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Posted by Stefan Raets

Excerpts cozy fantasy

Read an Excerpt From The Keeper of Magical Things by Julie Leong

An almost-mage discovers friendship—and maybe something more—in the unlikeliest of places…

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Published on September 16, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-the-keeper-of-magical-things-by-julie-leong/">https://reactormag.com/excerpts-the-keeper-of-magical-things-by-julie-leong/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=823978">https://reactormag.com/?p=823978</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/cozy-fantasy/" class="inline-block link-no-animation" aria-label="Link to term or tag cozy fantasy 1"> cozy fantasy </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>The Keeper of Magical Things</i> by Julie Leong</h2> <div class="prose post-hero-description prose--post-hero">An almost-mage discovers friendship—and maybe something more—in the unlikeliest of places…</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/julie-leong/" title="Posts by Julie Leong" class="author url fn" rel="author">Julie Leong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on September 16, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div 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14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things-header-740x407.png" class="w-full object-cover" alt="Cover of The Keeper of Magical Things by Julie Leong." srcset="https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><strong>The Keeper of Magical Things</strong></em>, a cozy fantasy novel by Julie Leong publishing with Ace on October 14.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Certainty Bulrush wants to be useful—to the Guild of Mages that took her in as a novice, to the little brother who depends on her, and to anyone else she can help. Unfortunately, her tepid magic hasn’t proven much use to <em>anyone</em>. When Certainty has the chance to earn her magehood via a seemingly straightforward assignment, she takes it. Nevermind that she’ll have to work with Mage Aurelia, the brilliant, unfairly attractive overachiever who’s managed to alienate everyone around her.<br><br>The two must transport minorly magical artifacts somewhere safe: Shpelling, the dullest, least magical village around. There, they must fix up an old warehouse, separate the gossipy teapots from the kind-of-flaming swords, corral an unruly little catdragon who has tagged along, and above all, avoid complications. The Guild’s uneasy relationship with citizens is at a tipping point, and the last thing needed is a magical <em>incident</em>.<br><br>Still, as mage and novice come to know Shpelling’s residents—and each other—they realize the Guild’s hoarded magic might do more good being shared. Friendships blossom while Certainty and Aurelia work to make Shpelling the haven it could be. But magic is fickle—add attraction and it might spell trouble.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <p>“Mage Aurelia, have you traveled much within Eshtera?”</p> <p>Aurelia’s jaw ticked, and too late, Certainty realized that may have been a poor opener, given all the gossip about her being tower-bound. “Sorry, I didn’t mean on assignment—I meant, um, in general. Are you from Margrave? I’m from Potshire, just a little ways west. A little farming village, you know; my da grows pears, mostly, except he said in his last letter that he’s also trying some cherries this year—”</p> <p>With effort, she stopped herself from babbling. <em>Nobody cares about the cherries, Cert.</em></p> <p>Aurelia gave her a sidelong look. “Yes,” she said stiffly. “I was raised in the Paper Quarter. My father is a Minister’s aide, and my mother is a royal alchemist.”</p> <p>“Ah.”</p> <p>A very different sort of childhood, then.</p> <p>Certainty always assumed she’d be following her parents into farming. Until her magic showed up—and then, all of a sudden, there had been something bigger and grander to hope for.</p> <p>Aurelia, on the other hand, had likely never milked a cow in her life. She’d probably had fine tutors, dancing lessons, music classes… cityfolk things. The Paper Quarter was in the Middle City, but the scholars who lived there were well respected and wealthy. Not nobility, but wielding enough coin and influence (which were one and the same, really) that they may as well be.</p> <p>Certainty cast Aurelia a surreptitious glance. The morning sun lit her golden hair from behind, foregrounding sharp cheekbones and a proud chin. It was a profile that wouldn’t have looked out of place stamped onto a coin, or framed and hung in a gallery.</p> <p>“So, Shpelling,” she said as the wagon rattled beneath them. “I suppose it’ll be a very different sort of place. Not what you’re accustomed to, I mean.”</p> <p>“I’m a mage, not a spoiled lapdragon.” Aurelia’s words were clipped, but her tone was cool, not angry. “I will do the work before me, whatever that entails, Novice.”</p> <p>Not a great start. But Certainty was nothing if not persistent. “My friends all call me Cert, by the way,” she offered.</p> <p>Aurelia glanced at her, then away again. If Certainty didn’t know better, she’d have said the mage looked discomfited. She wondered if Aurelia was thinking about what Certainty’s friends had called <em>her</em>.</p> <p>They rode silently for a short while. The wagon wheels clattered energetically through the streets of the Middle City. Shops were just opening, and apprentices and hired workers called out jibes and greetings to each other, some pushing heavily laden carts across the cobblestones. One portly shopkeeper—a wine merchant, Certainty thought—shouted imprecations at the men carrying heavy barrels into his store.</p> <p>It wasn’t until the wagons had made their way through the fragrant Flower Quarter and down the gated ramp to the Lower City that Aurelia spoke again.</p> <p>“Interesting name.”</p> <p>“Pardon?” Certainty was looking around at their passing surroundings. The Lows, with its drinking alleys and ramshackle sleeping-houses, really wasn’t meant to be seen during the daytime—or when sober. Unless, of course, you were one of the thousands of laborers or servants who had no choice but to live there, in the hopes that working in the Middle City might one day lift you out of such poverty. It was always shocking to remember that this place, too, was part of the great and enlightened capital city of Margrave. Certainty always thought that she’d much rather be poor in the countryside than poor in the Lows—but luckily, it wasn’t a choice she’d have to make. Not while she was still fed and sheltered beneath the Guild’s wings, anyway.</p> <p>Aurelia cleared her throat. “Certainty, I mean. Your name. It’s… interesting.”</p> <p>“Oh. Yes. My parents liked the idea of naming their children after virtues they wanted us to have. A first birthday gift to us, of sorts.”</p> <p>“Us?”</p> <p>“My little brother and me. He got Aspiration, but everyone just calls him Asp.”</p> <p>“Ah. Charming.”</p> <p>“You think so?” Cert grinned at Aurelia. “Well, it fits him well enough. He wants to be an apothecary, of all things… Not a knight, not a soldier, but an <em>apothecary</em>. Decided it at six years old when a traveling master came through Potshire with all his little bottles and vials and healed Ellie Haspen of her ague.”</p> <p>“How old is he now?”</p> <p>Certainty’s smile faded. “Fifteen.” Which was quite nearly too old to be any kind of apprentice at all. Most masters only took on younger apprentices so that they’d get enough years of work out of them before they’d be tempted away by a pretty girl or a paying job.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things.jpg" class="attachment-full size-full" alt="The Keeper of Magical Things" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things.jpg" class="attachment-full size-full" alt="The Keeper of Magical Things" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">The Keeper of Magical Things</h3> <p class="shop-the-book-author">Julie Leong</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1758219317" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1758219317" class="shop-the-book-modal test"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10 test" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things.jpg" class="attachment-full size-full" alt="The Keeper of Magical Things" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/09/The-Keeper-of-Magical-Things.jpg" class="attachment-full size-full" alt="The Keeper of Magical Things" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">The Keeper of Magical Things</h3> <p class="shop-the-book-modal-author">Julie Leong</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DV48W2TM?tag=tordotcomgeneral-20" data-book-title="The Keeper of Magical Things" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780593815946" data-book-title="The Keeper of Magical Things" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780593815939" data-book-title="The Keeper of Magical Things" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780593815946" data-book-title="The Keeper of Magical Things" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780593815946" data-book-title="The Keeper of Magical Things" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>But she shoved the thought away. She just had to finish this assignment and collect her circles; the first year of a mage’s stipend was always paid out immediately. One and a half months, the High Mage had said the assignment would take. There was still plenty of time for her to keep her promise.</p> <p>“And does your name suit you, too?” Aurelia asked.</p> <p>“Not really.” She laughed a little self-consciously, swaying as the wagon turned toward the city gates. “I’m not certain of very much at all. But I suppose Doubtful and Questioning didn’t quite have the same ring to them.”</p> <p>Aurelia’s lips quirked at that. Only for a moment, and then her face went back to the same composed formality as before— but not until Certainty had already seen it. <em>So you </em>can <em>smile</em>, she thought triumphantly. But her victory was short-lived.</p> <p>“Novice, I understand that your ability allows you to speak with objects. If we’re to work together, I’ll need to understand the nature—and the limits—of your magic. What exactly can you do?” “Um. Well.” Certainty fiddled with her robes. “I can touch something—just objects, nothing living—and understand it.</p> <p>What it is, what it does, what its purpose is. And I can convince it to do things, sometimes.”</p> <p>“Transformation?”</p> <p>“Not quite.” Certainty wrinkled her nose, thinking of the time she tried to talk a hand mirror into becoming a salad bowl. It’d been so offended that it cracked right down the middle. And she’d certainly never managed to transform anything into gold, or Asp would already be a master apothecary, and she’d be wearing much nicer boots.</p> <p>“Enchantment, then? Can you embed spells in objects?” “Er, no.” She wished she could; skilled artificers could make a fortune crafting magical trinkets for the nobility, even outside of their official Guild work.</p> <p>Aurelia was frowning. Certainty seemed to have exhausted the mage’s ideas of useful applications of her ability. <em>Tell me about it</em>, she thought crossly.</p> <p>If Certainty were a competent enough spellcaster, the weakness of her specialization might have been fine; Eshtera always had a need for generalist working mages, even if they got the least-glamorous postings and were treated more like well-paid workhorses than elite sorcerers. And if she’d had a more powerful specialization, then she could have built her mage career upon that instead, weak spellcasting be damned. But here she was with neither—so becoming Deputy Keeper beside Mage Mortimer was as high an ambition as she’d ever dared to have.</p> <p>Of course, to someone like Aurelia, it probably sounded like a fate worse than death.</p> <p>“Well, I suppose being able to quickly identify the enchantments on these artifacts will be helpful for completing our assignment…” said Aurelia slowly. <em>But not much else </em>was the unspoken rest of the sentence. “Can you demonstrate?”</p> <p>Certainty blinked. “What, now? Here?” “Why not?”</p> <p>By then, they had already passed through the outer gates of Margrave; their wagon jounced along the wide gravel road leading south, and Certainty squinted against the brightness of the morning. It was strange to be confronted with the wide-open expanse of fields and roads after having grown used to the comfortable confines of the Guildtower. Even when she left the tower to venture into the city, she was still surrounded by noise and activity, market stalls and shopping strangers. Here, there was only space. Distance. She inhaled deeply, savoring the way the air tasted, unfiltered as it was by the presence of other people.</p> <p>“All right,” she said. She tried to sound nonchalant. “What should I talk to, the wagon?”</p> <p>“No, you already know its enchantment. Try this.” Aurelia’s hands went behind her neck, brushing aside her braid, and she unclasped a fine silver chain that Certainty hadn’t noticed her wearing. A small pendant dangled from it: a silver charm, finely wrought, in the shape of a closed book. “Tell me about this necklace.”</p> <p>Certainty took it hesitantly, rolling the chain between her fingers. It was still warm from Aurelia’s neck. She pooled it gently in her palm and closed her fingers around it, trying to hide her nervousness. This was her chance to prove to Aurelia that she wasn’t entirely useless. Feeling self-conscious under Aurelia’s gaze, she shut her eyes, blocking out the glare of the sun and the movement of the wagon, and let her magic trickle into the necklace.</p> <p><em>“What is your purpose, necklace?”</em></p> <p>The necklace’s object-voice, when it responded, was a delicate whisper. It sounded like the clink of thin glass, the spritz of a perfume bottle, the shimmer on a watersilk gown. It sounded expensive.</p> <p><em>“I am an enchanted necklace. I adorn. I distinguish. I en­ hance.”</em></p> <p><em>“And what’s your enchantment?”</em></p> <p><em>“I bear a spell of focus. I ward my wearer against distractions of body and mind. I remind them of what it is they strive for.”</em></p> <p>Certainty frowned. <em>“Distractions of body and mind?” “Hunger. Thirst. Loneliness. Exhaustion. I dull their edges.”</em></p> <p>She thought she could see how that might be useful. “<em>Show me</em>,” she thought.</p> <p>The necklace complied.</p> <p>Certainty felt the bloom of its magic first within her hand, then flowing through her body. The spell felt like being immersed in cool, still water; the world was suddenly quiet around her. Her body became distant, as if she were a being of intellect rather than anything so crude as a living, breathing thing. Like a knife on a whetstone, her mind sharpened itself against the spell, and her thoughts grew unusually clear. She considered what it’d be like to train her magic under such conditions. Which exercises she’d go through, in what sequence; how she could optimize their effectiveness…</p> <p>Then the whispers began to snake through the channels of her mind.</p> <p>“<em>You need to work harder</em>,” murmured a voice that sounded strangely like her own. <em>“Your magic is too weak. You’re not good enough. You’ll never be good enough.”</em></p> <p>“<em>Stop that</em>,” she thought at the necklace.</p> <p>“<em>Cert, I’m disappointed in you.</em>” Her father’s voice now. “<em>We were all counting on you, you know.</em>”</p> <p><em>“That’s enough—”</em></p> <p>Then came Asp’s voice, as clear as if he were sitting right beside her.</p> <p><em>“But Cert, you promised me…” “STOP!”</em></p> <p>The whispers ceased immediately.</p> <p>Certainty’s eyes shot open. Her heart was thumping hard, and her breaths felt ragged and short. The necklace’s enchantment was as powerful as any Cert had ever felt. It frightened her.</p> <p>Aurelia was watching her intently. “Well?”</p> <p>She swallowed. “It’s… it’s enchanted with a spell of focus.” Her expression must have said more than that, though, because Aurelia’s eyes tightened.</p> <p>“Do you disapprove, Novice?”</p> <p><em>Yes! It’s awful. Who wouldn’t? </em>She was still reminding herself that the voices weren’t real. But Aurelia owned the necklace—had been wearing the blasted thing, presumably by choice, although what that said about her Certainty didn’t know—so she hedged. “Not entirely. I’m just trying to understand… If you don’t mind my asking, why do you want to have a voice always criticizing you inside your own head? Do you really need that just so you can—what, get more work done?”</p> <p>“My work is important.” Aurelia’s voice was stiff again. “This necklace helps me be the best mage that I can be.” She took it back and clasped it around her neck once more, where it vanished beneath her robes.</p> <p><em>Huh. </em>Certainty searched for something safe and inoffensive to say.</p> <p>“Um. The craftwork on it is lovely. Did you commission it from a Guild artificer?”</p> <p>“No,” Aurelia said. “It was a gift from my parents.”</p> <p>“I… see.” <em>Mother and Sons. </em>What sort of parents would inflict such a horrible gift on their own daughter? Rich ones, obviously, but more than that…</p> <p>“It doesn’t speak constantly.” Aurelia’s tone was carefully neutral. “The voice of the necklace, I mean. Only sometimes.”</p> <p>“Oh.”</p> <p>Certainty didn’t know what else to say.</p> <p>She couldn’t help but think of the fine carriage horses she often saw in the High City. Immaculately groomed and wearing tack that gleamed with silver and jewels, they high-stepped through the streets in perfect synchronization. The purebred horses were as much a symbol of their passengers’ wealth and status as the family crests inlaid on the carriage doors.</p> <p>They always rode blinkered, of course, with cups of dark leather attached to the bridle such that they could only see straight ahead. The blinkers were meant to prevent the horses from startling, but Certainty had always felt bad for those fine, beautiful horses in their fine, beautiful harnesses, whose worlds were shrunk in half by scraps of leather, and who learned to only ever walk in the direction where they were pointed.</p> <p>Certainty shuddered lightly and put all thoughts of the necklace out of her head. She held her hands in her lap, looking out at the landscape rolling by. She turned her face up to the sun and let her thoughts drift along with the breeze, imagining what the village of Shpelling would be like. Wondering what Dav and Saralie were up to back at the Guildtower, and thinking of her family, and whether her father had begun the season’s planting yet.</p> <p>But all the while, as they traveled on, Mage Aurelia looked only straight ahead.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>The Keeper of Magical Things</em> by Julie Leong Copyright © 2025 by Julie Leong. Excerpted by permission of Ace. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.</p> <p>The post <a href="https://reactormag.com/excerpts-the-keeper-of-magical-things-by-julie-leong/">Read an Excerpt From &lt;i&gt;The Keeper of Magical Things&lt;/i&gt; by Julie Leong</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-the-keeper-of-magical-things-by-julie-leong/">https://reactormag.com/excerpts-the-keeper-of-magical-things-by-julie-leong/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=823978">https://reactormag.com/?p=823978</a></p>
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Posted by Vanessa Armstrong

News Superman

Superman Hits HBO Max and Fantastic Four Arrives on Digital, Setting Up a Summer Superhero Rematch

Superman and Fantastic Four: First Steps get new digital and physical release dates.

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Published on September 16, 2025

Media: Warner Bros. Pictures and Marvel Studios

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/superman-hbo-max-fantastic-four-digital-release-dates/">https://reactormag.com/superman-hbo-max-fantastic-four-digital-release-dates/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=824177">https://reactormag.com/?p=824177</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/superman/" class="inline-block link-no-animation" aria-label="Link to term or tag Superman 1"> Superman </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Superman</i> Hits HBO Max and <i>Fantastic Four</i> Arrives on Digital, Setting Up a Summer Superhero Rematch</h2> <div class="prose post-hero-description prose--post-hero">Superman and Fantastic Four: First Steps get new digital and physical release dates.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on September 16, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Media: Warner Bros. Pictures and Marvel Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/superman-hbo-max-fantastic-four-digital-release-dates/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 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8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 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17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="406" src="https://reactormag.com/wp-content/uploads/2025/09/SupermanandFantasticFour1-740x406.jpg" class="w-full object-cover" alt="Superman and Fantastic Four First Steps" srcset="https://reactormag.com/wp-content/uploads/2025/09/SupermanandFantasticFour1-740x406.jpg 740w, https://reactormag.com/wp-content/uploads/2025/09/SupermanandFantasticFour1-1100x603.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/09/SupermanandFantasticFour1-768x421.jpg 768w, https://reactormag.com/wp-content/uploads/2025/09/SupermanandFantasticFour1-1536x842.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/09/SupermanandFantasticFour1-2048x1122.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Media: Warner Bros. Pictures and Marvel Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em>Superman</em> and <em>Fantastic Four</em> will both be on television by next week, giving you a chance to debate once more which movie is better.</p> <p><em>Superman</em> has been available via digital purchase for a while, but will also be available on HBO Max for your streaming pleasure starting on Friday, September 19, 2025. <em>The Fantastic Four: First Steps</em> will make the jump to digital next week, and will be available for rent and/or purchase starting on September 23, 2025.</p> <p>But wait, there’s more. If physical media is more your thing, <em>Superman</em> will be released on Blu-ray on September 23 as well, while <em>First Steps </em>will get its own physical release on October 14, 2025.</p> <p>As for which movie is better? I’ll leave that up for you to debate with your friends and/or enemies, though you can check out <a href="https://reactormag.com/fantastic-four-first-steps-seems-intent-on-proving-that-you-icant-i-make-a-good-fantastic-four-movie/" target="_blank" rel="noreferrer noopener">Reactor’s review of <em>First Steps</em> here</a>, and of <em><a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/">Superman </a></em><a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/" target="_blank" rel="noreferrer noopener">here</a>.</p> <p>On the revenue front, the Man of Steel is stronger: <em>Superman </em>made over $615 million worldwide, while <em>Fantastic Four</em> made just under $519 million. The films’ Rotten Tomatoes critics scores, however, have <em>First Steps</em> in the lead, with the Marvel movie earning a score of 87% while James Gunn’s <em>Superman</em> garnered a slightly lower score of 83%.</p> <p>Which movie will come out on top in digital? And do we even care, really, what the answer is? Perhaps the debate will give you a welcome distraction from… everything else. Or maybe you can simply enjoy watching both films—or just one of them, if you prefer—from the comfort of your couch. That, perhaps, is a healthier way to get some escapist entertainment, though I’m certainly not one to judge. [end-mark]</p> <p>The post <a href="https://reactormag.com/superman-hbo-max-fantastic-four-digital-release-dates/">&lt;i&gt;Superman&lt;/i&gt; Hits HBO Max and &lt;i&gt;Fantastic Four&lt;/i&gt; Arrives on Digital, Setting Up a Summer Superhero Rematch</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/superman-hbo-max-fantastic-four-digital-release-dates/">https://reactormag.com/superman-hbo-max-fantastic-four-digital-release-dates/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=824177">https://reactormag.com/?p=824177</a></p>

My latest Guardian fanworks

Sep. 16th, 2025 09:07 pm
facethestrange: (guardian: weilan: hands)
[personal profile] facethestrange posting in [community profile] sid_guardian
2 drama fics, 1 novel fic, 1 RPF drawing. (The last one has already been linked elsewhere in the comm, but I'm still putting it here for completion's sake. :))

Held (463 words) by facethestrange
Fandom: 镇魂 | Guardian (TV 2018)
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Shen Wei/Zhao Yunlan
Characters: Shen Wei (Guardian), Zhao Yunlan
Additional Tags: Hands, Memories, Wedding, Domestic Fluff, Tenderness, Canon Angst with a Happy Ending, Fix-It, Mild Sexual Content, POV Zhao Yunlan, Guardian Bingo
Series: Part 11 of Guardian Bingo 2025
Summary: He takes Shen Wei's hand in his, slow and solemn, and thinks of the handshake from what feels like a lifetime ago — all the longing and confusion and desperate hope in the firm grip, back when Zhao Yunlan didn't understand anything.

Taking What's (Not) Mine (1568 words) by facethestrange
Fandom: 镇魂 | Guardian (TV 2018)
Rating: Explicit
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Shen Wei/Ye Zun/Zhao Yunlan
Characters: Ye Zun (Guardian), Shen Wei (Guardian), Zhao Yunlan
Additional Tags: Plot What Plot/Porn Without Plot, Threesome - M/M/M, Twincest, Dubiously consensual voyeurism, Mildly Dubious Consent, (as in: everyone consents but Ye Zun wouldn't exactly care if Zhao Yunlan didn't), POV Ye Zun (Guardian), Clothed Sex, Grinding, Coming In Pants, Blow Jobs, Hand Jobs, Finger Sucking, Biting, Come Eating, Possessive Sex, Possessive Ye Zun, hand-wavy post-canon, Alternate Universe - Everyone Lives/Nobody Dies
Summary: Ye Zun is welcome here, in Gege's bed, in Gege's home, no matter how Zhao Yunlan feels about it.

Show Me (1879 words) by facethestrange
Fandom: 镇魂 | Guardian - priest
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Shen San/Shen Wei (Guardian)
Characters: Shen San (Guardian), Shen Wei (Guardian)
Additional Tags: Plot What Plot/Porn Without Plot, Porn with Feelings, First Time, First Time Blow Jobs, Oral Sex, Laughter During Sex, a bit of praise kink, Soft
Summary: "I want to show you," Wei says, breath warm against his skin, and Shen San makes a soft, strangled sound and nods wordlessly, the fire he has tried to keep in check all day rising and blooming in his belly.

Good Fortune by facethestrange
Fandom: 镇魂 | Guardian (TV 2018) RPF, Chinese Actor RPF
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Bai Yu/Zhu Yilong
Characters: Bai Yu (Actor), Zhu Yilong
Additional Tags: cheek kiss, Holding Hands, Fluff, Guardian Bingo, Fanart, Drawing
Series: Part 10 of Zhubai ~canon~ but with more kissing, Part 10 of Guardian Bingo 2025
Summary: The new crush is mutual.

Tuesday, 16th September 2025

Sep. 16th, 2025 03:00 pm
beck_liz: The TARDIS in space (DW - TARDIS in Space)
[personal profile] beck_liz posting in [community profile] doctor_who_sonic
Editor's Note: If your item was not linked, it's because the header lacked the information that we like to give our readers. Please at least give the title, rating, and pairing or characters, and please include the header in the storypost itself, not just in the linking post. For an example of what a "good" fanfic header is, see the user info. Spoiler warnings are also greatly appreciated. Thank you!

Off-Dreamwidth Links
Blogtor Who: Video of the Day – Doctor Who: Planet of Fire, 1984
Blogtor Who: Doctor Who Magazine 621
Blogtor Who: Video of the Day – Doctor Who: When the Doctor Needs a Secret Identity, 2025

(News from [syndicated profile] doctorwhonews_feed and [syndicated profile] blogtorwho_feed, among others.)

Fanfiction
Complete
That Sinking Feeling by [personal profile] badly_knitted (G | Eleventh Doctor, Amy Pond)


If you were not linked, and would like to be, contact us in the comments with further information and your link.
brithistorian: (Default)
[personal profile] brithistorian

Every field has certain works that everyone working the field is expected to be familiar with. In art history, one of those is Walter Benjamin's 1935 essay "The Work of Art in the Age of Mechanical Reproduction."

Every field also has students who make it all the way through their degree program without actually reading those fundamental works. In this case, that would be me. I absorbed the major points of Benjamin's essay from seeing it repeatedly mentioned in other works I read (particularly the idea of the "aura," or as I prefer to call it "the cult of the original") and skipped actually reading it. But when I saw it referenced in Jordan S. Carroll's Hugo Award-winning book Speculative Whiteness: Science Fiction and the Alt-Right (2025, Best Related Work), I decided the time had come to actually read it.

I think it was worth reading. It did have quite a lot on the "aura," which I was already aware of, but it also contained a lot of material on film, surrealism, Dada, Futurism, and the differing ways that art was politicized in fascism and communism. I found the following quote, about the relationship between captions and photographs, and then how this is also related to movies, to be particularly interesting.

[Since the introduction of photography], captions have become obligatory. And it is clear that they have an altogether different character than the title of a painting. The directives which the captions give to those looking at pictures in illustrated magazines soon become even more explicit and more imperative in the film[,] where the meaning of each single picture appears to be prescribed by the sequence of all preceding ones.

ETA: The lines that Carroll was referencing come from the penultimate sentences of Benjamin's essay, where he says "[Mankind's] self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order. This is the situation of politics which Fascism is rendering aesthetic." The ultimate sentence, which Carroll doesn't mention (or at least hasn't so far) is "Communism responds by politicizing art."

poem at Strange Horizons!

Sep. 16th, 2025 11:29 am
gwynnega: (books poisoninjest)
[personal profile] gwynnega
My poem "the jacarandas are unimpressed by your show of force" is up at Strange Horizons. It isn't the first jacaranda poem I've written, and likely won't be the last. This one (with a nod to Dylan Thomas) was inspired by the confluence of jacaranda season and...everything else happening in Los Angeles and this country. I am so happy it found a home at Strange Horizons.

Make Acronyms Great Again

Sep. 16th, 2025 05:45 pm
[syndicated profile] notalwaysright_feed

Posted by Not Always Right

Read Make Acronyms Great Again

Customer: "I thought maybe you could stitch the group's name onto some caps for us?"
Me: "We can do that. What's the name of the group?"
Customer: "Moms’ Annual Getaway Adventure!"

Read Make Acronyms Great Again

[syndicated profile] reactor_feed

Posted by Sarah

Books Front Lines and Frontiers

A Tale of Paradox and Coincidence: Invasion From 2500 by “Norman Edwards”

Can our heroes foil an invasion based on a classic time travel paradox?

By

Published on September 16, 2025

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/a-tale-of-paradox-and-coincidence-invasion-from-2500-by-norman-edwards/">https://reactormag.com/a-tale-of-paradox-and-coincidence-invasion-from-2500-by-norman-edwards/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=823975">https://reactormag.com/?p=823975</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/front-lines-and-frontiers/" class="inline-block link-no-animation" aria-label="Link to term or tag Front Lines and Frontiers 1"> Front Lines and Frontiers </a> </span> </div> <h2 class="post-hero-title text-h1">A Tale of Paradox and Coincidence: <i>Invasion From 2500</i> by “Norman Edwards”</h2> <div class="prose post-hero-description prose--post-hero">Can our heroes foil an invasion based on a classic time travel paradox?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alan-brown/" title="Posts by Alan Brown" class="author url fn" rel="author">Alan Brown</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on September 16, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/a-tale-of-paradox-and-coincidence-invasion-from-2500-by-norman-edwards/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/09/invasion-from-2500-header-740x407.png" class="w-full object-cover" alt="Cover of Invasion From 2500 by Norman Edwards" srcset="https://reactormag.com/wp-content/uploads/2025/09/invasion-from-2500-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/09/invasion-from-2500-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/09/invasion-from-2500-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/09/invasion-from-2500-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> <p></p> </div> </div> <p>In this <a href="https://reactormag.com/tag/front-lines-and-frontiers/" target="_blank" rel="noreferrer noopener">bi-weekly series</a> reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement.</p> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>Today I’m looking at a rather short and straightforward book about a war with time travelers: <em>Invasion from 2500</em>, a book that was new to me. In my annual search for adventures stories that make for good summer reading, I found it in my favorite used bookstore a few weeks ago, along with <a href="https://reactormag.com/hope-amid-hopelessness-city-at-worlds-end-by-edmond-hamilton/" target="_blank" rel="noreferrer noopener"><em>City at World’s End</em></a> by Edmond Hamilton, which I covered in my last review. The book appears to be a paperback original, published in 1964 with a cover price of forty cents by an outfit named Monarch Books, a publisher I didn’t remember encountering before. And I hadn’t heard of the author of this novel, Norman Edwards, either. But the book had interesting cover art by Ralph Brillhart, showing futuristic military vehicles pouring out of a gold energy ring, which looked promising. And there was a dedication on the title page that said, “To Terry Carr and Ted White, who made this book possible.” I’d heard of those two, and if they were behind this Norman Edwards guy, he must be a decent writer.</p> <p>Imagine my surprise when I visited the online <a href="https://sf-encyclopedia.com/" target="_blank" rel="noreferrer noopener">Encyclopedia of Science Fiction</a>, and found that the dedication was an in-joke, because Norman Edwards turns out to be a pseudonym used by Carr and White—used only once, when they wrote this book. I could not, however, find any reason why the two of them decided to use this pen name, only to quickly abandon it.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>About the Authors</strong></h3> <p><strong>Terry Carr</strong> (1937-1987) was an American science fiction fan, author, and editor. He started his writing career in fan publications. The bulk of his fiction output consisted of shorter works. He was more widely known as an editor, working with Donald Wollheim at Ace Books from 1964 to 1971, where in addition to the “Ace Special” novel series, they produced an influential annual anthology series entitled “World’s Best Science Fiction.” He left Ace Books and produced his own anthology series, “The Best Science Fiction of the Year,” which ran from 1972 to 1987. He also edited the “Universe” anthology series, and produced a wide variety of other anthologies. In the 1980s, he returned to Ace, and edited a new “Ace Specials” series that published a number of influential novels, including <em>Neuromancer</em> by William Gibson. He won four Hugo Awards during his career, one for Best Fanzine, one for Best Fan Writer, and the last two for Best Editor.</p> <p><strong>Ted White</strong> (born 1938) is an American science fiction author, editor, fan, and critic. His earliest work appeared in fanzines, and he won a Best Fan Writer Hugo Award in 1968. He wrote over a dozen science fiction novels, with a number of them being collaborations. He was an assistant editor of the <em>Magazine of Fantasy and Science Fiction</em> for five years in the 1960s, and then edited <em>Amazing Stories</em> and <em>Fantastic</em> magazines. He later worked at <em>Heavy Metal</em> and <em>Stargate</em> magazines. I have previously reviewed his work in this column, looking at his Captain America novel, <a href="https://reactormag.com/from-comic-book-to-novel-captain-america-the-great-gold-steal-and-libertys-torch/" target="_blank" rel="noreferrer noopener"><em>The Great Gold Steal</em></a>.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Time Waits for No Man</strong></h3> <p>I have reviewed a number of books that featured time travel over the years, with characters going forward in time, back in time, and even sidewise in time (trips to alternate worlds where history turned out differently). The always-useful online Encyclopedia of Science Fiction has an excellent article on the various types of <a href="https://sf-encyclopedia.com/entry/time_travel" target="_blank" rel="noreferrer noopener">time travel</a> stories. Most of the books I’ve looked at, however, sidestep the issue of travelers from the future affecting the time from which they departed, something addressed in the Encyclopedia of Science Fiction’s article on <a href="https://sf-encyclopedia.com/entry/time_paradoxes" target="_blank" rel="noreferrer noopener">time paradoxes</a>. And <em>Invasion from 2500</em> leans into the idea of a time paradox as vigorously as any time travel book I’ve ever read. It portrays the invaders as knowing how to proceed in their attack, because for them, the war is a matter of history. They see their success as inevitable. Unless of course, this loop in causality is unstable, and the people in the present can find a way to disrupt the process…</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong><em>Invasion from 2500</em></strong></h3> <p>Jack Eskridge, an executive from a Chicago-based defense contractor, is driving to the South Dakota ranch of Senator Bates. This is not their first meeting, as during the Korean War, the two served in the Marines together, Bates as a lieutenant and Jack as a sergeant. Suddenly, there is a hole in Jack’s windshield, and he realizes someone is shooting at him. It is the senator’s beautiful daughter, Linda, who was out plinking with a .22, and with the road to their ranch usually empty, was not being too careful where she aimed. But this awkward meeting turns fortuitous, as the two of them hit it off, and before Jack leaves, they are on their way to being engaged.</p> <p>As Jack drives back toward Chicago, though, he encounters a strange sight. He sees a large glowing arch and nearly runs off the road in surprise. He gets out to get a better look, and sees a river of torpedo-like tanks, and men in strange suits pouring out of the arch, which appears to be a doorway to another world. Jack is fired at by a laser, goes to ground, crawls back to his car, and heads out at a high rate of speed. Jack can’t imagine where these strange invaders are coming from (he obviously hasn’t had the opportunity to read the title of the book). He stops for gas to find that the invaders are appearing in multiple locations, and the whole country is on edge. He stops to pick up a hitchhiker, a Black man named Carl Brandon (a name that Carr had employed before, and <a href="https://carlbrandon.org/about/">that might be familiar to some readers</a>). But unfortunately for them, the invaders arrive and release a gas that doesn’t need to be breathed to take effect; as soon as it touches them, they fall unconscious.</p> <p>Jack awakens in a work camp, sees an invader without a suit for the first time, and realizes they are human. In addition to lasers, they have weapons that can kill people by overloading their nervous systems. Jack is given work papers, and assigned to a crew by an officer and soldiers who are bureaucratic to a fault. Jack meets a guy named Monroe, who is determined to escape. Monroe is zapped, but Jack makes it out of the camp.</p> <p>The next chapter has a different feel from the preceding narrative (I suspect the chapter was written by a different co-author than previous chapters). Jack finds a house, asks for a meal and shelter, and his request is accepted. But when he sits down for dinner with the man and his family, it is an awkward affair. It turns out the man is a hard-core, communist-hating conservative, who looks at the invasion as an opportunity to remake the country into something more to his liking, and is enthusiastically collaborating with the invaders. He looks forward to them replacing our current government with something more efficient, and helping us rid the world of foreign adversaries like the Russians and Chinese. Jack is uneasy, and sleeps with his knife under his pillow—which comes in handy when his host sneaks into the room to kill him. But it is Jack that does the killing, something the newly widowed wife reacts to without much sorrow, making me wonder if she had been the victim of some sort of abuse. The chapter stands out from the rest of the book because of its rather pointed social commentary.</p> <p>Jack makes his way to Chicago via Duluth, using a water route to avoid roadblocks. When he arrives, he finds much of Chicago is in rubble, and the Loop roadway in ruins. He tries to phone a friend, but the phones are bugged, and he is nearly captured. He finds out where the invaders have their local headquarters, and heads there (although what he thinks he might accomplish is beyond me). But (in one of those coincidences most writing guides warn authors to avoid), Jack arrives just in time to see Senator Bates and his beloved Linda arrive as prisoners. And then Jack is captured by a group of insurgents (in another improbable coincidence, led by an old friend), who are there to rescue the senator, but they only succeed in rescuing Linda. Thus, Jack and Linda find themselves becoming members of the Underground.</p> <p>This resistance organization has been reduced to lurking in tunnels under the surface of Chicago. And their efforts are further complicated by the Jackals street gang, which fights both the invaders and the resistance. Jack and another man sneak into the invader headquarters, only to find its occupants expecting them. They are taken to the invader leader, who explains that The Conquest is preordained to happen in a certain way, as chronicled in <em>The Book of Days</em>, which guides the invaders’ every action. As his villainous monologue continues, he reveals that the invaders know what will happen because they are from the future. And then, because their book says so, the invaders release Jack and his friend to tell others that their defeat is inevitable. The invasion is based on a classic time travel paradox.</p> <p>Jack is not willing to accept the inevitable, so he overpowers their escort, Ellick Twenty-three (I am so glad numbers for names went out of style decades ago), and they steal one of the enemy torpedo tanks. They encounter an invader officer, and try to bluff their way past him, but coincidentally (again with the coincidences), he is the same officer who checked Jack in at the work camp, Lieutenant Gann-Fourteen. He recaptures them, and has them drive him back to Chicago. Fortunately, when they arrive, the Jackals attack, which gives Jack a chance to escape back to the Underground. Jack sees another man being possessive toward his beloved Linda. He tries to tell the others about the invaders being from the future, but no one believes him. When they decide to crash a kamikaze plane into invader headquarters, the despondent Jack (who became despondent very quickly, but I guess the plot required it), volunteers to fly the plane. But then the invaders attack again, destroy the plane, capture Linda, and take her back to their headquarters. Jack, who finds out that she loves him after all, sets out to rescue her.</p> <p>Jack sneaks into the enemy headquarters, to find Linda (coincidentally) in the hands of the seemingly ubiquitous Lieutenant Gann-Fourteen. Jack is captured yet again. But there is a servant in the quarters (coincidentally, it’s Carl Brandon, the Black man captured with Jack way back in the beginning of the book), who loosens Jack’s bonds. Jack escapes with Linda and a copy of <em>The Book of Days</em>. Now that the Underground has the full story of the invasion, they cook up a wild plan. They decide the time loop is not stable (could they have been inspired by Chicago’s now-ruined Loop?), and think that destroying the time gate might disrupt the loop and restore time to its original condition. Jack volunteers to bomb the portal (where he first spotted the invaders in South Dakota), and Linda goes with him, refusing to be separated from him again. Will it be possible to destroy the paradox along with the portal? Only time will tell…</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Final Thoughts</strong></h3> <p>I can’t say that I would recommend <em>Invasion from 2500</em> to another reader without reservations. The book is indeed a briskly paced adventure story, full of action, battles, reversals of fortune, and misunderstood lovers, but the writing style is uneven, and it relies far too heavily on the type of coincidence an author should only use sparingly, if at all. It makes me wonder if the authors—who, from the exuberance of the narrative, seem to have had fun writing the book—also realized its weaknesses, and decided to use a pen name. The book certainly doesn’t reflect the quality of the work those authors produced later in their careers. But it was a fun read, and as a thin volume, had the advantage of being short enough to end before I grew tired of it.</p> <p>And now I turn the floor over to you: If you have read <em>Invasion from 2500</em>, or know anything about the history of its creation, I would enjoy hearing from you.[end-mark]</p> <p>The post <a href="https://reactormag.com/a-tale-of-paradox-and-coincidence-invasion-from-2500-by-norman-edwards/">A Tale of Paradox and Coincidence: &lt;i&gt;Invasion From 2500&lt;/i&gt; by “Norman Edwards”</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/a-tale-of-paradox-and-coincidence-invasion-from-2500-by-norman-edwards/">https://reactormag.com/a-tale-of-paradox-and-coincidence-invasion-from-2500-by-norman-edwards/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=823975">https://reactormag.com/?p=823975</a></p>

Tuesday word: Verboten

Sep. 16th, 2025 10:48 am
simplyn2deep: (Hawaii Five 0::Kono::red top)
[personal profile] simplyn2deep posting in [community profile] 1word1day
Tuesday, September 16, 2025

Verboten (adjective)
verboten [ver-boht-n, fer-boht-n]


adjective
1. forbidden, as by law; prohibited.

See more synonyms on Thesaurus.com

Origin: First recorded in 1910–15; from German: past participle of verbieten “to prohibit, forbid”; forbid

Example Sentences
All three universities have sparked controversy over their handling of pro-Palestinian encampments last year and how leaders navigated thorny questions about the line between verboten antisemitism and free speech.
From Los Angeles Times

To boldly confront the latter is almost verboten among the American mainstream news media and others who maintain the limits of the approved public discourse and “the consensus.”
From Salon

Technically, abortion is legal for up to 12 weeks in Georgia, but in this conservative, patriarchal society, it’s nonetheless practically verboten.
From Los Angeles Times

“DEI” may be a verboten term in the current presidential administration, but at Santa Monica’s second Bergamot Comedy Festival, it’s a mandate.
From Los Angeles Times

So for our purposes, such tax rises are clearly verboten.
From BBC

Prompt: #460 - Amnesty Week

Sep. 16th, 2025 01:45 pm
sweettartheart: Ink text on paper (100 words on paper)
[personal profile] sweettartheart posting in [community profile] 100words
Every tenth week on [community profile] 100words is Amnesty Week, when all previous prompts are fair game. Did you miss a prompt the first time around? Write it now! Want to write a prompt again? Please do!

Your response should be exactly 100 words long. You do not have to include the prompt in your response -- it is meant as inspiration only.

Please use the appropriate prompt tag with your response.

Please put your drabble under a cut tag if it contains potential triggers, mature or explicit content, or spoilers for media released in the last month.

If you would like a template for the header information you may use this:

Subject: Original - Title (or) Fandom - Title

Post:
Title:
Original (or) Fandom:
Rating:
Notes:

Here's the template as code for easier pasting:



If you are a member of AO3 there is a 100 Words Collection!

The prompts are:

459. dice

458. blood

457. guilt

456. forgotten

455. claim

454. measure

453. complaint

452. comfort food

451. work of art

Earlier prompts )

Creepy, creepy, creepy

Sep. 16th, 2025 06:14 pm
oursin: Cartoon hedgehog going aaargh (Hedgehog goes aaargh)
[personal profile] oursin

‘I love you too!’ My family’s creepy, unsettling week with an AI toy:

Designed for kids aged three and over and built with OpenAI’s technology, the toy is supposed to “learn” your child’s personality and have fun, educational conversations with them. It’s advertised as a healthier alternative to screen time and is part of a growing market of AI-powered toys.

Can we get a very loud UGH?

I thought I'd linked somewhere to the instructive tale of techbro who made, was it an interactive doll or was it a teddybear for his daughter, that would talk to her, and in very short order she turned the thing off and played with it as Ye Kiddyz have played with dolls since dolls were A Thing (Ancient Sumeria???). Can't find it, however.

Anyone else read Harry Harrison's 'I Always Do What Teddy Says'? which also springs to mind, although that is about plot to subvert conditioning via teddy.

[syndicated profile] notalwaysright_feed

Posted by Not Always Right

Read The Only Thing Being Reduced Is Her Freedom

Customer: "This one’s damaged. Can I get a discount?"
Me: "No worries, ma’am. We’ve got plenty of new ones in the back that aren’t damaged."
She doesn’t look thrilled, but I think that’s the end of it.

Read The Only Thing Being Reduced Is Her Freedom

Photo cross-post

Sep. 16th, 2025 09:58 am
andrewducker: (Default)
[personal profile] andrewducker


No, daddy, it's definitely not a "pointy duck"! Have you even read the sign?
Original is here on Pixelfed.scot.

Starman (1988) #16

Sep. 16th, 2025 05:47 pm
iamrman: (Sindr)
[personal profile] iamrman posting in [community profile] scans_daily

Writer: Roger Stern

Pencils: Tom Lyle

Inks: Scott Hanna


Will's estranged father is dying in hospital, so he goes to visit him one last time.


Read more... )

smallhobbit: (Cup 1)
[personal profile] smallhobbit posting in [community profile] no_true_pair
Title: Wasted Energy
Fandom: Miss Marple/Sherlock Holmes
Pairing/Characters: Jane Marple & Mrs Hudson
Content Notes: No warning needed
Prompt: September 17th: energy

Wasted Energy on AO3
[syndicated profile] reactor_feed

Posted by Stefan Raets

Books C.J. Cherryh

Exploring Gender and Trans Identity in the Worlds of C.J. Cherryh

The Chanur series poses key questions about gender roles, expression, and identity.

By

Published on September 16, 2025

The Pride of Chanur cover art by Michael Whelan

Detail from the cover The Pride of Chanur by CJ Cherryh (cover art by Michael Whelan)

The Pride of Chanur cover art by Michael Whelan

Gtsto was the offspring of Atli-lyen-tlas, gtsto, ruthlessly abandoned, gtsto, hitherto gtste… who most valorously hid from gtst enemies until Chanur had come to port. Then, seeing my magnificence and, surely to afford me comfort, gtstisi became gtsto

So Atli-lyen-tlas’ daughter had hid from assassins, and, attracted to Tlisi-tlas-tin had become… call it male. It didn’t bear offspring in this hormonal condition. If she presented what gtst had said to the universities at Anuurn or Maing Tol, she could justify a second certificate in foreign studies.1

This passage, where a spaceship captain discovers that an alien passenger has changed gender (and switched pronouns), might not be surprising in the modern sci-fi sphere, where books featuring trans and nonbinary characters are published far more regularly. But this book—Chanur’s Legacy—by C.J. Cherryh, came out in 1992, marking the end of Cherryh’s beloved Chanur saga, which began in 1981. Cherryh was writing about trans themes and identities in the era dominated by the social and religious conservatism of the Reagan administration and organizations like Focus on the Family; they are deeply interesting, and worthy of greater attention and recognition.

With a background in archaeology and classics, Cherryh is known for building complex alien societies anchored in cultures, social mores, and neurobiology foreign to humans. This leads to intricate conflicts as species’ differing customs and behaviors come into contact with each other. Often, these conflicts involve conceptions of gender.

Take the hani, the main species of the Chanur series. The hani are inspired by lions, by which we mean the males laze about while the females do everything. The males nominally rule big, sprawling estates as clan lords, but in reality, they are considered too short-tempered and irrational to be trusted with important decisions, so the females run the estates and, once the hani discover space travel, crew the spaceships. The lords’ only job is fighting off male challengers and “lying about on cushions with a dozen wives to see to the nastiness2.”

Anyone who can do arithmetic can spot that this isn’t as good a deal for the males as it seems. Adolescent male hani “had to go out into the outback to live, learn to hunt and to fight each other and if boys lived long enough they could come back and try to drive some older man out into the outback to die3.” And when an aging clan lord is defeated, his reward is either death or a pitiful exile. To a hani, “Males were what they were, three quarters doomed and the survivors, if briefly, estate lords, pampered and coddled4.”

No wonder not every male rushes to embrace this role.

When Pyanfar, a hani ship captain and the protagonist of the Chanur series, finds her deposed mate Khym injured and hiding at the fringes of another male’s territory, “surviving, out of his time and his reason for living5,” she offers him a berth on her ship, telling him, “It’s different out there… Right and wrong aren’t the same. Attitudes aren’t the same… Might start a fashion6.”

Easier said than done. While Khym is not a stereotypical bad-tempered male—“as males went, he was a rock of stability and self-control7”—he’s learned to be lazy and fails to pull his considerable weight. When warned to control his temper, he complains, “We’re set up to fight. Millions of years—it’s not an intellectual thing. Our circulatory system, our glands8 […]”. Pyanfar tells Khym he’s “spoiled by a mother that coddled your tempers instead of boxing your ears the way she did your sister’s. He’s just a son, huh? Can’t be expected to come up to his sister’s standard9.”

Khym struggles because he isn’t just changing jobs—he’s switching gender roles. From a hani perspective, Pyanfar must feminize him so he can join her crew. But he learns. Pyanfar is astonished when he accepts drudge work, “by the gods, the ex-lord of Mahn on galley duty, no complaints10.” A turning point comes when Pyanfar loses her temper and nearly attacks an important hani and finds “Khym’s arm between her and the Ehrran: Khym, whose mind had gone on working when hers quit11.” At the end of that voyage, she awards him an earring—a badge of honor that hani spacers earn for their travels, only ever awarded to females. Khym has learned how to be female.

Meanwhile on the homeworld, Pyanfar has started a dustup over gender roles. Mentioning men at all is rocking the boat—“Ten, fifteen years ago, you didn’t by the gods use the male pronoun in a message between clans. It still felt queasy and indecent12”—and Pyanfar is asking them to rethink their fundamental understanding of society. Are males just built that way? Or is it, as Pyanfar claims, “custom, not hardwiring13?” It’s an argument that humans have been having for decades, with the same key point of contention—once someone has been assigned a sex at birth, are they shackled to that role forever?

Khym adapts to a female role out of necessity. In Chanur’s Legacy, though, we meet a male hani who adopts a female role by choice. The adolescent Hallan has decided to “fight biology and go to space14.” Hallan is a miserable fit for the traditional male gender role. He’s shy, curious, bookish, and terrible at fighting. He surreptitiously reads romance novels. “Whether you read him as trans or queer, the feeling of being an other is palpable. He cannot survive the violent life dictated to male hani, his only role to sacrifice his body in a system he does not believe in, but is forbidden to travel the stars and seek something else for himself on account of his gender,” says Dorian Dawes, author of A Dream of Saints.

Hallan isn’t just escaping from a bad lot in life—he actively wants to be female. He “insisted he was one of the girls, that he was cool-headed, he wanted to play the game on their terms15.” And he wants not only the female role, but female biology. He has “[i]llusions he was a girl16.” He dreads that in the future “when he got all his size and hormones kicked in for good and earnest, he wasn’t going to be worth anything but one thing until he was as old as Khym Mahn and hormones had stopped making him crazy… worst of all, to think that, over the next few years, he might progressively lose his self-control and his reason17.” Fearing your hormones turning you into someone you don’t want to be—it’s a feeling all too familiar to trans people.

Yet everywhere he goes, people see only his birth sex, and misunderstand him because of it. When he impulsively hits someone and lands in jail, everyone assumes he’s another crazy male hani, but “[t]ruth was, he’d been scared, not mad21.” He’s desperate to prove himself, but his rookie mistakes get blown out of proportion. An alien passenger flips out at the sight of him, protesting that “our presence has been assaulted by strange persons of male and violent gender22.” Dorian Dawes sees a strong connection to the trans experience: “This idea that you are bound to your biological sex, and everyone perceives your male hormones as a threat to female spaces feels all too familiar in 2025, and Cherryh uses this metaphor with devastating precision.”

Among the hani, gender is rigid. Among their neighbors the stsho, gender is fluid. The stsho are “trisexual hermaphrodites, one of each triad bearing young: but that same individual may exist within another triad as a non-bearer. Stsho refuse to explain23.” When stressed, stsho go through a transition called Phasing and come out an entirely different person, sometimes with a new gender that, thanks to hormonal changes, is capable of reproducing in its new role. “Stsho change sex, change person, change everything24.” After phasing, they are treated as a completely new entity, and “it was not at all polite to recognize the refurbished person25”—that is, to deadname them.

The stsho use their own pronouns: gtst for the neuter gender, which engages with outsiders; gtste for (more or less) female; gtsto for (more or less) male; and gtstisi for those currently Phasing. Finally, elder stsho take on a completely genderless role—different than neuter—with the pronoun gtsta. For the stsho, gender is a temporary role that changes many times over their long lives, due to stress, politics, desire to find a mate, or for countless other reasons.

Interactions with the stsho can be complicated, unsurprisingly. The opening vignette comes from Chanur’s Legacy, where hani captain Hilfy accepts a contract to deliver a vase from a stsho governor to a stsho ambassador. The vase turns out to be a formal marriage proposal, which indicates “[t]he nature of the alliance. No’shto-shti-stlen’s position within it, which of the three… an emblem of proposed gender26.” Since only one gender serves in politics, many parties have a strong vested interest in the exact nature of the offer, and Hilfy finds herself embroiled in intrigue.

Finally, we have the kif. The kif “hit the ground at birth competitive, aggressive, and (some scholars surmised) having first to escape their nest before they were eaten27.” “What their genders are is a matter of guesswork28” and “he” is used by outsiders only by convention. Instead, their culture is organized around a principle called sfik, which translates to something like “face.” For a kif, life revolves around gaining sfik or causing others to lose sfik. They have no other model for social interaction.

Usually.

Skkukuk is a castoff from a former kif master who considers him worthless. Given to Pyanfar as a gift, he initially “looked sinister in one instant, beaten and pathetic in the next29,” devoid of sfik and clearly not flourishing within the kif social order. As author Tuxedo Catfish put it on Bluesky, Skkukuk is “somehow trans despite belonging to a species whose closest analogue to gender is ‘how much boss are you’.”

Pyanfar considers him a dangerous, annoying liability, but when she finally begins allowing him responsibilities on the ship, he is eager to please, proving resourceful and trustworthy. It is Tully, the human crewmember, who figures him out: “He want be hani… He kif, he same time got no friend with kif, he be little kif. They kill him, yes… He don’t be hani, he die30.” Unable to live with his birth-assigned social identity, he adopts a new one.

Skkukuk reappears years later under the name Vikktakkht. He commands a fleet now, but still demonstrates un-kif-like attitudes. He foregoes the opportunity to turn on Pyanfar to increase his own sfik, saying, “if I aspired to be mekt-hakkikt the peace would end31,” even though kif supposedly can’t understand the concept of peace. He blindsides Hilfy by dealing fairly with her when she’s in a precarious situation. He takes to Hallan, visiting him in jail, doing favors for him, and offering him an honored spot at a negotiation table. Hilfy is baffled: “Why had Vikktakkht wanted him? Why had Vikktakkht insisted to speak to him, except to get a less wary answer?32” Vikktakkht’s answer is “I find him amusing33”—perhaps the closest he can get to expressing his feelings with the language he understands—but the real answer is something the kif are supposed to be biologically incapable of: friendship. Another alien says of the kif, “Nobody friend. Don’t got word, ‘friend.’ Just ‘advantage34’”but Vikktakkht apparently does. He saw the struggling misfit who no one trusted, sympathized with him, and took him under his wing.

The trans connection here is more subtle than it is for the stsho, but the parallels are there: Being born into a supposedly immutable biological and social role that doesn’t suit you at all, suffering for failing to fulfill that role, blossoming when you find an identity that fits you, and—of course—finding community with others in the same position. Tuxedo Catfish explains, “he’s constantly mistreated in ways that don’t really register as mistreatment to him, and once people start feeling guilty about it you can almost see the wheels turning in his brain as he realizes both that this is better than the life he lived before and also that he can take advantage of it.”

Alien gender revolutions, aliens who regularly switch genders, aliens who take on social roles from other alien species—the Chanur series is full of trans themes and concepts, and many trans readers have seen themselves reflected in characters like Hallan. Today’s science fiction continues to build on the decades-long heritage of authors who used sci-fi as a space to explore ideas about society long before they were mainstream in the real world—playing a key part in that heritage is C.J. Cherryh, who took a hard look at how our society views gender and saw other possibilities.[end-mark]

  1. Chanur’s Endgame, p. 574. (All quotations from Chanur’s Homecoming and Chanur’s Legacy come from the omnibus edition Chanur’s Endgame.) ↩
  2. Chanur’s Venture, p. 87 ↩
  3. Chanur’s Endgame, p. 410 ↩
  4. Chanur’s Venture, p. 83 ↩
  5. The Pride of Chanur, p. 196 ↩
  6. The Pride of Chanur, p. 223 ↩
  7. The Kif Strike Back, p. 26 ↩
  8. Chanur’s Venture, p. 93 ↩
  9. Chanur’s Venture, p. 93 ↩
  10. Chanur’s Venture, p. 146 ↩
  11. Chanur’s Venture, p. 255 ↩
  12. Chanur’s Endgame, p. 497 ↩
  13. Chanur’s Endgame, p. 473 ↩
  14. Chanur’s Endgame, p. 513 ↩
  15. Chanur’s Endgame, p. 489 ↩
  16. Chanur’s Endgame, p. 514 ↩
  17. Chanur’s Endgame, p. 473 ↩
  18. Chanur’s Endgame, p. 411 ↩
  19. Chanur’s Endgame, p. 503 ↩
  20. Chanur’s Venture, p. 305 ↩
  21. Chanur’s Endgame, p. 534 ↩
  22. The Pride of Chanur, p. 17 ↩
  23. Chanur’s Endgame, p. 668 ↩
  24. Chanur’s Endgame, p. 589 ↩
  25. Chanur’s Venture, p. 307 ↩
  26. The Kif Strike Back, p. 52 ↩
  27. Chanur’s Endgame, p. 33 ↩
  28. Chanur’s Endgame, p. 729 ↩
  29. Chanur’s Endgame, p. 605 ↩
  30. Chanur’s Endgame, p. 651 ↩
  31. Chanur’s Endgame, p. 713 ↩

The post Exploring Gender and Trans Identity in the Worlds of C.J. Cherryh appeared first on Reactor.

[syndicated profile] calculatedrisk_feed

Posted by Calculated Risk

The National Association of Home Builders (NAHB) reported the housing market index (HMI) was at 32, unchanged from 32 last month. Any number below 50 indicates that more builders view sales conditions as poor than good.

From the NAHB: Builder Confidence Steady but Future Sales Expectations Hit Six-Month High
Builder sentiment levels remained unchanged in September but lower mortgage rates and expectations that the Federal Reserve will soon cut the federal funds rate led to higher future sale expectations in the coming months.

Builder confidence in the market for newly built single-family homes was 32 in September, unchanged from the August reading, according to the National Association of Home Builders (NAHB)/Wells Fargo Housing Market Index (HMI) released today. While builder sentiment has hovered at a relatively low reading between 32 and 34 since May, builders expressed optimism that a more favorable interest rate climate could bring hesitant buyers off the sidelines in the final quarter of 2025.

“While builders continue to contend with rising construction costs, a recent drop in mortgage interest rates over the past month should help spur housing demand,” said NAHB Chairman Buddy Hughes, a home builder and developer from Lexington, N.C.

“NAHB expects the Fed to cut the federal funds rate at their meeting this week, which will help lower interest rates for builder and developer loans,” said NAHB Chief Economist Robert Dietz. “Moreover, the 30-year fixed rate mortgage average is down 23 basis points over the past four weeks to 6.35%, per Freddie Mac. This is the lowest level since mid-October of last year and a positive sign for future housing demand.”

In a sign that the housing market remains soft, the latest HMI survey also revealed that 39% of builders reported cutting prices in September, up from 37% in August and the highest percentage in the post-Covid period. Meanwhile, the average price reduction was 5% in September, the same as it’s been every month since last November. The use of sales incentives was 65% in September, essentially unchanged from 66% in August.
...
The HMI index gauging future sales expectations in September rose two points to 45, the highest reading since March of this year. The component measuring current sales conditions held steady at 34 while the gauge charting traffic of prospective buyers posted a one-point decline to 21.

Looking at the three-month moving averages for regional HMI scores, the Northeast was unchanged at 44, the Midwest gained one point to 42, the South held steady at 29 and the West increased one point to 26.
emphasis added
NAHB HMI Click on graph for larger image.

This graph shows the NAHB index since Jan 1985.

This was below the consensus forecast.
[syndicated profile] reactor_feed

Posted by Sarah

Column 80s Fantasy Film Club

Return to Oz: Is This a Horror Movie or a Kids’ Movie?

Dorothy is committed to an asylum, and it only gets weirder from there…

By

Published on September 16, 2025

Credit: Disney

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/return-to-oz-is-this-a-horror-movie-or-a-kids-movie/">https://reactormag.com/return-to-oz-is-this-a-horror-movie-or-a-kids-movie/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=823966">https://reactormag.com/?p=823966</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/80s-fantasy-film-club/" class="inline-block link-no-animation" aria-label="Link to term or tag 80s Fantasy Film Club 1"> 80s Fantasy Film Club </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Return to Oz</i>: Is This a Horror Movie or a Kids&#8217; Movie?</h2> <div class="prose post-hero-description prose--post-hero">Dorothy is committed to an asylum, and it only gets weirder from there&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/tyler-dean/" title="Posts by Tyler Dean" class="author url fn" rel="author">Tyler Dean</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on September 16, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/09/return-to-oz-header-740x493.jpeg" class="w-full object-cover" alt="Dorothy (Fairuza Balk) and Tik-Tok in Return to Oz" srcset="https://reactormag.com/wp-content/uploads/2025/09/return-to-oz-header-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/09/return-to-oz-header-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/09/return-to-oz-header-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/09/return-to-oz-header.jpeg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Disney</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>In this column, we’re looking back at the 1980s as their own particular age of fantasy movies—a legacy that largely disappeared in the ’90s only to resurface in the 2000s, though in many ways, the fantasy films of the ’80s are far weirder and less polished than what we got in the aughts. In each of these articles, we’ll explore a canonical fantasy movie released between 1980 and 1989 and discuss whatever enduring legacy the film has maintained in the decades since.</p> <p>For a more in-depth introduction to this series of articles, you can find<a href="https://reactormag.com/dragonslayer-a-fantasy-cult-classic-with-a-brutal-edge/" target="_blank" rel="noreferrer noopener"> the first installment here, focusing on 1981’s <em>Dragonslayer</em></a>. As I mentioned last time, 1985 was a good year for creatures called Gumps—we ran into one slightly sinister, elven Gump in the highly sexual and unnerving Ridley Scott film, <a href="https://reactormag.com/legend-faeries-unicorns-and-tim-currys-six-pack/" target="_blank" rel="noreferrer noopener"><em>Legend</em></a>. And now we are turning to a film featuring a Gump who is terrifying for entirely different reasons: <em>Return to Oz.</em></p> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>I was never a huge <em>Wizard of Oz</em> person. Don’t get me wrong, it’s a brilliant and important film—nearly inescapable in American culture; it just was never a source of comfort for me. As a result, I didn’t see <em>Return to Oz</em> until I was in my early teens, though I was aware of some of its plot from my familiarity with L. Frank Baum’s <em>The Marvelous Land of Oz</em> (1904) on which the film is partially based. That book, with its fluid understanding of gender (in it, Ozma, Princess of Oz begins the novel as a boy, Tip, under a witch’s curse), was destabilizing for me and, at the time, frightening. But that novella is pure whimsy compared to the nightmare of the film it inspired. I was just old enough on my first watch to find it baffling and maybe a little cool. I can imagine that, had I been a few years younger it would have either terrified me or become my whole personality (as, full disclosure, it did for one of my closest friends).&nbsp;</p> <p>As stated above, the film mashes up two Baum sequel novellas, <em>The Marvelous Land of Oz</em> and <em>Ozma of Oz</em> (1907), eschewing Ozma/Tip (save as a MacGuffin) and using both novels’ villains in its plot. It marks the on-screen debut of ’90s cult-hit darling Fairuza Balk (<em>The Craft</em>, <em>The Island of Doctor Moreau</em>) as Dorothy Gale, whose Auntie Em and Uncle Henry, concerned by her ongoing and apparently delusional obsession with Oz, commit her to an asylum where she is scheduled to undergo electroshock therapy. When a storm knocks out the power, she escapes and makes her return to Oz (hence the title). Once there, however, she finds a strange, post-apocalyptic Oz where lovable characters from Baum’s novel/MGM’s classic film have been turned to stone and the kingdom is now ruled by the sinister Nome King and the terrifying Princess Mombi.</p> <p><site-embed id="9164"/></p> <p>Dorothy puts together a quartet of companions—a clear parallel to the original group but far, far more unsettling (Jack Pumpkinhead, standing in for the Scarecrow; Tik-Tok, standing in for the Tin Man; the Gump, standing in for the Cowardly Lion; and Billina, standing in for Toto)—and sets out to restore the Scarecrow to his throne and return the Emerald City to its former glory. Along the way, she must avoid losing her head to Mombi, who wants to take it from her and wear it as her own when she comes of age, and outsmart the Nome King in guessing what ornaments he has transformed her friends into. The film is full of terrifying images: Dorothy and another little girl (who turns out to be Ozma) nearly drowning in a flash flood while frantically trying to escape the asylum; all of Mombi’s discarded heads screaming in unison while her headless body flails around; the whole tortured process of bringing the Gump (a green-furred, wall-mounted moose head chimerically fused to a sofa and some palm frond wings) to life by using an alchemical solution in order to escape Mombi’s clutches…</p> <p><em>Return to Oz</em> is a mixed bag. It is far and away Fairuza Balk’s best performance. She brings an earnestness and vulnerability to the role that keeps the entire production grounded. Famously, Dorothy’s starry-eyed wonder in the original film can be at least partly attributed to the fact that Judy Garland was being drugged with a studio-approved barrage of pep pills, diet pills, and sleeping pills. By contrast, Balk has a sharp, remarkable clarity and performs in a way that feels unmitigated by artifice. It’s almost disconcerting to watch how easily she sells the film’s dark fantasy. She has truly never been better (even if, in later films, she’s a lot more fun).&nbsp;</p> <p>We should also give special attention to Nicol Williamson (Sherlock Holmes in <em>The Seven Percent Solution</em>, and Merlin in <em>Excalibur</em>) who plays the villainous dual roles of the Nome King and Dr. Worley, the head alienist at the sanitorium. He conveys an imperious, detached amusement as the former, gaslighting Dorothy from the comfort of his stony throne. He is also more than a little pleasingly queer-coded (I am coming to realize that, perhaps, every fantasy villain of the 1980s was queer-coded) <a href="https://www.youtube.com/watch?v=2kdz2ntTZDY" target="_blank" rel="noreferrer noopener">as he daintily lifts his shale skirt to show Dorothy that he is wearing the ruby slippers</a>. It’s a perfect performance of comfortable, masculine malice—happy to use children in his megalomaniacal schemes while employing a tone of voice that proclaims his every action as normal and correct.</p> <p>Other performances are less convincing. Sean Barrett’s voicework as Tik-Tok, the mechanical, one-man army of Oz, has the plodding, staid quality of a stale gag used too many times. Denise Bryer’s vocal performance as the talking chicken, Billina, is, well, very chicken-y and her endless stream of fourth-wall breaking gag lines seem to have been added in post-production to try and lighten the oppressive mood.&nbsp;</p> <p>From a production design standpoint, it has moments of feeling cheap. In particular, the costume for the Scarecrow—with its immobile, painted-on eyes staring out at nothing—and the equally stiff and soulless Cowardly Lion who bumps up against Dorothy in the final scene, seem like they are from a much less cash-flush production. Elsewhere, however, there is a richness to the production design that feels thoroughly enveloping. The head-swapping sorceress, Mombi (played to the seething, campy hilt by <em>Willow</em>’s Jean Marsh, who, alas, passed away between <a href="https://reactormag.com/willow-lessons-in-bravery-hope-and-having-fun-with-fantasy-tropes/" target="_blank" rel="noreferrer noopener">my <em>Willow</em> article</a> and this one) is bedecked in an art nouveau gown covered in jutting spines of metal that make her look like a glam-rock porcupine. When she spends much of the second half of the film whipping a chariot drawn by “wheelers”—quadrupedal monsters with wheels for hands and feet, and otherwise dressed like Droog rejects with just a touch of <em>The Warriors</em>-inspired, post-apocalyptic, gangland fashion—the ultimate effect can only be fêted with a chef’s kiss. </p> <p>The visual effects for the film feel like they might have been magical in the hands of ILM or the Jim Henson Company (and Brian Henson does lend his voice to Jack Pumpkinhead) but while the effects are not unimpressive, there is something off about all of the movement. The eyes of the Gump open too wide and suggest a sort of madness. Tik-Tok’s violent swings back and forth as he lopes about bring to mind a machine on the verge of explosion. Everything shudders and reels, feeling less alive than it should. It’s far more Brothers Quay than Pixar or Rankin/Bass.</p> <p><site-embed id="9165"/></p> <p>These are not effects that feel like they could have been fixed with more money… they just feel unsettling. Take, for example, the way that the Nome King moves between a stop-motion stone face in a cave wall and Nicol Williamson, on set, covered in faux-stone makeup. It rides the line of the uncanny valley with unrelenting gusto. Perhaps that’s intentional. Everything else about the film has a dispiriting uncanniness; the VFX are, perhaps, no exception.</p> <p>Throughout, there is a real, inescapable question of who this film is for, and that might make for my deepest misgivings. Some of the film is scary in a way that feels appropriate for children. The performances are nuanced, even when painted with the broad palette of melodrama. Balk’s Dorothy is brave in the face of fear and despair in a way that feels laudable and fitting for a younger audience.</p> <p>At the same time, there is something off about its central themes… The movie is obsessed with existential horrors. Tik-Tok continually asserts that he is not alive and much the better for it. Both Jack and the Gump have been created as homunculi through magic and are distressed by their current state of existence. Jack longs for a mother since his creator, Ozma, is missing, while the Gump ponders whether or not he is alive since he remembers his previous life before being shot, stuffed, and mounted. It’s all very disconcerting.</p> <p>The film also has an irresponsible quality in suggesting that Oz is some kind of fever dream. The original MGM film does this as well, but it doesn’t subject Dorothy to the medical gaze. Oz can be a pleasant fantasy in that film; in this one it’s a sickness that needs to be purged. And, even if Dr. Worley is ultimately a bad guy (and explicitly killed, off-screen), one can’t shake off the fact that Auntie Em willingly left Dorothy with him, which leads to the feeling that the adults in the film can never be trusted to keep her safe—not just the venal ones, but the “good” ones too. That feels like such a resoundingly adult read of Baum’s material—so deeply unwhimsical—that I would be loath to show it to any child who loved the original or did not feel extremely secure in their relationship with their own parents. I’m glad the film exists, and I’m equally glad I didn’t see it until I had matured a little.&nbsp;</p> <p>In terms of the movie’s legacy, beyond its cult following, there are a number of (perhaps dubious) bits of inspiration that feel like they flow from <em>Return to Oz</em>. While, obviously, the character of Jack Pumpkinhead is originally Baum’s creation, the spindly limbed, elegantly garbed figure towering over everyone else in this film is a far cry from the illustrations in the original books and far closer to the design of Tim Burton and Harry Selick’s Jack Skellington, ’90s goth icon and protagonist of their 1995 film, <em>The Nightmare Before Christmas</em>.&nbsp;</p> <p>There is now a long legacy of horror mixed with childhood nostalgia: <em>Winnie the Pooh: Blood and Honey</em> (2023), <em>Steamboat Willie: Blood on the Water</em> (2024), and <em>Bambi: The Reckoning</em> (2025) may all be soulless cash grabs predicated on mixing name recognition with recent public domain acquisitions, but they are just the latest in a long trend that includes everything from <em>American McGee’s Alice</em> (2000) to Todd McFarlane action figures, to about half of Hot Topic’s output over the last forty years. The genre is mostly risible, only entertaining in its shock value, but one must imagine that whatever aspirations these conglomerations might have had for lasting art take inspiration from <em>Return to Oz</em>, a movie which never sought to be horror but achieved it anyway.&nbsp;</p> <p>And one must also look to the current moment when, through the 2024 <em>Wicked</em> film (and its upcoming sequel), Baum-mania is ascendant once again. <em>Wicked: The Life and Times of the Witch of the West</em>, the 1995 Gregory Maguire novel which served as the basis for Stephen Schwartz’s 2003 musical feels like, in addition to Maguire’s stated influences (Dickens, Jean Rhys, and the real life murder of James Bulger), it must have taken some inspiration from <em>Return to Oz</em> in cutting through the lighter, more magical gloss of the MGM film to reengage with the underlying darkness lurking in Baum’s works. (It’s also interesting to note that Maguire was primarily a children’s author before he dove into <em>Wicked</em> and much of the rest of his career became an exercise in writing adult takes on classic children’s tales). And, if Schwartz’s musical is definitively lighter and less overtly political than Maguire’s novel, some of the returning darkness in John Chu’s film also feels like it might be borrowed from <em>Return </em><em>to Oz</em>; would we have gotten the deadly desert showing up at the edges of the frame in <em>Wicked</em> if <em>Return to Oz</em> hadn’t so effectively brought it to life forty years earlier?&nbsp;</p> <p>But what do you think? Is <em>Return to Oz</em> a beloved memory from your childhood or the origin of a monstrous pall cast over your young mind? If you are a fan of Baum’s writing, how does it compare to his original works? How great are Jean Marsh’s towering shoulder pads when she plays Dr. Worley’s nurse?! Also be sure to join us next time when we take on the origin of why no one knows what a glaive is, <em>Krull</em>.[end-mark]</p> <p>The post <a href="https://reactormag.com/return-to-oz-is-this-a-horror-movie-or-a-kids-movie/">&lt;i&gt;Return to Oz&lt;/i&gt;: Is This a Horror Movie or a Kids&#8217; Movie?</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/return-to-oz-is-this-a-horror-movie-or-a-kids-movie/">https://reactormag.com/return-to-oz-is-this-a-horror-movie-or-a-kids-movie/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=823966">https://reactormag.com/?p=823966</a></p>
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Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Rand is Steel and Egwene Finds Understanding in The Gathering Storm (Part 2)

The two opening chapters offer interesting parallels and contrasts between Egwene and Rand.

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Published on September 16, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-rand-is-steel-and-egwene-finds-understanding-in-the-gathering-storm-part-2/">https://reactormag.com/reading-the-wheel-of-time-rand-is-steel-and-egwene-finds-understanding-in-the-gathering-storm-part-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=824126">https://reactormag.com/?p=824126</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Rand is Steel and Egwene Finds Understanding in <i>The Gathering Storm</i> (Part 2)</h2> <div class="prose post-hero-description prose--post-hero">The two opening chapters offer interesting parallels and contrasts between Egwene and Rand.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on September 16, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/reading-the-wheel-of-time-rand-is-steel-and-egwene-finds-understanding-in-the-gathering-storm-part-2/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 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viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 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7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: The Gathering Storm" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12.png 951w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>This week in Reading The Wheel of Time, we are covering the first two chapters of <em>The Gathering Storm</em>, checking in first with Rand in Arad Doman and then with Egwene in Tar Valon. The parallels that the narrative was building between Rand and Egwene continue, and the question of hardness vs. strength is the theme of the day. I’m excited to get started! Let’s recap.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Chapter one opens with a wind rising around the White Tower and Tar Valon, where the buildings are beautiful but the streets are full of footpads and rotting garbage. Workmen, along with an Aes Sedai of the Red Ajah, are at work on the harbor chain, digging it out at the base so that the chain, half of which is now <em>cuendillar</em>, can be removed.</p> <p>The wind passes over the river and the rebel army, whose encampment almost has the air of a permanent settlement, and continues on past Dragonmount and farther until it reaches Arad Doman, where it slams into some invisible, unnatural force.</p> <p>In eastern Arad Doman, Rand stands by the window of a manor house and watches the way the trees are being blown in a different direction than the banners of Bashere’s camp on the manor green. He points the fact out to Min, alarming her.</p> <p>Rand still feels the hand he lost, and his eyesight is still off since the attack by Semirhage, though it is very slowly getting better. He reminds himself that if there is nothing to be done, then he must move on. That he must be steel.</p> <p>Suddenly the wind rights itself and everything starts blowing in the same direction. Rand notes that it was the flags that were wrong, not the needles of the pine trees.</p> <p>Rand is trying to get Lews Therin to tell him how he sealed the Dark One’s prison last time and what went wrong, but is having little success. Cadsuane is having just as little success with Semirhage because Rand has forbidden her from using any methods of torture. When Cadsuane comes to speak to Rand about it, accompanied by Nynaeve and Alivia, she explains to Rand that she will get nothing from Semirhage if he won’t let Cadsuane use the methods necessary, comparing it to blindfolding an artist and then being surprised when he has nothing to paint. Rand responds that it is torture, not art, and Lews Therin whimpers in his head about being tortured when they were put in the box.</p> <p>Despite Cadsuane and Nynaeve’s advice, Rand will not let any woman in his power be treated the way he was treated, even one of the Forsaken. He tells himself that he will hang onto this one shred of light in himself.</p> <p>Cadsuane suggests they might as well turn her over to the White Tower then, and Rand demands to know which White Tower Cadsuane means. He thinks it is just as likely that Egwene will take <em>him</em> captive, force him to kneel to her and even gentle him. Nynaeve is appalled that Rand would think such a thing of Egwene, but she is Amyrlin now, and Rand declares that this means he is just another pawn to her.</p> <p>In his head, Lews Therin starts talking about how the female Aes Sedai refused to aid him in his plans, calling them traitors and blaming them for what happened. Rand tries to get more information, but Lews Therin only begins sobbing again.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Tell me!” Rand yelled, throwing his cup down. “Burn you, Kinslayer! Speak to me!”<br><br>The room fell silent.<br><br>Rand blinked. He’d never… never tried speaking to Lews Therin out loud where others could hear. And they knew. Semirhage had spoken of the voice that he heard, dismissing Rand as if he were a common madman.</p></blockquote></figure> <p>Min looks so scared for Rand he can’t meet her eyes, while Alivia’s gaze seems unsettlingly knowing. Nynaeve is tugging her braid, though she has begun trying to break herself of that habit. Cadsuane only sips her wine.</p> <p>Rand finds he can’t summon up even wry humor anymore, and as he catalogues his illnesses and injuries—from his eyes, to the loss of his hand, to the old wounds in his side that rip open again at the slightest provocation—he feels as though he is dry, like an overused well. He thinks, desperately, that he needs to finish uniting the lands and get to Shayol Ghul. Otherwise, there won’t be enough left of him for the Dark One to kill.</p> <p>In the White Tower, Egwene has just endured her latest punishment from Silviana. She feels that she is close to learning how to embrace the pain as the Aiel do.</p> <p>Egwene views Silviana to be, in most ways, a superior Mistress of Novices; she does her duty, which cannot be said of many of those in the White Tower. Silviana asks when Egwene is going to submit to the maintenance of proper order in the Tower. Egwene responds by asking if proper order is being maintained anywhere else in the Tower. Silviana is surprised to learn that Egwene does not have time to go to dinner after this punishment because she has been summoned to wait on Elaida.</p> <p>Silviana issues orders that food is to be left for Egwene to have after she has completed her duties, then tells Egwene to return for punishment after her meal, this time for referring to Elaida simply by name. Egwene leaves, wondering if it was sympathy that led Silviana to issue the order for food, and considering that it is too bad that this stern but fair woman ended up choosing the Red Ajah.</p> <p>Katerine and Barasine administer Egwene’s usual dose of forkroot and escort Egwene towards Elaida’s rooms. As they walk, Egwene points out the state of the Tower and gently prods the two Reds about how Elaida’s legacy will be theirs as well. Katerine responds that the state of the Tower is because of the rebels, not the Amyrlin, and adds another punishment for Egwene’s disrespect, but Barasine seems to be listening.</p> <p>Egwene thinks to herself that she is winning her war against Elaida, but she feels little joy in it now, watching the Aes Sedai unravel and the streets fill with garbage. After a detour caused by hallways shifting location, Egwene pauses outside Elaida’s door, considering how best to behave during the encounter. She wants to confront Elaida, to make her feel shame for her treatment of Siuan and of Rand, but pulls herself up short when she realizes that confronting Elaida will only lead to Egwene being locked up. Egwene can’t continue her work if she is a prisoner in the Tower dungeons. She decides that she must behave meekly and let Elaida believe that Egwene is cowed.</p> <p>Egwene is surprised when a Gray Aes Sedai answers the door, rather than a servant, and then shocked when she realizes that the sister is Meidani, one of the spies Sheriam sent back to the Tower. She can’t imagine why Meidani hasn’t fled the Tower, now that Beonin has warned all the spies.</p> <p>Showing deference to Elaida is difficult for Egwene, but she maintains her composure by staying silent as she serves soup to Elaida and Meidani, calling on her years as an innkeeper&#8217;s daughter for the skills needed. But as Elaida makes conversation, Egwene’s ire grows. It is clear that Elaida is toying with Meidani, enjoying watching the woman suffer. She also dismisses concerns about the Seanchan, clearly displaying for Egwene how little she thinks of Egwene’s dream, and even jokes about taking the shawl away from Meidani as she did with Shemerin.</p> <p>Things come to a head, however, when Elaida begins to speak about how the real problem in the Tower is the lack of obedience towards the Amyrlin. She claims that if the sisters were obedient, the Dragon Reborn would be in the White Tower’s hands and the so-called Black Tower dealt with. Meidani struggles for a neutral answer, but Elaida continues.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Doesn’t it strike you as strange that the Three Oaths contain no mention of obedience to the White Tower? […] Those oaths have always seemed too lax to me. Why no oath to obey the Amyrlin? If that simple promise were part of all of us, how much pain and difficulty could we have avoided? Perhaps some revision is in order.”</p></blockquote></figure> <p>Egwene is furious at the idea of treating the Oaths with such disrespect, and even more so at the idea of turning the Amyrlin Seat into a despot.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Egwene’s rage boiled within her, steaming like the soup in her hands. This woman, this… creature! She was the cause of the problems in the White Tower, she was the one who caused division between rebels and loyalists. She had taken Rand captive and beaten him. She was a disaster!</p></blockquote></figure> <p>Moments away from her resolve breaking, moments away from telling Elaida what she really thinks of her, Egwene has to do something to stop herself—so she deliberately spills the soup.</p> <p>Elaida angrily orders Meidani to help Egwene mop soup out of the carpet and moves away to call for servants, giving Egwene a chance to speak to the Gray Sister. Meidani responds to Egwene’s strength and determination, and agrees to send for Egwene to “give her lessons” so that the two will have a chance to talk in private.</p> <p>Elaida throws Egwene out, ordering that she be punished, healed, and punished again, and then that she return the next night to serve Elaida properly. Egwene leaves, wondering if Elaida has ever had the proper Aes Sedai control over her emotions.</p> <p>As she eats a solitary supper in the kitchens, Egwene muses over her own emotional outburst, hidden only under the spilling of the soup, and realizes that she is perhaps going about her mission incorrectly. She does not need to weaken Elaida’s control; she needs to strengthen the sisters, to shore up the White Tower against the weakness and division Elaida has brought it to.</p> <p>She returns to Silviana’s study and details the events of her evening, omitting that she dropped the soup on purpose, but sharing that she dropped it after hearing Elaida talk of revoking and changing the Three Oaths. Silviana seems thoughtful.</p> <p>This time, while she is being punished, Egwene has no desire to cry out. She thinks of the pain of seeing sisters appear afraid of each other, of Meidani’s treatment, and of her own distress at having to hold her tongue around Elaida. She thinks of the horror of everyone in the Tower being bound by oath to a tyrant. As she realizes that all of these internal agonies are so much worse than any beating could ever be, Egwene begins to laugh.</p> <p>Silviana pauses in the beating, worried that Egwene’s mind has cracked under the strain, but Egwene assures her that she is perfectly well, and that she is only laughing because it is absurd to beat her. She asks Silviana if any beating could compare to the pain of seeing the White Tower crumble around her.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>I understand, Egwene thought. I didn’t realize what the Aiel did. I assumed that I just had to be harder, and that was what would teach me to laugh at pain. But it’s not hardness at all. It’s not strength that makes me laugh. It’s understanding.</em></p></blockquote></figure> <p>Egwene tells Silviana of why Elaida got away with taking the shawl from Shemerin—because Shemerin accepted it. She tells Silviana that Elaida can say whatever she wants, can even try to change the Three Oaths, but that doesn’t make her words true, and there will be those who resist and hold onto what is correct.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“And so, when you beat me, you beat the Amyrlin Seat. And that should be amusing enough to make us both laugh.”</p></blockquote></figure> <p>The punishment continues and Egwene accepts it, judges it as insignificant, and waits impatiently for it to end so that she can get back to work.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Golly, I enjoyed these chapters so much I’m not even sure where to start!</p> <p>I guess that means I should start at the beginning.&nbsp;</p> <p>As I was reading the opening passage, now so familiar that it feels almost like a mantra, I found myself deeply moved by the idea of Sanderson writing those words (or perhaps editing something Jordan had already written in his notes and drafts) as he continued to do the work that Jordan has been doing for the entire series so far. I thought to myself, just as there is no beginning to the turning of the Wheel, there is no end either, and one might almost say that Jordan’s death was an ending for The Wheel of Time, but not <em>the</em> ending.</p> <p>I wonder if Sanderson thought something similar as he worked on <em>The Gathering Storm</em>, and if Harriet McDougal thought something like it as she continued to edit her husband’s series. If the publishing team did, and if the readers did—especially those who were reading the books as they came out and experienced the death of the beloved author and must have believed for a time that the series would never be completed.</p> <p>Many artists feel that that their work belongs as much to their audience as to themselves, and Jordan was clearly one of these. I think that there is something so beautiful in having his work remain and even grow on after he was gone, continuing to touch the lives of those who loved the series along with him as well as the lives of those who discovered it later, as I have.</p> <p>By far the most significant theme of these chapters is the parallel between what Rand is trying to do (unite all the nations of the land before the Last Battle) and what Egwene is trying to do (repair and reunite the White Tower before the Seanchan attack, and also before the Last Battle). For the last few books, the narrative has been building this corollary between Rand’s journey and Egwene’s, and it has now been thrown into high relief at the beginning of <em>The Gathering Storm</em>.</p> <p>Rand and Egwene both endure physical and emotional suffering in these chapters, as they have been for some time. Rand’s approach to experiencing suffering has been to harden himself against it. He has dismissed the loss of his hand, ignored (to the best of his ability) the pain in his side and the distortion of his vision, and hidden the ongoing nausea that he experiences when he seizes <em>saidin</em>. He has locked his grief for those who died away in his mind, only acknowledging it as a tool for self-flagellation; he keeps his claustrophobia a secret from everyone except Min, who only knows because of what she can sense through the bond.</p> <p>Egwene, however, is taking a different approach. Even without understanding exactly how the Aiel manage to laugh at the pain of punishment or torture, she is aware that the Aiel way is not to remain stoic under the pain but to let it out, to allow whatever screaming or flailing or crying the body wants to do, and then to move on when the pain has ended. In <em>Knife of Dreams</em> she learned how much easier it was to recover once her punishments were over if she allowed herself to react in the moment, and with practice and experiences she is finding that recovery comes more quickly and easily, and that her physical reactions to the pain even in the moment are diminishing.</p> <p>Both Rand and Egwene are very young people who have been thrust into impossible positions of responsibility and power with hardly any training and have had to “learn the job,” so to speak, on the fly.</p> <p>In earlier books we encountered the concept of “forcing” as a means to push a channeler to reach their full potential much more quickly. Egwene was forced primarily through the use of the <em>a’dam</em>, but also by Siuan, who believed it was necessary to have her achieve her full potential as quickly as possible. Rand has also been forced, by the circumstances of how and what he needed to learn in order to be an effective Dragon Reborn. But one might also say that both Rand and Egwene were “forced” in other areas of their life; in leadership and responsibility, in metabolizing difficult concepts like politics and warfare and how to manage the needs of large groups of people (armies, nations, the world). Compare Egwene’s rise to Siuan’s or her education to Elayne’s. Compare Rand learning to be a general in two years to Bashere’s lifetime as a soldier or Rand learning to be a leader to Tuon being aimed at the Crystal Throne since birth. It is an entirely different, wildly expedited learning curve to be suddenly thrust into such an exalted position with little to no relevant education about how to handle it.</p> <p>We see Perrin and Mat also confront these same struggles, but not so starkly, or to such a high degree. Of course, Rand is still the Dragon Reborn, the savior of mankind; his trials and his responsibilities can’t really be matched by anyone, but I would argue Egwene’s come close, and ultimately are the same in every way that truly matters.</p> <p>Ultimately, Egwene has found a healthy way to deal with these burdens and this pain, where Rand has found an unhealthy one. Throughout these two chapters there are passages and paragraphs that can be held up against one another to show the difference.</p> <p>For example, in chapter one Rand reflects that his life is entirely dominated by need, and what he needs most is the lives of those who follow him. “Soldiers to fight, and to die, to prepare the world for the Last Battle.” He needs them to be strong enough to win. In contrast, Egwene has begun to think about what the White Tower needs from her. Initially she saw herself as fighting a battle against Elaida, trying to weaken Elaida’s power and the loyalty of the Aes Sedai to her. But by the end of the chapter, she is thinking about the fact that the Tower is already failing, and what she needs to do is strengthen the Aes Sedai, to help hold them together as she reforges the Tower that has been broken by Elaida (and the Black Ajah, though Egwene doesn’t know the extent of that, yet). We see her do just that when speaking to Meidani: She doesn’t just demand that Meidani be strong because she must; she also offers reassurance as her Amyrlin and gratitude for Meidani’s service and suffering. It is this that strengthens Meidani, not a demand for strength for strength’s sake. It is basically the opposite of the approach that Rand takes towards his own followers.</p> <p>When Rand feels love for Min, and for Aviendha and Elayne, he thinks of this as something wrong and cruel that he is doing. He considers himself to be “using” these women for their love and strength, rather than considering the relationships to be one of mutual care and affection being good for all of them, even though it comes with unique and dramatic difficulties. It isn’t entirely surprising that a man struggling with taint madness who believes he is going to die in the Last Battle would feel guilty for letting people love him, and Rand’s concerns are understandable. However, it is a pretty horrible way to think about the emotion of love. Rand’s perspective posits that love is selfish and weak, that feeling it makes him a bad person—and unsurprisingly this is also how Rand thinks of <em>other</em> morally good emotions, like empathy and grief.</p> <p>Meanwhile we see Egwene take strength from her love. It allows her to dismiss the pain of her punishments as unimportant, but it also allows her to refocus away from her destructive anger towards Elaida and back toward her goal, which is to save the White Tower. If Egwene had chosen to harden herself against the suffering of her fellow Aes Sedai, even if she only did that because she felt her sadness for them was a distraction from her mission, she would very likely have continued to think of the fight to reunite the White Tower as a battle against Elaida, and might very well have destroyed any hope of unifying the Aes Sedai in the process, either by getting herself thrown in the dungeons or by unwittingly strengthening the division and fear between the Ajahs to a point of no return.</p> <p>And without a strong and unified White Tower, there is no doubt that the Light would see disaster at the Last Battle.</p> <p>Egwene and Rand are both tied to the Aiel, Rand by heritage and prophecy, Egwene by her choice to study as a Wise One’s apprentice. But although Rand loves a (future) Wise One and has been tutored by Aviendha in the ways of the Aiel, it is Egwene who really understands them. Rand can’t, not truly, because he has cut himself off from empathy and views the People of the Dragon the same way he views everyone else, as a tool and a means to an end. Egwene loves the Aiel—so much so that I think, in a different time and different version of events, she could have stayed with them forever, and become one of them.</p> <p>Finally, we have Egwene’s ultimate realization about the Aiel method of embracing the pain. She discovers that it is not hardness that makes one laugh at the pain, nor is it strength. It is not even that the pain of the physical beating is inconsequential in comparison to her feelings of pain for her fellow Aes Sedai or her anger towards Elaida, either. Rather, it is understanding, seeing the whole picture and making sense of all its parts. Egwene discovers that the punishment itself, however unpleasant, is meaningless. She can and must accept that it is happening, but she also knows that nothing about it will change her situation, or who she is, or what she intends to do. It is a fruitless exercise, a pointless waste of her own time and also that of her enemies. And therefore, it becomes ridiculous.</p> <p>For Rand, on the other hand, the pain is everything, exactly <em>because</em> he refuses to feel it. Rand believes that every death, every tragedy that comes about because of him—whether from his choices as a leader and a general (the deaths of soldiers and maidens) or the choices made by others (Moiraine’s sacrifice) or his ta’veren effects upon the Pattern that disrupt or harm people’s lives—are so horribly devastating that if he allows himself to feel grief or regret or even any care at all for the people around him that he will be unable to do what needs to be done. He believes that his feelings, his good and moral feelings like empathy and care for others, will paralyze him. He has no ability to do as the Aiel do—accept the pain and allow himself to feel it, and then to let it pass on.</p> <p>Accepting the pain does not mean it will never affect you, either. An Aiel who went through the torture Rand experienced at the hands of Galina and the Reds might also have emerged with claustrophobia or other traumatic responses, but they would be more able to put that experience into a context, and to reaffirm who they are even if affected by the experience. After all, the Aiel don’t find any shame in fear, only in how it is displayed. Even among the Aiel, one can share almost everything with a family member or very close friend; we see Aviendha more than once consider that there is no <em>toh</em> acquired in sharing a weakness with her first sister that might be shaming in other contexts. For Rand, this would mean not giving in to panic when the claustrophobia hits (which he does manages admirably) but also sharing the feeling and talking about it with people who he trusts, like Min.</p> <p>Min could hold space for Rand’s trauma, offer care and support without thinking less of him or depriving him of the strength he needs to carry on, but rather than let someone else help carry his burdens, Rand has become defined by his traumas and fears and grief almost to the point where he cannot function. He is pressing on by sheer stubbornness, but there is a limit to everyone’s mental strength, even the Dragon’s. I even find myself wondering if the outburst, in which he addresses Lews Therin aloud in front of Cadsuane, Alivia, Nynaeve, and Min, doesn&#8217;t have as much or more to do with the mental distress he has taken on because of how he handles his emotions, rather than any further descent into madness.</p> <p>Speaking of mental distress, I think we can also draw some parallels between Elaida and Rand, as Elaida’s mental health buckles under the weight of her own responsibility and failed leadership. Particularly significant to me was when Elaida insisted that it was only the disobedience of the Aes Sedai that resulted in Rand’s escape from her power (possibly somewhat true, since rebel Aes Sedai aided him in the battle at Dumai’s Wells, though it was really the Asha’man who won the day for Rand) and that the White Tower would already have easily dealt with the Black Tower. Elaida has always been quick to shift the blame to others when her orders aren’t carried out successfully, but since we know that Egwene has made sure that all the novices know about the failed kidnapping attempt and the bonding of Aes Sedai by Asha’man, and that their gossip has certainly been heard by the Aes Sedai, it rather feels to me like Elaida has heard whispers of this talk as well. Perhaps, since her shifting of the blame to Galina and Toveine has not stuck (she was quite triumphant about that when she finally got out from under Alviarin’s blackmail threat) she has turned to the last resort of shifting blame, suggesting that it is a failure of loyalty, not her own plans and designs, that is the problem.</p> <p>Egwene reflects that Elaida was always stern but never tyrannical, and is astounded by the change that has been wrought in the woman. Egwene attributes it to power changing people, but although Elaida has always been vainglorious, I think it is failure, not being drunk on power, that has driven her to become so cruel and controlling and self-aggrandizing. The more difficult she finds her job, the more her plans fail and the rebels continue to resist her, no doubt suggesting loyalty to the deposed Siuan, the more Elaida is desperate to regain the surety she had in herself.</p> <p>Rand isn’t cruel and desperate like this, but he too is making the mistake of grasping harder at the very thing that is hurting him. If he was able to accept help and to feel his feelings, he would be a better leader, not a worse one. If Elaida would listen to her advisors, make some concessions and work with the Hall rather than trying to browbeat every powerful sister into submission, she would probably win more loyalty and achieve more of her aims. Not all of them, which is clearly a problem for Elaida, but it would be a marked improvement for sure. I think she probably began her reign as Amyrlin already anxious about how tenuous her hold was and has only gotten less sure of herself and more paranoid as time passes and the White Tower falls apart around her.</p> <p>But like Rand, Elaida isn’t just making bad choices from an inability to handle her own emotional distress—she is also being affected by the taint. It’s hard to say how much, given that Mordeth-Fain wasn’t with her for long, but he did deliberately lay his influence on her, and so that is also a factor in her mental deterioration, one that neither Egwene nor any of Elaida’s supporters could guess at.</p> <p>But getting back to Rand and <em>his</em> taint-induced madness, it will be very interesting to see if his relationship to having Lews Therin in his mind will change at all now that some of the people close to him know about it. Of course, they know about a bunch of Rand’s other problems and he still hasn’t let anyone in, so maybe not. But you never know. Min is persistent and stubborn, and there was something in the way Alivia was described as looking at Rand and seeming “too knowing,” that caught my attention.</p> <p>She is such an intriguing character. I would absolutely love a section from her point of view, or at least to have her have a conversation with someone that would reveal to us a little more about how she sees Rand. We know she is grateful to have been set free from the Seanchan, which is enough to explain her loyalty to him, but I still feel like there’s more there. Perhaps she feels a sense of responsibility to protect or serve the Dragon Reborn in order to help save the world, as many people do. Or perhaps there is something else there that I can’t guess at yet. But I do think there is <em>something</em>.</p> <p>There are a lot of hints like that in these chapters, little moments or mentions that I expect are heralds of plot developments to come. Alviarin being late for her penance, for example. Rand’s curiosity about the movements of the Borderland army and worry over them abandoning their posts. The horrific alterations to the mural Egwene encountered in the hallway. Rand musing about the possibility that Graendal might be hiding somewhere in Arad Doman. The fact that Rand’s message has not yet been delivered to Tuon. His awareness that he must start relying on <em>saidin</em> first, rather than the sword he cannot currently wield well after the loss of his hand.</p> <p>Also there is a new sword in the mix, which is pretty cool. The description of how Rand got it and what sword it is was left deliberately vague, despite Rand recognizing it. We know that someone has unearthed it recently, that it is centuries old, and that Rand knows the sword from his own memories, not Lews Therin’s. Given this information, the sword must be from this Age, not before the Breaking, which means it probably belonged to a great hero of the Third Age that Rand has read about in a history book, perhaps one that also contained an image of the weapon.&nbsp;</p> <p>My first thought was that it might have belonged to Artur Hawkwing, because Rand feels that it is significant that the sword found its way into his hands at this moment. Since Hawkwing was the most significant personage of the Age until Rand came along, and since Rand’s most important mission at the moment is to make peace with the Seanchan, with the descendants of Hawkwing and of Luthair’s followers, this feels like a good guess.</p> <p>Doesn’t mean I’m right, of course, but I can’t think of any other clues in the narrative to apply to the sword. Perhaps we’ll get more clues as to the weapon’s provenance later in <em>The Gathering Storm</em>.</p> <p>I do think it is interesting that there are dragons on the scabbard, even though it seems like in this time no one knows there was an animal called a dragon, never mind what they looked like. However, we have seen a few instances of similar images popping up even without being called dragons; I believe there was some inn, a book or two back, that had a dragon painted on the sign, much to Rand’s bemusement.</p> <p>Finally, I am very curious about how much of Rand’s distrust towards Egwene now that she is Amyrlin is due to his increasing madness and how much it is due to the trauma of his treatment by various Aes Sedai, particularly those acting for Elaida. It is a combination of both, no doubt. His distrust for Aes Sedai was initially stoked by Ishamael and then brought to a fever pitch by Galina and co., resulting in him forcing even allied Aes Sedai to swear fealty to him, but he has at least some trust for Nynaeve, despite her status as Aes Sedai, raised by Egwene. And at least some small amount for Cadsuane, due to Min’s viewing. And he is in love with Elayne, also an Aes Sedai, and trusts her about as much as he trusts anyone.</p> <p>Rand hasn’t seen Egwene in a long time, so perhaps he fears that she has been transformed into something unrecognizable in being raised to Amyrlin. Her manipulation of Mat and his army might also play into Rand’s ire; he sent Mat to rescue Egwene and instead Egwene became the thing Mat was to rescue her from, then used his army in a very Aes Sedai way.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>I could muse about Rand and Egwene for a very long time, but I will leave it here for now. Next week we continue on with chapters 3 and 4, which belong to Aviendha and Gawyn, respectively. I’m looking forward to Aviendha catching up with Rand and maybe also spending time with Min, and now that I’ve made the observation about Egwene handling her love better than Rand does, I’m curious to see how Gawyn becomes part of that. Didn’t someone (Min? Perrin? Egwene herself?) have a vision or Dream in which Gawyn alternately killed Egwene or knelt at her feet? I’ll have to check my notes on that one, but it certainly sounds dramatic.[end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-rand-is-steel-and-egwene-finds-understanding-in-the-gathering-storm-part-2/">Reading The Wheel of Time: Rand is Steel and Egwene Finds Understanding in &lt;i&gt;The Gathering Storm&lt;/i&gt; (Part 2)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-rand-is-steel-and-egwene-finds-understanding-in-the-gathering-storm-part-2/">https://reactormag.com/reading-the-wheel-of-time-rand-is-steel-and-egwene-finds-understanding-in-the-gathering-storm-part-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=824126">https://reactormag.com/?p=824126</a></p>
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