning) visuals than dialogue, offering comic beats that are shockingly fast-paced without being overwhelming, advancing themes that one doesn’t usually encounter in a film receiving wide release. It may in fact be the studio’s greatest effort—I’m not sure they’ve ever again taken such risks and reaped such rewards. But what do you think? Is <em>Wall-E </em>the extraordinary achievement I hold it to be? Are there Pixar titles that surpass it? (Anybody nominating <em>Cars 2</em> shall be promptly escorted to the airlock.) The comments section is there for your input. Just be friendly and polite—introducing an X factor or a new perspective is not an excuse for nastiness.</p> <p>The post <a href="https://reactormag.com/wall-e-and-the-value-of-the-accidental-x-factor/">&lt;i&gt;Wall-E&lt;/i&gt; and the Value of Embracing the Unknown and Unpredictable</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/wall-e-and-the-value-of-the-accidental-x-factor/">https://reactormag.com/wall-e-and-the-value-of-the-accidental-x-factor/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=822136">https://reactormag.com/?p=822136</a></p>
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Posted by Bloomberg

By John Gittelsohn, Bloomberg

Marilyn Monroe’s last home faces the wrecking ball if its owners get their way this week in a court bid to overturn its designation as a historic landmark.

Brinah Milstein, the daughter of a prominent Cleveland real estate developer, and Roy Bank, a reality TV producer, paid $8.35 million in 2023 for the Brentwood area property where the screen goddess known for Some Like it Hot and Gentlemen Prefer Blondes spent her final six months.

RELATED: Katy Perry testifies that she’s seeking ‘justice’ at trial over $15 million California mansion

Shortly after the couple received a demolition permit, preservationists persuaded the city of Los Angeles to designate the house as a historic-cultural monument, sparing it from destruction. Milstein and Bank planned to combine the site with an adjacent lot, their residence since 2016, “to improve the property,” Peter Sheridan, their attorney, said in an email.

“LA has thousands of celebrities who live and die here,” Sheridan said. “Is every house that those good folks lived in a ‘historic monument’? Not in the least.”

Celebrity homes are one of LA’s major tourist attractions, with star-tour buses clogging streets from Hollywood to the Pacific shores. Stopping places in Brentwood include the gates of the manors of Arnold Schwarzenegger, Kamala Harris and Harrison Ford.

Few stars match the allure and tragic glamor of Marilyn Monroe, but the historical value of her former home is dismissed by its current owners.

“There is not a single piece of the house that includes any physical evidence that Ms. Monroe ever spent a day at the house, not a piece of furniture, not a paint chip, not a carpet, nothing,” according to the lawsuit in Los Angeles County Superior Court.

The suit claims the city unconstitutionally abused its power by conspiring with for-profit tour operators and biased conservationists to deprive the owners’ vested rights.

Attorneys for the city argued they followed proper procedures, including gathering evidence of the property’s significance in the life of a notable historical figure.

“Mere disagreement is not enough to overcome the city’s lawfully-taken action that petitioners opposed at every hearing of the proceedings,” a team led by LA City Attorney Hydee Feldstein Soto wrote in a response to the lawsuit.

Monroe paid $75,000 for the home six months before her death, the first residence she bought on her own after marriages to baseball star Joe DiMaggio and playwright Arthur Miller.

An inscription in tile near the home’s front door threshold reads Cursum Perficio, Latin for “The Journey Ends Here.” It likely predates Monroe’s purchase, said Heather Goers, a preservationist who prepared a report for the city Cultural Heritage Commission, but adds a poignant note to her death at age 36.

“Marilyn Monroe was quite possibly the most influential female entertainer of the 20th century,” Goers said. “Less than 3% of the 1,300 historic properties in Los Angeles are dedicated to women’s history. If you can’t commemorate the history of Marilyn Monroe, what’s that tell us?”

Originally built in 1929, the two-bedroom, two-bathroom single-story stucco house was designed in Spanish Hacienda-style by an unknown architect.

“This house is unique and important to telling her story as an artist, celebrity, and iconic figure in Hollywood,” Andrew Salimian, director of advocacy for the Los Angeles Conservancy, a historical preservation group, said in an email. “It’s the only house she owned by herself as a single woman.”

The property has had 14 owners since Monroe’s death and undergone numerous renovations and additions including a detached recreation room and studio, the lawsuit says. The house, on a cul-de-sac of four properties, is enclosed by a wall and dense foliage and inaccessible to the public, unless they trespass, Sheridan said.

“In this particular case, it’s too little too late,” because the property has been so extensively changed since Monroe died there, Aaron Kirman, chief executive of Christie’s International Real Estate, Southern California, said in an interview. “The city should’ve designated this as a historical site long ago.”

Bank and Milstein have suggested saving the structure by relocating it to a more public site, so Monroe devotees can have access. Since the property dispute first made news two years ago, tour groups and fans have swarmed their quiet cul-de-sac, invading their privacy, Milstein said in testimony to the city last year.

“Our children have been buzzed by low-flying drones while playing in the backyard, running inside, crying in fear,” she said, choking back tears.

The brief period of Monroe’s life at the home is documented on an almost daily basis by her correspondences, checkbook payments and other records, according to Goers’ presentation. In the months she lived there, Monroe won a Golden Globe Award, sang Happy Birthday, Mr. President at a gala for John F. Kennedy, was fired by 20th Century-Fox for missing shooting days on a movie and posed for photographer Bert Stern in what became the basis of his book, The Last Sitting.

Some of the most revealing documents are crime scene photographs taken for the coroner after Monroe’s death by a sleeping pill overdose, showing the house exterior much as it looks today, Goers said.

In July 1962, Monroe sat for an interview with Life magazine reporter Richard Meryman that was published the week she died. She took pride showing the largely unfurnished home, though she declined to allow photos, saying she didn’t want “everybody to see exactly where I live.” He described a profusion of flowers in the yard and construction underway of a side unit where her friends could stay in privacy.

“She exulted in it,” Meryman wrote. “On a special trip to Mexico she had carefully searched in roadside stands and shops and even factories to find just the right things to put in it. The large items had not arrived — nor was she ever to see them installed. As she led me through the rooms, bare and makeshift, as though someone lived there only temporarily, she described with loving excitement each couch and table and dresser, where it would go and what was special about it.”

More stories like this are available on bloomberg.com

©2025 Bloomberg L.P.

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Posted by Pk Hattis

BOULDER CREEK — California’s oldest state park — Big Basin Redwoods — thrived for 118 years, but it took less than 24 hours for almost all of the 18,000-acre property to go up in smoke.

In the early hours of the CZU Lightning Complex fires, ignited Aug. 16, 2020, the wind moved in a southern direction, forcing the light brown plumes of wildfire smoke over the Pacific Ocean and away from the historic facility and forest nestled deep in the Santa Cruz Mountains. But to the horror of the park’s staff and an anxious public, the wind flipped on Aug. 18 and put the treasured local enclave directly in the fire’s path.

What started as a few spot fires quickly transformed into a raging inferno that chewed through 100 structures, 85 miles of trails, 20 homes inhabited by State Parks staff and a new nature museum that was only months from opening. Most of the park’s famous old growth redwoods, some standing at 1,800 years old, survived the harrowing ordeal but were stripped of any elegant greenery and left with broad trunks entirely blackened by flames.

“There are multiple generations of memories at that park,” said Bonny Hawley, executive director of Friends of Santa Cruz State Parks, the local nonprofit State Parks operating partner. “People have very clear, very strong memories and emotions associated with that park and it’s hard for some people to see the changes.”

And while most of those memories now exist only in photographs, books and the minds of those that experienced the park in its former glory, Hawley and other park stewards hope the recovery effort that was mounted in the fire’s wake will serve as a beacon of resiliency in a climate that is much different from what it was a century ago.

“Rather than just putting back what was there before and hoping for the best, (we’re) trying to be very thoughtful about what we rebuild in a way that can last over time,” said Hawley. “We have an opportunity to really put that to the test at Big Basin.”

Something seen before

Big Basin reopened to day visitors in 2022 and for those who’ve returned to the local landmark, the recovery, in many ways, is self evident. Natural Resources Program Manager for State Parks’ Santa Cruz District Tim Hyland explained that the natural environment began its own adaptation not long after the flames were extinguished. In fact, “recovery” is not Hyland’s preferred word because he views fire as a natural phase of a forest’s lifecycle that temporarily suppresses certain features while allowing others to thrive.

RELATED: See the regrowth: Big Basin time-lapse video shows remarkable recovery of redwood forest from massive wildfire

Hyland said photos of Big Basin shortly after another massive fire struck the region in the early 1900s illume a park and its ancient, towering mascots that look strikingly similar to what visitors see today.

“They (redwood trees) are adapted to infrequent, high-severity fire. That’s something they’ve seen before,” said Hyland. “This redwood forest has been through this and it’s a cycle and there are some things … that only show up after you have an event like the CZU (Complex).”

The attention of park visitors is usually grabbed first by what Hyland and other scientists refer to as the “bottlebrush effect.” The phenomenon involves a redwood tree tapping into pockets of carbon energy stored in its trunk for as many as 60 years. This allows the tree to produce tiny green shoots of feathered leaves so it can continue to nourish itself through photosynthesis while, in turn, assuming a bushier incarnation akin to a bottlebrush.

Hyland estimated it’ll take Big Basin trees another 10-20 years to reestablish a thick canopy and while the forest works toward that goal, other fire-following plants and critters see an opening. Now, with uninhibited access to the sun’s warmth, the forest floor has exploded with fast-growing vines and shrubs as seeds that have sat dormant for decades unfurl. Among the bushy abundance are California lilacs, tiger lilies, huckleberry, blackberry, sprouts from tanoaks and Pacific madrone trees looking to regrow, as well as a host of accompanying nesting birds and pollinators.

“All these other things that are part of the system are taking advantage of all of the resources that the redwoods are now not able to monopolize,” said Hyland.

But the plants and animals aren’t the only ones that have been active.

A different experience

State Parks, with help from local nonprofit partners, launched a community-based visioning process in 2020 that culminated in creation of its Reimagining Big Basin Vision summary in 2022. The document lays out a comprehensive vision for how the park can be rebuilt in a sustainable way while maintaining adequate public access amenities.

At a recent community meeting in Boulder Creek, State Parks Senior Planner for the Santa Cruz District Will Fourt said the goal for the day use area’s redesign is to reduce the structural footprint by approximately 50% compared to what existed prior to the CZU fires. This will allow the natural landscape and meadowlands to recover to such an extent that the environment itself becomes the axis around which the park revolves for decades to come.

While the construction effort is still several years away, features are likely to include a new visitor hub at Saddle Mountain, a mixed tribal use space at Little Basin, a large camping space for tents, cabins and RVs, and a reconstructed amphitheater. Camping is still available at the Rancho Del Oso Nature and History Center on the coastal side of the park off of Highway 1.

California lawmakers allocated $186 million for rebuilding Big Basin in the state’s 2021 budget, but costs are likely to rise according to Fourt.

“What’s available from that budget will get us started,” said Fourt. “But we will need to pursue additional funding.”

And while the park doesn’t have any permanent structures or running water, that hasn’t prevented crews and a loyal base of community volunteers from getting day use features up and running. A network of more than 20 miles of trails, including fire roads, have been reestablished and can be used by hikers. Bicyclists are strictly limited to the fire roads.

Joe Buck has been visiting Big Basin for 40 years and, since retiring earlier this year, volunteers there a couple times per week. He said he’s hiked all the trails that are now open and is happy with what he’s seen.

“What you can go to, there’s still plenty of good hikes,” he said.

Buck admitted his first visit to the park in 2022 was jarring, but said conditions have steadily improved over the past three years and he’s confident in the recovery effort.

“Nature comes back. Sometimes it’s frustrating how slow things take,” said Buck. “If we protect (the redwoods), they’ll survive. And I think there’s a will to do that.”

Hawley, from Friends of Santa Cruz State Parks, said she’s been encouraged by visitation numbers, which are just short of 200,000 since 2022 — still a far cry from the estimated 1 million annual visitors before 2020. She said Big Basin fans can look forward to a new ecological hub at the former park headquarters, public education opportunities and streamlined Santa Cruz Metro shuttle bus access.

She also sees a silver lining in the reduced visitor figures.

“Part of the public planning that’s happened through reimagining Big Basin is really clarifying that people value the old growth, the historic core and that the primary value there is protecting the old growth trees rather than having masses of parking lots and huge crowds,” said Hawley. “When the park is fully reopened, it will be a different experience.”

Future fires

Despite the light green tint of fresh growth, staircases that lead to empty plateaus and a multitude of other inescapable visual reminders of the CZU fires, Hyland said the park’s fire threat is as low as it has been in 100 years.

State Parks crews even attempted to light a controlled burn last year, he said, but nothing significant materialized.

“There just is not enough fuel in the ground to carry a fire,” said Hyland.

But it won’t last. The park will approach a hazardous window in the next decade or so, he explained, when enough shrubs have matured and debris has accumulated. To soften the edges of the threat, State Parks staff plan to continue with intermittent debris collection and prescribed burns — a departure from practices of the past 150 years, Hyland said.

Still, he made a point of emphasizing that fire is a part of the local ecosystem and cannot be prevented. Redwoods are capable of surviving and thriving in an environment of infrequent severe fire, but it’s when the balance tilts toward higher frequencies that the coastal giants become truly threatened.

“They can take a high-severity fire. But if they have a fire like we had with CZU every 20 years, the forest will convert away from redwoods,” said Hyland. “We don’t get to choose whether or not we have fire. We just get to choose what kind of fire we have.”

Information about the Big Basin reimagining effort is at reimaginingbigbasin.org.

[syndicated profile] sjmerc_ca_feed

Posted by The Press Democrat

By Madison Smalstig, Press Democrat

Firefighting crews have expanded containment on the Pickett Fire to 29% as of Wednesday morning, Cal Fire reported. The blaze is not expected to spread further, though about 290 structures remain threatened.

Overnight, the return of the marine layer boosted humidity in Napa Valley’s lower elevations, aiding suppression efforts for the 2,785 personnel assigned to the fire. On Wednesday, crews — supported by 251 engines, 35 water tenders, 11 helicopters, 62 bulldozers and 61 hand crews — planned to reinforce control lines and extinguish hot spots.

Damage assessment teams continue to survey the burn area to determine whether any structures were lost. So far, no injuries or deaths have been reported.

Air quality has also improved. On Tuesday, the Bay Area Air Quality Management District lifted a wildfire smoke advisory for Napa, Sonoma and Solano counties, citing cooler onshore winds, higher humidity, reduced fire activity and the success of suppression efforts.

Evacuation conditions are easing in some areas. By Wednesday afternoon, Napa County officials lifted warnings for two zones — POP-E001-A, west of Butts Canyon and north of Pope Valley Road, and NPA-E107-A, west of Aetna Mine Road in the Oat Hill Road area. Evacuation orders remain in effect across seven zones stretching from Calistoga near Silverado Trail and Pickett Road northeast through the Palisades and Swartz canyons to Pope Valley Road. Three zones in the southwest are still under warnings.

Road closures also remain in place. Aetna Springs Road is fully closed, while Rosedale, Pickett and James Creek roads are restricted to residents only.

You can reach Staff Writer Madison Smalstig at madison.smalstig@pressdemocrat.com. On X (Twitter) @madi.smals.

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Posted by John Metcalfe

Set across a vast geographic and Red/Blue-state divide, what do Florida and California have in common? A deep appreciation for clothing-optional recreation, according to a ranking of nudist beaches in America.

Using TripAdvisor reviews, temperature data and Instagram hashtags, the poker-culture site VIP-Grinders recently selected 10 top-rated beaches where it’s fine to wear a birthday suit, which USA Today picked up for a splashy story. Included are several California beaches, as well as one in Florida that’s great for watching space-rocket launches and another on a barrier island 12 miles off of Mississippi.

It’s important to do one’s research before dropping trou in public. “On federal land, such as what’s owned by the National Park Service, there’s no law banning nudity, so it’s acknowledged that you can shed your swimsuit without being written up,” informs USA Today. “Nevertheless, sometimes it depends on local ordinances. In California, for example, some beaches allow it only in certain areas.”

The 10 best nude beaches in the U.S., as ranked by travelers

1 Playalinda Beach in Brevard County, Florida

2 Blind Creek Beach in Fort Pierce, Florida

3 San Gregorio State Beach in San Gregorio, California

A drone view of the San Gregorio Ranch Beach in San Gregorio, Calif., on Wednesday, April 16, 2025. (Jane Tyska/Bay Area News Group)
A drone view of the San Gregorio Ranch Beach in San Gregorio, Calif., on Wednesday, April 16, 2025. (Jane Tyska/Bay Area News Group) 

4 Ship Island in Gulfport, Mississippi

5 Secret Cove in Lake Tahoe, Nevada

6 Black’s Beach in San Diego

7 Apollo Beach in Volusia, Florida

McWay Falls, on the McWay Waterfall Trail, plummets onto the beach at Julia Pfeiffer Burns State Park in Big Sur, Calif., on Tuesday, Feb. 10, 2015. (LiPo Ching/Bay Area News Group)
McWay Falls, on the McWay Waterfall Trail, plummets onto the beach at Julia Pfeiffer Burns State Park in Big Sur, Calif., on Tuesday, Feb. 10, 2015. (LiPo Ching/Bay Area News Group) 

8 Haulover Beach in Miami

9 Baker Beach in San Francisco

10 Pfeiffer Beach in Big Sur

Source: usatoday.com/story/travel/destinations/2025/08/06/nudist-beaches-near-me/85515205007/

[syndicated profile] lifehacker_feed

Posted by David Nield

Google Home integration for Google TV devices was announced last September, and it's now rolling out more widely: If you haven't previously seen the feature available on your Google TV Streamer, your Google TV television, or your Chromecast with Google TV, you might find it's now available if you check again.

It is, essentially, exactly what it sounds like: Devices that you've connected to the Google Home app in Android or iOS will be available through the Google TV interface, automatically linked and synced with each other via your Google account. The amount of setup you have to do is minimal, and it should just work.

While you might initially wonder why you would need smart home controls on a TV, it makes sense. You can quickly dim the lights for movie night, for example, or take a look at the camera feed from the backyard without having to fish your phone out of your pocket. You'll even get an alert on screen if someone rings your smart doorbell.

Google TV
Look for the Google Home panel. Credit: Google

To get this working, first make sure that you're running the latest version of Google TV. The feature may not have arrived for everyone yet, but you've got the best chance of seeing it if your software is up to date: From the main screen, head to the gear icon (top right), then choose All settings > System > About > System update.

With that done, you can go back to the Settings panel via the gear icon, then choose Google Home from the tiles. You'll see a confirmation screen explaining the feature and allowing you to enable it, and you can then select Save to add the functionality. Depending on how your Google account is set up, you may need to confirm the connection via a prompt on another device, like your phone.

Controlling your smart home devices

Google hasn't provided a definitive list of which of your Google Home devices will show up on Google TV, but many of them seem to be supported—including smart lights, smart cameras, and smart thermostats. The available options will vary depending on the device and how well integrated into the Google Home ecosystem it is.

When it comes to Google's own Nest cameras, for example, you can select the Cameras panel to see live previews of all the cameras connected to your network. Choose any of the thumbnails shown to send the video feed full screen—taking over any other streaming apps you may have running. Use the back key on your remote to go back again.

Google TV
Accessing smart devices on Google TV. Credit: Google

As for smart lights, these will be grouped under a Lighting tile. That will lead you to a panel where you can turn all your connected lights on or off, or manage them individually. Further options depend on the type of light: With Philips Hue bulbs, for example, you can adjust the brightness of each one from your Google TV, but not the colors.

To make changes to connected devices, you need to head into the Google Home app on your phone. There's no way to add or remove devices from the Google TV interface, though presumably more functionality might be on the way as the Google Home panel gets upgraded over time (and as new Nest products are launched, hopefully).

You'll see there's a Favorites section in the Google Home panel on your Google TV, which matches the Favorites section in the mobile app—it's a place where you can put the smart devices you need access to most. In the Google Home app, open the Favorites tab and then tap Edit to make changes, which will be synced to your Google TV as well.

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