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Theme Prompt: #273 – Bad Timing
Title: Imprisoned Again
Fandom: The Fantastic Journey
Rating/Warnings: PG
Bonus: Yes.
Word Count: 1000
Summary: Once again, two of the travellers find themselves taken prisoner…



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Posted by Naima Karp

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The Ring Outdoor Cam Plus is a versatile indoor and outdoor security camera that offers up to 2K video and is powered via a quick-release battery pack (though a wired version is also available at the same discount). Right now, it’s 30% off on Amazon in both black and white for Prime members, bringing its price down to $70 and marking its lowest price ever, according to price-tracking tools.

Its high-res 2K video is a major upgrade compared to 1080p cameras on the market (including older Ring cams) with basic black-and-white night vision. Per this PCMag review, the camera features Low-Light Sight, which provides more visibility and color detail in near-dark settings. Its 160° diagonal field of view also covers a decent area, leading to fewer blind spots on porches, yards, or other outdoor areas than older models with an approximately 143° diagonal FOV, and many reviewers cite the improved view as a standout feature. Unlike older models, which only supported 2.5GHz, this one has dual-band wifi.

Compared to wired outdoor security cameras, the battery-powered quick-release pack offers more flexibility, letting you recharge the device without removing the whole camera or keeping it attached to a constant power source. That said, frequent motion, high-traffic area placement, or continuous live view may drain the battery quickly, and some users do say it uses more power than other Ring models. Like most outdoor cameras, it can handle a wide range of conditions and has a durable build that can be mounted on surfaces, walls, or a ceiling. However, it is slightly larger than their Indoor Cams and Stick Up Cams, making it less discreet. 

Features like motion detection (with customizable zones), live view, two-way talk, and Alexa integration are standard for Ring devices, but users report that this model has improved night vision and motion detection compared to predecessors. And as with most Ring devices, certain features like long-term storage or advanced analytics will require a paid Ring Home Plan subscription. If you’re looking for stronger image quality and a wider field of view than older Ring cams or Stick Up Cam models, the Ring Outdoor Cam Plus is worth considering, especially at its current price. 

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Posted by David Nield

Over the past few years, we haven't had to wait long for the launch of new ChatGPT features, and the latest upgrade pushed out by OpenAI is the ability to branch conversation. This means you can steer your chats with the language bot in a different direction, and then return to where you started to continue the main thread of the conversation.

According to OpenAI CEO Sam Altman, the feature had been introduced by popular request, and it's not difficult to imagine ways in which it could be useful. Think if it like being able to create threads on Slack or Discord—you can follow tangents and related ideas without cluttering up the main conversation.

How to branch conversations in ChatGPT

ChatGPT branch conversation
Branch conversations open up in a new tab. Credit: Lifehacker

As of this writing, you can only create branch conversations in the ChatGPT web app (though they can be read and added to from any device). While they can be used by both paid and free users, you do need to be signed in to see the feature.

In any of your conversations with ChatGPT, click the three dots at the end of a response, then choose Branch in new chat. A copy of the current conversation will open up in a new browser tab, and you'll see an extra chat in the navigation pane on the left, with "Branch" added to the start of its name.

You're then able to keep both conversations going at the same time by switching between browser tabs (or clicking between the chats on the left). The two chats will be the same up until the point where you started the branch chat; from there, you can take the conversations in whatever direction you like.

OpenAI hasn't implemented this in a particularly elegant way, and the chats you've opened can quickly get unwieldy if you're doing a lot of branching. To help bring a bit of order you can rename chats, or delete them if you're sure you don't need them—click the three dots next to a chat in the navigation pane, or in the top right corner when a chat is open, to find these options.

You can also make use of ChatGPT Projects to put your chats in different folders that are kept separate from each other. Your branched conversations all stay in the same project, though you can create new projects and move chats between them as needed.

How branching chats can be useful

ChatGPT branch conversation
You'll need to keep on top of all your branches. Credit: Lifehacker

There are all kinds of ways branch conversations could be useful, and you may well find that different ideas for new threads come to you as you interact with ChatGPT. There's no right or wrong way to use them, and if a thread doesn't work out, you can simply delete it and go back to where you were.

Say you're composing an email to your boss, telling them you can't stand to work another second under their management—but in a polite way. You can use multiple branch conversations to test out the phrasing using different tones and approaches, without having the same text repeated again and again in one chat.

If you're researching your favorite literary masterpieces, you can go off on a tangent about one particular book or play in different chats, and still keep your main central conversation concentrated on overarching themes and ideas.

There are also obvious use cases for coders. Branched conversations let you test out separate debugging strategies or design ideas simultaneously in different browser tabs—and there's always the option of retracing your steps and going back to where the branches first started.

You could even use branches to supply ChatGPT with the same basic blocks of information, then get it to answer the same questions but in different tones, using different lengths of response, or with any other variation.

Sleep

Sep. 12th, 2025 10:26 pm
fred_mouse: Mummified mouse (dead)
[personal profile] fred_mouse

At my last psych appointment, I reported back that while getting my evening tasks done earlier was great, and for four nights I'd successfully gone to bed at a reasonable time, it hadn't lasted. I had continued to get the tasks done (most nights) but had lost the ability to then go to bed afterwards -- I'd adjusted to the new normal, and 'finish my list' was no longer 'and it's bed time' it was 'and it's time to read fic / flirt with tumblr / etc'.

(aside: the expression on the psych's face was priceless. They said approximately 'You did the homework?! only teachers do the homework!?'. And here was me feeling that I'd half arsed the homework. Which, yeah. )

Building on that success, I've moved my bedside lamp down from the top of the bedside shelf (say, 1.1m up) to the shelf that is the same height as the bed. This enables me to read in bed with just the lamp on, and not have a really bright room. And it will surprise no-one who knows about sleep and light and screens, putting the screen away and then reading in low light on paper? My insomnia is dramatically reduced.

I'm now waking up before the 7am alarm more days than not. But what I'm not feeling is rested. I'm obviously getting 'enough' sleep in some way, or I wouldn't be waking, but I'm not sure I'm getting enough sleep cycles. Or maybe it is that I've got a lot of stress happening, and I'm just burning through all the oomph I have.

Another year, another lovely day

Sep. 11th, 2025 06:18 pm
conuly: (Default)
[personal profile] conuly
Beautiful weather and all.

**************************


Read more... )
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Posted by Pradershika Sharma

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Portable outdoor speakers are meant to be thrown in a bag and dragged along for the ride, and JBL’s Flip line has always leaned into that idea. The Flip 7 is currently $99.95 on Woot for the next week or until it sells out, a significant drop from Amazon’s $149.95 listing and even cheaper than its all-time low of $129.95, according to price-trackers. Plus, Prime members get free shipping (while everyone else pays $6), and it comes with a 90-day Woot warranty. For a rugged little speaker designed to tag along on hikes, bike rides, or just backyard hangs, the deal feels fair.

The Flip 7 doesn’t look much different from the Flip 6, but it has a few small quality-of-life upgrades. The woofer is a little larger, so the bass has more punch without drowning out everything else, and the 35 watts of total power give it more presence than you’d expect from something the size of a soda can. Also, at just over a pound, it’s easy to carry, and JBL makes it even easier by including a carabiner that clips onto a bag strap or belt loop so you don’t have to jam it into a pocket. A new Auracast button makes it easy to link with other compatible speakers, and the rubberized shell has been beefed up for IP68 durability, which means full dust protection and survival under five feet of water for half an hour. JBL also claims drop protection for up to three feet. 

That said, the Flip 7 isn’t perfect. At higher volumes, especially above 70%, the treble can get sharp and fatiguing, according to this PCMag review. JBL also skipped extras like a speakerphone, a 3.5mm aux input, or high-res Bluetooth codecs. You do get lossless audio over USB-C, though the difference isn’t huge. One annoyance is that the box only comes with the speaker and a carabiner—no charging brick or cable—so you’ll need to bring your own USB-C setup. Battery life is a solid 14 hours, or 16 if you enable Playtime Boost in the app, which trims the low end to squeeze out more runtime. If you want something cheaper with more features, the Anker Soundcore Motion 300 is a great alternative.


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How to Watch Porn in Virtual Reality

Sep. 12th, 2025 01:30 pm
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Posted by Stephen Johnson

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A friend of mine used to say that the first question we ask when we’re introduced to a new piece of technology is, “How can I use this to have sex?” To that end, here’s how to use a Meta Quest 3, Quest 3S, Quest 2, Apple Vision Pro, PSVR, Vive, or other VR headset to have sex...or watch virtual porn, anyway.

(If you're wondering what else you can do with your Quest 3 or 3S, here's a guide to the must-have apps for both.)

How to watch VR Porn with a Meta Quest 3, Quest 3S, Quest 2 or other VR headset

It’s almost comically easy to have an “entry-level” VR porn experience in virtual reality with any headset that isn't manufactured by Apple. (More on that below.)

Entry level porn VR porn viewing, step-by-step

  • Lock the door.

  • Put on your headset.

  • Click on your web-browser-of-choice

  • Navigate to a site that hosts VR porn. Free video megasites like Youporn have a VR section, or you can use Google to search something out. Clicking on a video should launch you into VR—but "should" is doing a lot of work. These are random files hosted on janky free porn sites, so don't be surprised if you need to do a little trial-and-error to find one that works correctly.

That’s all you need to know to get a taste of the VR porn thing, but because of the massive file sizes of VR video, streaming is likely to be choppy, and free movies are usually not in the highest resolution—again, janky but free. For a better experience, you’re going to have to (gasp) pay for it.


Suggested headsets for VR porn-viewing:


How to watch VR porn with a Meta Quest 3 and 3S

The above instructions for streaming "regular" VR porn work on Meta Quest 3 and 3S headsets, but the "3 series" has front-facing pass-through camera arrays that add a new wrinkle to adult content: augmented reality.

Getting your pass-through-porn on can be fairly complicated, so here's a separate post that goes into detail about how to get augmented reality porn to work on your Meta Quest 3 and 3S.

How to watch Porn with an Apple Vision Pro

Apple's Vision Pro can stream, download, and play “normal” videos (both adult and "mainstream") on gigantic virtual reality screens easily through its web browser, but immersive, 3D videos produced specifically for virtual or augmented reality will not work on your Apple Vision Pro's browser.

Part of the issue is that WebXR, the programming interface for accessing augmented reality and virtual reality devices, is not automatically enabled in the Vision Pro's browser. Not having WebXR enabled means no VR porn, but it also means you won't have access to a slew of non-adult VR and AR content like web-based games, tours, productivity apps, etc.

Here's how to turn WebXR on:

  1. Open Settings.

  2. Select Apps.

  3. Select Safari.

  4. Scroll to the bottom of the window and select Advanced.

  5. Scroll to the bottom of the window and select Feature Flags.

  6. Under Experimental XR Features, enable WebXR Device API and WebXR Hand Input Module.

  7. Under WebKit Feature Flags, enable WebXR Augmented Reality Module and WebXR GamePads Module.

  8. Exit Settings.

  9. Open Safari, or if it's already open, refresh a WebXR-enabled page to check it is working.

But even with WebXR enabled, you still can't launch full VR porn videos on an Apple Vision Pro—yet. I spoke to Alex Novac, of VR Porn site SexLikeReal, and he said, "a lot has been done on our end to make things work with AVP. It's a great tool for videos. Will be making a huge update soon."

Advanced VR porn viewing

If you've given free sites a chance and found their VR offerings to be lacking, here's how to go deeper in.

  • Pick a VR website. Because VR porn is relatively new, more costly to produce, and has a smaller audience than “normal” adult videos, there aren’t an overwhelming number of sites dedicated to it. Most of the ones that are out there have sample videos to view, and some provide single-day access for very cheap. This list of the top VR porn sites is a good place to start.

  • Did you lock the door?

  • Open the browser, navigate to your newly chosen site and enter your credit card digits. Membership fees vary from site to site, but expect a range of $20 to $30 a month.

From here, you can stream full-length videos at very high quality. If you have decent home internet, streaming should work fine for most VR videos, but if your streaming is choppy, you can:

  • Download and save video to your device— These videos can be over 10 gigs, so it might take some time.

  • Play the video—Major VR headsets come with great video browsers, but if you want advanced features, download Skybox for 10 bucks. That way you can save video to your PC and stream from your computer easily.

  • Get the right player: Some adult VR sites are configured to work best with specific browsers or video players, and you should be directed as to what to install.

The world of virtual reality enabled sex toys

If you're looking for the most cutting-edge, technologically advanced virtual sex experience, you're going to need some hardware, specifically, a (NSFW) virtual reality sex toy. These devices are designed to vibrate and oscillated in sync with videos, VR content, or to be controlled remotely over the web.

Among the best-known teledildonic sex toys is TheHandy. Funded through Kickstarter, this "high-end male stroker" syncs with everything from videos to VR content. As is usual with these devices, you hook up a Handy, then stream a video from a (again, NSFW) VR site like Sexlikereal, and the device will virtually "connect" with the movements you're seeing in your headset, using scripts that are either human-made or AI-created. It's definitely immersive and unique, if you can get past the tech-headache of syncing everything together. (Humans aren't entirely obsolete yet, but we're getting there.)

Is virtual reality porn any good?

Now that you know how to view porn in virtual reality, you have to ask yourself if you should. Virtual reality’s “you are there” immersion provides an experience that is different from traditional porn. But it’s not necessarily better. Like all things of this nature, it comes down to personal taste. I checked out some VR porn (for research purposes only, of course), and, without going into too much detail, here are the pros and cons:

Pros

It's immersive: The illusion that you're in a room with another person (or someone else is in your house) is so convincing, it's almost scary at first. If that's what you're looking for from adult content, you'll find it here.

It's different: I'm an experiential kind of person, and VR pornography is definitely not like anything else.

Gender-bending: Most virtual reality porn is designed for heterosexual men, and shot from their point-of-view, but not all of it. There is VR porn shot from the POV of all genders, and that provides maybe the most unique experience of the genre: putting yourself in the (virtual) skin of someone else. Looking down at yourself and seeing a different male body, (one that doesn’t skip ab day) is strange enough, but looking down and seeing yourself with a differently gendered body is positively freaky in the best possible way. I can only assume this will lead to a new age of empathy and the end of sexism and homophobia. (A girl can dream.)

It's cutting-edge: VR porn is a look into the possible future of human sexuality, especially if you're adding in a literal sex machine like The Handy. It's like communing deeply with the robots. You may be thinking, "but that sounds more creepy than sexy," and you have a point.

Cons

It's weird: In general, I like weird things, but VR porn can feel strange in a depersonalizing way. Maybe it's the feigned intimacy from the performers, or maybe it's the uncanny feeling of being in two places at once, but there's something about it that ain't natural, and it's a hard feeling to shake.

It's a hassle: Experiencing VR porn in full, with as high a resolution video as possible and with the addition of a virtual sex toy, takes a level of technical and personal dedication that might not be worth it to you. It reminds me of slot-car racing—sure, it's a lot of fun, but is it fun enough to warrant dragging out the tracks, setting everything up, making sure the cars are tuned up, etc.?

Locked-in perspective: Putting the viewer right up in the action means the camera is locked to a first-person perspective to make it seem like what's happening in the scene is happening to you. If you like that kind of thing, it’s gravy, but if you don’t … well, you gave it a shot.

The performance: The camera/you are very close to the performers in most VR porn videos. The illusion is fairly convincing, but actually selling that kind of intimacy requires acting talent. It’s a different kind of performing than film or stage, and, at the risk of being negative, many pornographic performers don’t have the chops to pull it off, so it can just feel weird—and not sexy-weird, either. Again, your mileage may vary.

Limited content: Because it is more expensive and more difficult to shoot VR video, and because there is a smaller audience, it seems like almost all VR porn is geared toward a mainstream porn audience. If you share the tastes of the majority of porn viewers, you’ll be happy. If you’re into something more esoteric, you might find it difficult or impossible to find exactly what you like.

So there are pluses and minuses. If you’re curious, try it once. Worst case, you’ll have a funny story. Best case, you’ll be the first one on the block to boldly go where only the most pioneering perverts dare to tread.

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[personal profile] penaltywaltz posting in [community profile] wipbigbang
Posting on behalf of the author and artist!

Project Title: A Royal Mess
Fandom: 陈情令 | The Untamed (TV) RPF, Chinese Actor RPF  
Link To Fic OverthinkingThis: AO3
Link To Art By Minami: X | Bluesky
Summary: Prince Tiantian is beautiful, kind, and set to ascend to the throne of the kingdom of Henan. Everyone thinks he could be the perfect match for Prince Xiao Zhan, but the sweet young prince might be too sweet for Xiao Zhan's taste. He's even more troubled because Prince Tiantian seems to be keeping a big secret from him. Does it have anything to do with the rude, domineering, and devilishly handsome Prince Bo? One seems to live only in the daytime, and the other, the night. Can Xiao Zhan unravel the mystery of the two princes before time runs out?
Warnings: None
Characters: Wang Yibo, Xiao Zhan, Lan Qiren, Nie Huaisang, Wen Ruohan, Qingheng-jun, Original Characters
Pairings: Wang Yibo/Xiao Zhan
When I Started: October 2020
How I Lost My Shit: Life happened, other fics took over, couldn’t figure out the magic part
How I Finished My Shit: I decided I wanted to read this story, Minami agreed to make art for it, and this event gave me much needed deadlines
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[personal profile] james_davis_nicoll


I'd been posting reviews to LiveJournal since April of 2014 but on September 12, 2014, James Nicoll Reviews went live, with a review of Robert A. Heinlein's Between Planets.

(no subject)

Sep. 12th, 2025 02:20 pm
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[personal profile] mabiana
Last night I dreamt that I was at a supermarket where they had a 4 metres (about 13 feet) tall floor lamp with the Die Drei Fragezeichen logo, and decided to buy this monstrosity. Apart from the question wherever in the world I would put such a thing except for maybe laying it on the floor to trip over regularly, the supermarket's ceiling wasn't high enought to carry it upright either, so I left a path of distruction trying to get it to the checkout and everyone started to yell at me and it got really quite horrible.

I think my subconsciousness is trying to tell me that I will buy the most absurd things if they have the right fannish logos or symbols on them. That is however not exactly news, so I would have preferred a more restful sleep or at least a revalation with more information value.

Not much sleeping in despite this sadly being the last day of my vacation, as I had a much needed hairdresser appointment this morning - at 8:45, I thought. I tend to get a bit paranoid about getting times mixed up, so I checked the reminder text message again when I could have still made it half an hour earlier - only to find that I had indeed mixed up (or possibly tried to read the reminder text message without reading glasses yesterday), in fact the appointment was 9:45... At least I noticed before I left, poking at social media on the couch was likely more fun than reading gossip magazines at the salon for an hour, even if they have free coffee.

Afterwards, I ambled through the district a bit vainly hoping to get something without ordering online, and discovered the stationary store is having a sale due to giving up. The store was overflowing with stuff, they must have had quite some storage and put everything on top and on top and on top of each other onto the shelves. I wonder if something surprising had happened, it looked so very chaotic. I actually nearly didn't go in as you could not even see properly what was to be had because so so very much stuff, but noticed a greeting card that really was particularly pretty and could think of some things regularly needed that would be nice to get for half the price so I did after all. Still, I'd likely have spent more money if the sale had been spread out more to portion the gigantic amount of goods a bit. I just didn't feel like digging to get all I could think of and so just grabbed what I could immediately see and left. I do wonder if that really is in accordance with fire prevention laws...

The weather has been very changeable and mostly bad these past days. On the one hand, I was disappointed as I had imagined to spend much more time on the balcony in my last week of vacation, on the other hand it made sparing my thumb pool water a bit less annoying. Today at least it is mostly sunny and I've been mostly sitting on the balcony after returning from my trip, waiting for the latest Drei Fragezeichen episode to be delivered along with yarn for my latest macrame project. Turns out macrame can be done quite well while sparing a thumb, yay. Seems the listening event on discord for the last episode won't be repeated, no announcement yet. Well, it's not unsurprising after the lack of participants then. A bit of a pity though, I would have liked to chat some more with the nice person. On the other hand, if it seems only me again who really likes it I rather listen on my own... Which I shall now do, it has arrived. ;-)
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Posted by Joel Cunningham

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I've reviewed enough digital notebooks over the past year that my wife has started rolling her eyes at me every time I have to sign for a package, and of that expansive lot, the reMarkable Paper Pro and its newer, smaller sibling, the reMarkable Paper Pro Move are among the most impressive.

I just wish the screens on these two premium e-ink productivity devices were a little more forgiving to my middle-aged eyes—and thanks to a software update earlier this year, they can be.

Dim by design

In my reviews of both the Paper Pro and the Paper Pro Move, I noted that their integrated front lights are too dim to be very useful. (In contrast to the backlight on an LED tablet, e-ink devices are illuminated by a lighting layer sandwiched between the outer glass and the inner display that reflects down.) Though reMarkable doesn't publicize the number, at full strength the front light illuminates to around 3 to 4 nits, according to testers on Reddit. In contrast, the front lights on the competing Kindle Scribe and Boox Note Air 4C can get much brighter—up to 94 nits. (For reference, the screen of my M1 MacBook Air laptop peaks at 400 nits.)

According to a statement I received from reMarkable, however, it turns out this was an intentional decision—a limitation baked into the design of the product.

"The light is designed primarily to gently illuminate the page when ambient light is low—for example, in a dark conference room or at night—without compromising battery life or the natural paper-like experience," reMarkable said in an emailed response to questions. "During development, we tested extensively across brightness levels and environments, and we intentionally capped the maximum brightness to strike the right balance between visibility, comfort, and battery consumption.

I appreciate the thoughtfulness—reduced eye strain and longer battery life are certainly among the chief advantages e-ink offers over a traditional tablet—but I think things got taken a bit far. Consistently during my testing, I found both reMarkable tablets to be too dark to read easily unless I was in a room with a good deal of natural light or a nearby lamp. Adjusting the front light to max made almost no difference. Even in a totally dark room, I still found myself squinting or bringing the device close to my face to read smaller print.

A recent software update gives you more options

The menu setting for increasing the front light brightness, with a warning that it will reduce battery life and color saturation.
Credit: Joel Cunningham

It seems I wasn't the only one disappointed in the feature. A year ago, shortly after the Paper Pro's release, Redditors were sharing tips for altering the code of the operating system to remove software-based lighting limits. The volume of user feedback ultimately prompted the company to rethink its design decision, sort of: While the previous limits remain, a software update earlier this year (after my review of the Paper Pro was published) introduced a new setting to boost brightness.

"After launch, we heard from some users who wanted the option for more brightness in certain situations," reMarkable said. "In response, we added the [Extra bright] toggle in the display settings, which allows users to increase maximum brightness beyond the default range. This lets people choose what feels right for them while preserving our original design intent."

To try it out, open Settings menu on your reMarkable Paper Pro or Paper Pro Move and tap Display, then tap the slider to turn on Extra bright. (You'll see a warning that doing so "will drain the battery faster than normal.")

tra Bright mode enabled, compared to a Kindle Scribe at max brightness.
The reMarkable Paper Pro Move with Extra Bright mode enabled, compared to a Kindle Scribe at max brightness. Credit: Joel Cunningham

The effect isn't nearly as dramatic as I expected—as you can see above, it's still much darker than a Kindle Scribe at max brightness—but it does improve legibility at least somewhat under the conditions described above. The photo at the top of this article is a side-by-side comparison showing how bright the devices can get with and without the new option enabled, and you can see it in action in this video from YouTube user @howtotechstuff.

As the company noted, a brighter light will indeed drain the battery faster. According to @howtotechstuff's video, in testing, his battery drain went from 4% an hour to 8% an hour under similar usage conditions. Honestly, that's a pretty big hit for such a moderate increase in brightness, but it may be worth it if it makes the device more useable for you.

Is a front light even necessary on a digital notebook?

While I still find more utility in the brighter lighting of other devices I've tested, it's worth noting that a number of e-ink notebooks I've written about—including the 13.3-inch Boox Note Max, the Viwoods AiPaper, and my personal favorite, the Supernote Manta—forgo front lighting entirely.

Adding lighting to an e-ink device is always a tradeoff (though not nearly as much as adding color)—inserting a light layer into the display stack can impact both clarity and the distance between the outer screen and the inner e-ink display, and writing digitally feels more like pen and paper when that distance is as small as possible. Lightless devices can also be thinner, though that's a much less important factor if you ask me; beyond a certain point, too-thin e-ink tablets can get pretty fragile.

If the Paper Pro and Paper Pro Move didn't include a front light at all, they would still be great devices. That one is there, but too dim for many users, only makes it kind of annoying—but this relatively new setting helps.

james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


It's time for Bo to leave doomed San Francisco behind... just as soon as she completes one final task.

Awake in the Floating City by Susanna Kwan
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Posted by Jeff Somers

There are approximately 45,000 flights every day in the U.S., all of them filled with people heading off to adventure, relaxation, or business. If you were one of them at any time recently, there’s a very good chance you booked your tickets online, possibly by going directly to an airline’s website. And after buying those tickets, you probably relied on the airline’s website for real-time updates about your flight—and that means you have to be able to trust the information on an airline’s website and trust that the airline is being above board with you regarding pricing, seat availability, and everything else to do with your desired flight. Unfortunately, that isn’t always the case. Here are some of the ways your airline’s website is built to deceive you.

Fake customers

If you’ve ever spent some time on an airline’s website or a booking site, playing with dates, seat choices, and other logistics, you’ve probably seen a little graphic showing you that X number of people are looking at those tickets. The implication being that several dozen (or more) folks are also sitting at their computers or on their phones, about to click BUY and steal those tickets out from under you.

This is an example of “social proof,” a technique used in sales that leverages our desire for communal validation to push us to buy something. Seeing that all those invisible strangers are mulling those plane tickets makes the decision seem valid and correct—why else would so many other people be considering pulling the trigger on that purchase? But there’s no way to know if there are actually dozens or hundreds of people looking at those precise tickets or if it’s a randomly generated number or a vague approximation. Either way, it’s there just to pressure you into buying.

Deceptive scarcity

Another way airline and booking sites lie to you is with deceptive language around scarcity. If you’ve ever put together an itinerary and the sites tells you that there are only two seats left, so you’d better get a move on, you might reasonably assume that this means only two sets left on that flight, and you’ll be scrambling to find a different flight unless you decide immediately (this is often combined with a timer counting down the minutes that you can hold those tickets and deliberate. Combined with the constant fluctuation of ticket prices as the plane capacity and demand change, this can push you to click BUY before you’ve completely thought it through.

But what that language often actually means is that there are two seats left ... at that price. That’s useful information, of course, but omitting the pricing aspect changes the stakes. There’s a huge difference between having to pay a little more and not being able to book the flight at all.

Check-in fees

You might assume that if you want to check in for your flight in-person at the airport, or have a printed boarding pass instead of a code displayed on your phone, that it’s no big deal. But many budget airlines will charge you a fee for that—and it’s usually not made clear on their website. There is often also a fee if you don’t check in online early enough, usually at least two hours before your flight, and those fees are also typically buried in FAQs and fine print instead of clearly displayed, so don’t assume you’ve got flexibility there.

Convenient weather

It’s smart to track your flights as your departure day approaches, right up until you need to leave for the airport. Better to know that your flight is going to be delayed before you’re trapped in an airport for hours. But unexpected delays can have a ripple effect on the rest of your travel plans, so when a flight is delayed and you have to spend extra money to rebook other aspects of your trip, you might want to ask for some compensation. After all, it wasn’t your fault the plane or flight crew wasn’t there when they were supposed to be.

Ah, but then the airline website informs you that the flight was delayed due to weather, and since weather is outside the airline’s control, you’re not entitled to any kind of compensation. Weather delays are very common excuses for airlines—but Federal Aviation Administration data shows that weather delays account for just a tick more than 1% of flight delays, so the chances that the airline is using weather as an excuse to not deal with your compensation claims are actually pretty good.

games games games

Sep. 12th, 2025 02:12 pm
goodbyebird: Angela Asgard's Assassin: Angela carries Sera in her arms. (C ∞ an assassin and her bard)
[personal profile] goodbyebird
+ No Man's Sky had an update adding customizable shared space ships, and now I'll have to jump back in. Anybody else here still play NMS from time to time? Farting around in a communal decorated base sounds like so much fun.

(I saw one ship shaped like Clippy lol)

+ Or if you'd rather base build and hang in a desert planet, Dune Awakening has a free demo weekend. I honestly didn't expect to like it as much as I did, but the environment is lovingly crafted, and the story surprisingly robust.

Sadly I don't have enough internet at sea to dl the update myself. I'm missing out on a stunning mural 😔

I'm on Europe Lynx / Sietch Yaracuwan, it's been fairly free from bothersome trolls. They've added a bunch more events and story characters as well, so I'm diving back in when I get home. In case somebody wants to buddy up for base building? I'll have to start almost from scratch because I suuure didn't put anything in the bank like I ought to have.

+ And Marvel Rivals is adding Angela!! I don't want to be interested in a hero shooter but HOT DAMN

Nineth of the nineth.

Sep. 9th, 2025 08:13 am
hannah: (Default)
[personal profile] hannah
To have them readily available, two internet lists that keep getting lost in the shuffle. )
spikedluv: (summer: sunflowers by candi)
[personal profile] spikedluv
I scheduled an appointment with Spectrum for today to check out something on Pip’s phone. Since I had to be in that area anyway (it’s the closest store to our house at a 45 min drive away; for you city folk, that's 45 min without traffic, not 45 min to go ten miles, which I still can't wrap my head around), I decided to do some other things while I was there.

First I had breakfast at Panera and used their wifi. (They were already out of my fave Panera breakfast, the souffles, when I arrived at 7:10 – they open at 7am. The woman who waited on me said that they opened to an order that took every one of the souffles. Which is fine, if they make more for their regular customers, which they didn’t do. That’s the part that annoyed me.) Anyway.

I made a quick trip to Walmart because I forgot to pick up more tomato soup for mom yesterday, and since that’s something that she can easily eat AND we used the last can she had at home, I wanted to make sure she had more.

I then visited an RV dealer. I have been looking at RV floorplans for years and wanting to visit this dealership to check out actual RVs in person. (If you don’t know, I have this dream of getting an RV (Class C) and driving Route 20 from the East Coast to the West Coast. Slowly. Taking time to see the sights (and maybe visiting people along the way) and just enjoying the ride, with no specific destination in mind. Aside from the West Coast. *g*)

I went to a local restaurant to get GCs for both of my sisters for their anniversaries (one I will be on time for, the other I am very late for). I was originally just going to get this specific GC for sister A, but I found out that Sister S also liked the place, so I figured, two birds, one stone. *g* They’ll both be surprised they got a GC that wasn’t available at the grocery store! (I may have also had lunch there. I had to check it out, right?!!)

Finally I got to Spectrum. I was 45 min early for my appointment, but there was no one else there so they took me immediately. Also, since there was no one else there, more than one service person weighed in on my issue. The fix is easy, but the whole explanation made my head spin. Phones, gah!

Back home, I did a load of laundry, hand-washed dishes, swept and mopped the kitchen; mopped the bathroom, wiped down the bathroom sink, took the dogs for a short walk (and then went on a couple other walks with both Pip and the dogs), cut up chicken for the dogs’ meals, scooped kitty litter, and shaved. Whew! That was a long ass busy day!

In fun stuff, I read more fanfic.

Temps started out at 45.3(F) and reached 77.6. It was a really lovely day out.


The Upcoming Weekend – Another Civil War Battlefield, Yay!: I’m not sure if I mentioned it, but we’re going away for the weekend. Another trip to Antietam Battlefield with a side trip to Shepherdstown, WV, where our motel is. It’s a lovely place, if in the middle of nowhere, and I would be looking forward to it if the timing wasn’t so bad, with mom getting so sick from her third chemo treatment and ending up in the hospital. I’d suggest canceling, but we already canceled our planned weekend in June because it was on the same weekend as mom’s surgery (we’d have been driving back on the Monday of her surgery and I wanted to be there). It will probably do me good to get away, but the planning for just a weekend away is stressful for me. I have two (counting today) days to get things done before we leave. o_O


Mom Update:

I did not get to visit mom today, but I called her a couple of times to check in. The first time (late morning) she sounded quite perky, the second time (late afternoon) she sounded like her energy was starting to fade. I know my sister visited her, so she did have some company during the day. ETA: I have learned that my other sister also visited, so she wasn't alone all day as I feared she might be.

Alien: Earth 1.06 und Foundation 3.10

Sep. 12th, 2025 01:32 pm
selenak: (Demerzel and Terminus)
[personal profile] selenak
Alien: Earth:

The internet tells me Sigourney Weaver is watching Alien: Earth and is as enthralled as yours truly. Now if that isn't a compliment to Noah Hawley et al, I don't know what is.

Spoilers are on a quest to use the creepiest Peter Pan quotes in every episode )


Foundation

Is the first season finale necessitating that the next season has to start without a century like time jump. Also, yowsers.

...while the worst are full of passionate intensity )
mbarker: (BrainUnderRepair)
[personal profile] mbarker posting in [community profile] wetranscripts
Writing Excuses 20.36: Deep Dive into "All the Birds in the Sky" -- Using the Lens of When  
 
 
Key points: When? Flashbacks and foreshadowing. Chronoplotologically! Foreshadowing for tension and stakes. Beware of flashbacks in the middle of action scenes! Don't use flashbacks to relieve tension! Visible foreshadowing and covert foreshadowing. Foresahdowing as revision. 
 
[Season 20, Episode 36]
 
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[Mary Robinette] This episode of Writing Excuses has been brought to you by our listeners, patrons, and friends. If you would like to learn how to support this podcast, visit www.patreon.com/writingexcuses.
 
[Season 20, Episode 36]
 
[Mary Robinette] This is Writing Excuses.
[DongWon] A Deep Dive on "All the Birds in the Sky" through the lens of When.
[Mary Robinette] I'm Mary Robinette.
[DongWon] I'm DongWon.
[Dan] I'm Dan.
[Erin] I'm Erin.
[Howard] And I'm Howard.
 
[Erin] And we are going to be looking today at the lens of when. Which is a little bit of a cheat, because when we did our lenses, we put where and when together. And we did, I think, a single episode about time. And I am also going to cheat in that this story takes place… This book takes place in multiple time periods, but I'm completely uninterested in that.
[Laughter]
[Erin] I'm not going to talk about it at all. Instead, what interests me is the use of foreshadowing. When I think about time, I think a lot about flashbacks and foreshadow. Where you are in the time of the story, the when of the story moment.
[Dan] Well, and it's interesting, because this book takes place in four different times, but they are not presented chronologically. There are a lot of flashbacks in it. And so she is using time very intentionally and very specifically. And just because something took place, like, in school for Patricia, doesn't mean that we're not going to hear about it at the end of the book, because that's when, emotionally, it needs to be there.
[Howard] So it's chronoplotologically… We start in grade school, and we end with them as adults. But when the plot requires it, we flashback chronoplotologically.
[Erin] That is not a word.
[Dan] I like how so many of our jokes are Howard saying a weird thing, and then we all stare at him, and then he explains it, and we go, oh, okay, actually, that makes sense.
[Laughter]
[Howard] That's not actually the definition of a joke. If it was a joke, we'd be laughing with me instead of at me.
[Mary Robinette] That's not the function of you in the pod… No…
[Laughter]
[Howard] And we're back to the lens of who.
[Laughter]
[Erin] [garbled]
[Howard] Let's go back to when.
[Erin] Yeah, let's go back to when. One of the things that I found really striking in this story is Theodolphus. I assume that is how you pronounce…
[Mary Robinette] Yes.
[Erin] His name. When Theodolphus is introduced to show us the horrible future that will happen to these kids. I'm sure Theodolphus does other things, and he does, but this is, I feel like, a huge thing. Because it is a big flashforward. It is a big jump forward to show us this future, and to really, I think, set up how we view these two kids. And I'm wondering, like, how did that affect do you think your reading of the story to know that there was a future when that we are theoretically, like, hurtling towards for the rest of the story?
[DongWon] I mean, the foreshadowing felt really essential, because it creates tension throughout the book. Right?
[Mary Robinette] Yeah.
[DongWon] It gives us stakes in the relationship beyond just the general interest in the characters. Right? And I think a couple episodes ago, we were talking a little bit about the tension between a literary impulse and the genre impulse a little bit. And this is, I think, the connective tissue is in here. Right? In terms of what she wants us to do is pay attention to the nuances of a relationship, and she's going to give us this genre framing device around prophecy, around doom and the end of the world and apocalyptic kind of visions. But the thing that's also so interesting about what she does with Theodolphus is she goes through a great deal of work to humanize him. Right? He is an assassin, who knows all these different ways to kill people, but (a) he can't kill these kids, which makes him, like, a Sunday morning cartoon sort of villain in a funny way. But also, the way in which he genuinely enjoys being a guidance counselor…
[Mary Robinette] Yeah.
[DongWon] Added so much dimension to him, and adds so much pathos to when we see him again in the future as sort of this sad broken man on the street. Right? And sort of reiterating the doomed prophecy that he was given initially. Right? And so there's this thing of… He's a character who is there as an antagonist out to kill these children who we've grown very fond of, or hopefully have grown fond of, and… But because he's shown to be a creature of empathy and understanding, it add so much texture and context to the doom that he projects. Right?
[Mary Robinette] Yeah. Well, and also it's interesting, as you were talking about it, I was reflecting, this prophecy that he was given at the beginning. It's, like, actually, no, that is not when he was given it in terms of when we experience the book.
[DongWon] Yeah.
[Mary Robinette] So his scene is… Contains both a flashback and foreshadowing. Because we meet him after the kids have played their game about what are these people. And then the narration does a quick flashback. As it happens, she was correct. And then we meet him, and then he is another flashback to the going to look into the seeing hole or something like that…
[DongWon] Something like that, yeah.
[Mary Robinette] It… Like… How he gets the prophecy and then… But the prophecy is about the future. So it is this interesting back-and-forth. I think one of the things that I see Charlie Jane doing with this is choosing the moment when to flashback and flashforward. Choosing a moment where it's going to add to tension and help keep the story moving. Where I see the failure mode of this with a lot of early career writers, when I've done my own stuff, is the flashback happens, like, in the middle of a high impact action scene, and everything stops, because the story is now no longer moving towards a goal, it is looking at the foundation work.
[DongWon] One of the things I love about this book in general, and this comes… And I see this in how she uses time. So, flashforwards and flashbacks too, foreshadowing and things like that, and how she uses POV in terms of getting close to the character and out… Zooming in and out and all these things, is she does a lot of this in ways that break conventional rules.
[Mary Robinette] Yes.
[DongWon] It's like, oh, you're not supposed to shift POV like this. You're not supposed to have just a character… Like, Theodolphus kind of comes out of nowhere as this POV character, and I was like, who's this guy?
[Mary Robinette] Yeah.
[DongWon] What's he doing here? And yet it's like it just works. There's so many things that she does because it works in the moment more than it works in the meta-structure of the book. And… Without disrupting the meta-structure of the book. I don't think she does that. But there is a priority that she has in terms of impact in the moment that makes this such effective storytelling for me.
 
[Erin] And, so I'm wondering, if you're trying to do this, and you're like, okay, I understand the chronology of the story, I understand the plot of the story. Now I'm going to try chronoplotology, which is [garbled] as we know, the practice…
[Howard] I love you.
[Laughter]
[Erin] Of doing that. Like, how do you actually figure out when is the time to flashback, when is the time to project forward in order to create or release that tension?
[Howard] I have found an almost ironclad rule for when not to flashback. And that is don't flashback as a tool to relieve tension by stepping away from the tension and telling another story because that's just going to upset people. Find a different tool to relieve the tension. If I have to explain something in order to move this other scene forward, I need to explain it somewhere else, rather than breaking tension in order to do it. So all I've got for you right now is my personal ironclad don't. Which is not going to be ironclad for anybody else.
[Mary Robinette] Yeah. I often refer to one of my favorite tools, which is the MICE quotient. That if… A lot of times, the flashback is because I need to start the story… This thread moving. But if I put that thread in where it belongs chronologically, it does not work chronoplotologically. Howard, I hate you.
[DongWon] Why have we done this to ourselves?
[Mary Robinette] It's a useful…
[DongWon] Actually, it is.
[Mary Robinette] Unfortunately, it is a very useful construction, I just wish it was easier to say. But, like, if we had done all of these things strictly chronologically, we would have been starting with Theodolphus and his vision about these kids. And that's not useful. So the way I think about it when I'm talking about the MICE quotient is it's about the sequence in which you are telling the story to the reader. So I look at which things are the things that I want to keep tension on, and then when do I need to introduce something in order to activate either existing tension or introduce tension that is moving forward. And a lot of that, then, has to do with additional decisions. The problem with giving a lot of advice on this is that we can kind of say here are the metrics to look at, but it is very much a season to taste.
[DongWon] Well, what's also really important about the way the foreshadowing in Theodolphus works in this first section is that it's not about… The stakes aren't the end of the world. The thing we're concerned about is that the world's going to end. The thing that hits us emotionally is that Patricia and Lawrence are going to be at war with each other.
[Mary Robinette] Yes.
[DongWon] It's the fracture of the relationship that is the stakes. And what Theodolphus does to these kids, because he can't kill them, is to try to turn them against each other. Which is a thing that he's actually successful at doing, in large part, and is the thing that's most hurtful to these kids and to us, the reader, who's experiencing this journey. Right? So the foreshadowing works and is introduced at a point where we already care about their connection and now you can have stakes, because there's something at risk.
[Mary Robinette] Yeah.
[DongWon] Right? And the risk is how these characters see each other and how they feel about each other.
[Erin] Not to, like, over index on the idea that we're talking about lenses, but this actually makes me think of going to the eye doctor, and I promise this will connect. It's like when the eye doctor is, like, doing the is it better if you look through the left eye or the right eye.
[DongWon] One, two.
[Erin] What they do first is the big things, like, the big, like, how… Basically, like, how nearsighted or farsighted are you?
[Mary Robinette] Yeah.
[Erin] And that's the main lens. And then they'll do small adjustments to, like, astigmatism that are like… This is when they're like, is it one or two, and you're like, you're making this up. They're all the same.
[Mary Robinette] Yeah.
[Erin] But I think one of the things that I'm thinking about with this is figuring out what is the major lens through which you want your reader to experience the story? Here, as we talked about in talking about who, the major lens is who. And what the when does, it's those smaller things that actually make the who clearer or less clear as it needs to be for the story, but it doesn't take over as of when focused story would be, which would be to take us from the beginning into the end. And, speaking of taking us from the beginning into the end, we are going to take a break, and when we come back, birds.
 
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[Erin] Pickle!
[DongWon] See, reader, this is what we call foreshadowing…
[Laughter]
[DongWon] [garbled Erin] called the shots before the break, and we all just cocked our heads and looked at Erin, seeing how this was going to result.
[Mary Robinette] Cannot wait to see the bird die.
[Erin] So, the birds. In this story, there is a thing about time on the page, which is that the birds show up throughout the latter half to say, "Too late! Too late! Caw!"
[Mary Robinette] Too late.
[Dan] Yes.
[Erin] Too late! And so that's interesting, because it is… What is that? Would you consider that to be foreshadowing, is it… I mean, it doesn't end up completely coming to pass. What is the purpose of having the birds remind us of where we are in the world and the story as an in-story element.
[Howard] This comes back to the timing of introducing Theodolphus. We had to earn… Theodolphus had to earn the right to be prophetic. And he earned it by us believing that Patricia saw the tree and had magic and Lawrence created an AI in his closet. And so now we can believe that this guy had a prophetic experience. If we had heard it first, we wouldn't have believed it. Okay. Well, so now we've got unreliability of narrators set aside for a moment. We come to the birds, and we have earned, or Charlie Jane has earned, the story has earned the ability to convince me that when a bird says a thing, it's important and it's true and the bird might not fully understand what it's saying, but I'm supposed to feel something. And what I feel is an increase in tension, a little bit of dread. It's too late? How far too late is it? But if we had led with the birds, which obviously we couldn't, but if we'd lead with it, the story hadn't earned it yet, because it hadn't told us that the birds could do this.
[Dan] I don't remember if this works exactly, but I'm pretty sure it does. As the birds kind of replace Theodolphus. He disappears from the story, fairly abruptly. And it's after that that the birds start saying too late, too late. And I think a big part of that is we don't need the prophet anymore, because it's already happened. The thing he was prophesying is here. And so that's what the birds are, is, okay, this thing is happening now.
 
[Mary Robinette] The balls are falling. One of the things, as we're talking about foreshadowing, that I kind of want to draw attention to is that there's kind of two modes of foreshadowing that are happening. One mode is stuff that Charlie Jane is doing deliberately, thematically, and very visibly. Those are the things like the there's a prophecy, that kind of thing, that are very clearly on the page and they're addressed at the reader. And then there's also invisible or covert foreshadowing, which you don't notice until you read it a second time, like some of the things that I was calling out in earlier episodes where she's saying this is a thing that she had learned about Lawrence, that you couldn't count on him, that those… There's reasons that that comes back later, and it's not necessarily something that you would notice on the first time as, oh, this is a big thematic thing. When… Like, I've talked to early career writers who are trying to figure out, well, how do I put the foreshadowing in? And what I want you to know is that mechanically, the way you do that is that most of the time, the foreshadowing is you get to the end of the book and saying, what have I put on the table already and what ingredients can I use? And grabbing those and writing… So that a lot of the invisible foreshadows or the foreshadowing that the reader doesn't necessarily notice the first time around is what I think of as hindsight foreshadowing, which is usually the reader mechanically reaching back. I have found that when I have attempted to put the foreshadowing in, unless it is this very conscious, very visible… If I want the subtle foreshadowing that the reader… That every single time, I am telegraphing things in ways that are unpleasant for the reader. And that Charlie Jane is managing to do these two different types of foreshadowing without falling into this annoying, well, I could see that coming.
[Howard] One thing that may not be obvious to readers is that you are not reading books in the order, word for word, page for page, in the order in which they were written. With rare, exceedingly rare, exception, you are reading something where it's been written, and then the smarter version of the author has gone back and retroactively foreshadowed or whatever.
[Mary Robinette] Yeah. I'd be very interested to learn if Theodolphus was in the first draft of the novel.
[DongWon] Yeah. I mean, I… My suspicion is not. Right?
[Mary Robinette] Yeah.
[DongWon] But I think what's so interesting about the way foreshadowing works here, and this… Really going back to over indexing on the metaphor of lens here. Right? Is the way the foreshadowing and the way prophecy works in this is a lens into character. Over and over and over again. How the characters interpret the information they are given influences how they behave in the future, which reinforces their trauma, their rifts, their disagreements. Right? And so Theodolphus, a creature of violence, sees the violence coming at the end and cannot imagine a resolution other than the end of the world. Right? And then Patricia, being told that Lawrence is going to do this thing and that she must kill him, can only see that she must distance herself from this person who has distanced himself from her. Right? And so it's just like this repeats over and over again, and then, where the bird prophecy comes in at the end of the too late, too late, is simply Patricia interpreting that of oh, it is too late, it's too late to save the world, it's too late to do the things I needed to do. Lawrence is gone, I screwed all this up, and that is her own negativity, her own depression, her own cycle of trauma sort of repeating itself in that. When actually, the birds are talking about something completely irrelevant. I mean, to spoil the ending here, it's like the riddle from the birds… It don't matter at all. It's just her getting back to the tree. That's the important part. She was too late to come back and answer the riddle, but the parliament of birds are kind of just a bunch of idiots…
[Mary Robinette] Yeah.
[DongWon] As far as we can tell. You know what I mean? Delightful idiots, I love birds, but that seems accurate. I mean… And so it is this thing that because it is so closely filtered through the unreliable perspective of the character, we can see the way in which foreshadowing becomes yet another tool in her toolkit (A) to create tension between these characters and create that forward momentum of the plot, but to let us understand the perspective of these individuals and the flaws in that that drive them to make decisions that are quote unquote nonoptimal, in that way of, like, well, what if… Why didn't they just do X, Y, and Z, and that would have saved everything? It's like, because that's not how people work. People make flawed decisions on imperfect information for good reasons all the time.
[Erin] Yeah, it's like… It's interesting to me that both of the… Both the magic and the tech people are sort of… They feel like they are in a foreshadowing, like, they both project forward…
[DongWon] Yeah.
[Erin] What they believe the future will be, and then attempt to do something heinous to control it or change it or flee from it. And so a lot of the entire book is, in some ways, like what happens if you see the future and you don't feel like… You see it coming, and it feels like there's nothing you can do to change it. Which is where I'm going to reveal that I, an unreliable narrator, lied and do want to talk a tiny bit about the time in which…
[Laughter]
[Erin] This story is set. Which is that, like, it is set in a world that is not ours, but is very technologically similar to our own. And so I'm wondering, like, how does that… Do you think that changes the way you read the story, or, like, the disasters of the story, in that it feels like it could… It's not an impossibility to the when of our own times or was that just me?
[DongWon] The whole book is so heightened. Right? Everything about it is heightened from the way the kids experience their adventure, the emotions around the rifts between them, and then the disasters that are happening at the end. And yet, I mean, in the years since this book was published, we've all experienced natural disasters, we've experienced conflict, and we've experienced a lot of things that are hinted at or explicitly described in this book. Not in a literal one-for-one way, but a lot of what she's talking about here feels very familiar. And it's why my reading of it is so grounded in a specific place and time of, like, this is about this city's conflicts. This is about this particular thing that she was working through in her own mind of what do we do about the problem of this city? What do we do about this conflict between these communities?
[Mary Robinette] I think it's inevitable that you will read the book through the lens of whichever time that you're in.
[DongWon] Yeah.
[Mary Robinette] And having an overlap of when the book was written makes a lot of the parallels, I think, a little more clear. But also, as we move farther away from it, the billionaires destroying the world kind of situation, like, that again, that is something… This specific incarnation of it is something that happened years after Charlie Jane wrote the book, but it is still something that resonates, that connects. But when you read much older books, I think we still have those resonances and connections where we can draw parallels to where we are now or when we are now. So I think it's inevitable, and I think it's something that we can kind of overthink as writers too much.
[Erin] I was going to ask, do you think that's something we should… I know there's something people will worry about, especially people writing science fiction, near future, current versions of us is do you worry that what you're writing becomes dated? Do you worry that you're out of time, and then people will not relate to your story anymore?
[DongWon] I mean, that's the thing, is that science fiction is never about the future. Science fiction's always about the present moment it's written in. Right? William Gibson's Neuromancer feels futuristic even to us now, even though the technology is wildly outdated compared to what we have now. Right? You watch 2001: A Space Odyssey. None of our technology looks like that…
[Mary Robinette] Yeah.
[DongWon] At this point, but that movie still feels futuristic to us. And that's okay. You need to hit the feeling of futuristicness, but you don't need to be predictive about technology. And, I mean, frankly Charlie Jane did a pretty good… There's some called shots in here in terms of, like,…
[Mary Robinette] Yep.
[DongWon] Generative AI, billionaires who are willing to destroy the planet just so they can go to Mars. Right? Like, there's a number of things that are just called shots here, because I think communities that she was in, being a tech journalist for so many years, all those kinds of things, like, I think, gave her a certain perspective that let her call these shots. But also those things that are coming true in this moment, 10 years from now, who knows what they will be. But because the thematic resonances are so rich, I think even if those technological things don't work out, because this book is about a moment in time, as all books necessarily are, and letting that be felt, I think, it works in a way that I don't need it to… In the way that Neuromancer doesn't need cell phones to feel like crazy, cool, future tech. Right?
[Mary Robinette] Yeah.
[Howard] To address the question very, very specifically, when I am writing, I'm writing for an audience who comes from the same chronological context that I do. I'm not trying to write for a future audience. If I were trying to write for a future audience, I would write something very, very different. And I recognize that the audience who reads whatever I write today… Ah, you know what, about 80 percent of what they get out of what I write is something that they brought with them into what I wrote. In 100 years from now, in the unlikely circumstance that anybody's reading anything I wrote 100 years from now, the number will be closer to like 95 percent.
[DongWon] I think the thing that keeps it from feeling dated is when you lean into concepts and trends.
[Mary Robinette] Yeah.
[DongWon] Like big ideas, rather than like lingo and details. Right? Like if somebody was like [scibidee?] toilet in this, it would be like, whoa, that was a very specific moment. Actually, that would be a wild called shot from… If she wrote this back then. But…
[Chuckles]
[DongWon] If there were things that are just like so of a particular moment in slang, unless you're writing a thing that is intended to be a period piece. That's where you need to find the fine line between what's the idea of the thing versus, like, putting a specific version of the thing in your book. Right? So everything being a slightly abstracted form and, like, shifted one step of these tech companies and these like billionaires rather than being this is this person doing this thing for this company, I think that helps to keep it feel from… Keeping it from being too dated.
[Erin] Agreed. And now we have come to the time for the homework.
 
[Erin] So, pick a scene in your current work. And I want you to think about two moments. One moment in the past of that that is resonant still with that scene, and one moment that will happen in the future that is also resonant with that scene. And write two different versions of the scene. One in which the past weighs heavily on it. And one in which the foreshadowing of the future weighs heavily on it. And then see what the difference is.
 
[Mary Robinette] This has been Writing Excuses. You're out of excuses. Now go write.
 

(no subject)

Sep. 12th, 2025 09:42 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] davidgillon and [personal profile] surexit!

If one year's back on my shoulder

Sep. 12th, 2025 03:26 am
sovay: (Sydney Carton)
[personal profile] sovay
Not having read any of the source novels, approximately twenty minutes into the first series of Poldark (1975–77) as I lay on the couch self-medicating with the late eighteenth century, I remarked to [personal profile] spatch, "Is there any aspect of this homecoming that is not going to be a clusterfuck?" on which the answer turned out to be no, whence it seems the engine of the plot. Since I came to this show by having to wait for the third season of Turn: Washington's Spies (2014–17) to arrive at my local branch library, I was more than ordinarily entertained by the line pertaining to the hero's soldiering past, "Shocking business, eh? Losing the Colonies." The bomber leather frock coat is as impressive as advertised.

Follow Friday 9-12-25: Iron Man

Sep. 12th, 2025 12:19 am
ysabetwordsmith: A blue sheep holding a quill dreams of Dreamwidth (Dreamsheep)
[personal profile] ysabetwordsmith
Today's theme is Iron Man.

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Purrcy in the bed

Sep. 12th, 2025 12:35 am
mecurtin: face of tuxedo tabby cat Purrcy looking smugly happy (purrcy face)
[personal profile] mecurtin
The last week or so the weather has gotten cool at night, which means open windows and a cuddly Purrcy at my feet every time I lie down or wake up. It's a good life.

Purrcy the tuxedo tabby is at the foot of the bed and has wiggled onto his back, exposing the soft, fluffy underbelly and dangling his white paws. He looks perfectly cute and loving and not at all like someone who would attack any hand that tried to pet the tummy (IT'S A TRAP)

Sustainability

Sep. 11th, 2025 11:01 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Designing for Decay

The products of growth-driven design are easy to recognize. They gleam. They dominate. They shout, “I will last forever.” From reinforced skyscrapers to single-use electronics, the ideology is the same: resist entropy at all costs.

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