Arduinna

(video ID: a white person with short reddish hair and gold-rimmed glasses speaks while sitting in front of a bookcase. /end ID)

Transcript: Question today is – why did you (me) get into doing this specifically? Which is to say, running an indie press focused on publishing the original work of fanfiction authors?

So, when I started doing my own original fiction writing and publishing, I had to learn a huge number of skills to self publish. And it seemed really wasteful and counterproductive to learn all of those skills only for myself and to note share. It’s like every single self-published author has to reinvent the wheel in a lot of ways and that seemed really silly to me.

And the same time, I was getting into writing fanfiction as a sort of tension release and I was meeting all these really awesome, amazing people who, for various reasons, wanted to publish their original fiction, but found that the barriers to doing so were too high. Either they weren’t enough of a jack-of-all-trades to learn the skills, or didn’t want to learn the skills involved in self publishing, or they didn’t want to market, often because of privacy concerns. You know, there’s the idea that, you know, you have to be your own marketing department to publish a book. Well, there’s a lot of reasons people can’t do that, quite aside from not wanting to do it. There are reasons they can’t do it, especially when we’re talking about queer authors and queer fiction.

A lot of people have challenges that make it difficult to stick with a specific schedule and meet deadlines – including me, I have a lot of those challenges. Such as physical disabilities (which I don’t have, but many of the authors I work with do – and artists). Mental disabilities, mental neurodivergence, mental illnesses, like, for me, I have depression. And of course, also, life commitments. Many people are caring for elderly family members, or caring for disabled family members, or caring for children, or doing multiple of those. I know I have two children, and I also – my father also lives with us. So, there’s – you know, the more complicated someone’s life is, it harder it can be to go in a traditional publishing, but that doesn’t mean that our life dreams of publishing original work have gone away. And so I wanted to make this because I’ve met all these amazing, really skilled people, and I wanted to help us all accomplish our dreams. Including my own, which has also always been to be a published author. And, you know – we’re – we’re doing it, and that’s really really exciting.

So if you have any questions for the owner of an indie press, I own Duck Prints Press, queer fiction, queer creators. Everybody was originally a fan creator. Feel free to hit me up with questions! Bye.

In the Northern Hemisphere, spring is just around the corner: bears awake from their naps, birds return from the long travel, trees regain their leaves…and we’re celebrating Gardening, Nature, and Ecology Books Month (I swear we do not just make these events up for our lists)! We asked our contributors for queer books that focus on nature, whether they’re about living in harmony with it or surviving in the wake of environmental disasters. This resulted in a list of 9 books and one academic article. The contributors to the list are: Shannon, hullosweetpea, Rhosyn Goodfellow, Nina Waters, Rascal Hartley, Puck, and an anonymous contributor.

Toxic Summer by Derek Charm

Best friends Ben and Leo are ready to celebrate the summer after graduation by patrolling the beaches of idyllic seaside town Port Dorian as lifeguards—allowing them to also check out the hottest hunks and snag invites to the best parties, of course. But they arrive to find that a mysterious toxic spill has turned the water unswimmable and littered the shore with rotting fish carcasses. Their jobs become beach cleanup and the hunks are nowhere to be seen—like hermit crabs.

When they save a local historian with suspiciously glowing eyes from the water, and tentacled monsters begin snatching people in the night, Ben and Leo have to team up with the only other teens in town to uncover the cause of the spill, save their new friends and family, and try to get this sexy summer back on track before it’s too late.

Hurricane Diane by Madeleine George

Meet Diane, a permaculture gardener dripping with butch charm. She’s got supernatural abilities owing to her true identity–the Greek god Dionysus–and she’s returned to the modern world to gather mortal followers and restore the Earth to its natural state. Where better to begin than with four housewives in a suburban New Jersey cul-de-sac? In this Obie-winning comedy with a twist, Pulitzer Prize finalist Madeleine George pens a hilarious evisceration of the blind eye we all turn to climate change and the bacchanalian catharsis that awaits us, even in our own backyards.

Poison Ivy: Thorns by Kody Keplinger

There’s something unusual about Pamela Isley—the girl who hides behind her bright red hair. The girl who won’t let anyone inside to see what’s lurking behind the curtains. The girl who goes to extreme lengths to care for a few plants. Pamela Isley doesn’t trust other people, especially men. They always want something from her. Something she’s not willing to give.

When cute goth girl Alice Oh comes into Pamela’s life after an accident at the local park, she makes her feel like pulling back the curtains and letting the sunshine in. But there are dark secrets deep within the Isley house. Secrets Pamela’s father has warned must remain hidden. Secrets that could turn deadly and destroy the one person who ever cared about Pamela, or as her mom preferred to call her…Ivy.

Will Pamela open herself up to the possibilities of love, or will she forever be transformed by the thorny vines of revenge?

Fieldwork: A Forager’s Memoir by Iliana Regan

On her family’s farm in rural Indiana, Regan was the beloved youngest in a family with three much older sisters. From a very early age, her relationship with her mother and father was shaped by her childhood identification as a boy. Her father treated her like the son he never had, and together they foraged for mushrooms, berries, herbs, and other wild food in the surrounding countryside—especially her grandfather’s nearby farm, where they also fished in its pond and young Iliana explored the accumulated family treasures stored in its dusty barn. Her father would share stories of his own grandmother, Busia, who’d helped run a family inn while growing up in eastern Europe, from which she imported her own wild legends of her native forests, before settling in Gary, Indiana, and opening Jennie’s Café, a restaurant that fed generations of local steelworkers. He also shared with Iliana a steady supply of sharp knives and—as she got older—guns.

Iliana’s mother had family stories as well—not only of her own years marrying young, raising headstrong girls, and cooking at Jennie’s, but also of her father, Wayne, who spent much of his boyhood hunting with the men of his family in the frozen reaches of rural Canada. The stories from this side of Regan’s family are darker, riven with alcoholism and domestic strife too often expressed in the harm, physical and otherwise, perpetrated by men—harm men do to women and families, and harm men do to the entire landscapes they occupy.

As Regan explores the ancient landscape of Michigan’s boreal forest, her stories of the land, its creatures, and its dazzling profusion of plant and vegetable life are interspersed with her and Anna’s efforts to make a home and a business of an inn that’s suddenly, as of their first full season there in 2020, empty of guests due to the COVID-19 pandemic. She discovers where the wild blueberry bushes bear tiny fruit, where to gather wood sorrel, and where and when the land’s different mushroom species appear—even as surrounding parcels of land are suddenly and violently decimated by logging crews that obliterate plant life and drive away the area’s birds. Along the way she struggles not only with the threat of COVID, but also with her personal and familial legacies of addiction, violence, fear, and obsession—all while she tries to conceive a child that she and her immune-compromised wife hope to raise in their new home.

Devotions: The Selected Poems of Mary Oliver by Mary Oliver

Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as “far and away, this country’s best selling poet” by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver’s work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

What Moves the Dead by T. Kingfisher

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.

What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.

Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

World’s End Blue Bird by Anji Seina

After a meteor hits Earth, Tokyo is saved by a powerful sorcerer. Years later, the city ends up split between the haves and have-nots — with the sorcerer’s descendants ruling over them all.

Ray, a handyman from the slums, will take on any job for the right price. One day, he meets Guang, an extraordinarily pretty, secretive, and arrogant man from upper society. After spending a night together, Ray finds himself protecting Guang, which may cause him more trouble than the money is worth…

A Psalm for the Wild-Built by Becky Chambers

It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.

One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered.

But the answer to that question depends on who you ask, and how.

They’re going to need to ask it a lot.

A Half-Built Garden by Ruthanna Emrys

On a warm March night in 2083, Judy Wallach-Stevens wakes to a warning of unknown pollutants in the Chesapeake Bay. She heads out to check what she expects to be a false alarm—and stumbles upon the first alien visitors to Earth. These aliens have crossed the galaxy to save humanity, convinced that the people of Earth must leave their ecologically-ravaged planet behind and join them among the stars. And if humanity doesn’t agree, they may need to be saved by force.

But the watershed networks that rose up to save the planet from corporate devastation aren’t ready to give up on Earth. Decades ago, they reorganized humanity around the hope of keeping the world liveable. By sharing the burden of decision-making, they’ve started to heal our wounded planet.

Now corporations, nation-states, and networks all vie to represent humanity to these powerful new beings, and if anyone accepts the aliens’ offer, Earth may be lost. With everyone’s eyes turned skyward, the future hinges on Judy’s effort to create understanding, both within and beyond her own species.

Queer Theory for Lichens by David Griffiths (academic article)

An article published in The Quarterly Review of Biology in December 2012 ended with the sentence: “We are all lichens.” The article discusses symbiosis in organisms such as lichens as well as in humans, to argue that humans cannot be thought of as individuals by any biological criteria. In this article I follow this argument and offer a brief naturalcultural history of lichens to illustrate their argument and the work of biologist Lynn Margulis on symbiogenesis. Following this, I ask: if we have never been human – if we are all composites like lichens – then what does this mean for sexuality? I argue that lichens and other symbioses can open up a queer ecological perspective that can help counter the privileging of heteronormativity and sexual reproduction, and that this has consequences for both science and society.

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