Arduinna

Good wishes and hugs as wanted to people on my f-list (and others too!) who are having a hard time right now; a lot of people seem to be sick and stressed, even aside from the usual global issues.

More adventures with Kuro-chan the cat, no photo this time: I went past the park gates one evening to find Kuro-chan curled up on the wall outside, so naturally I stopped to say hello. Me: aw, your fur is so cold, 小冷猫猫, let me pick you up-- Kuro-chan: [hiss, growl, snap] Me: okay okay, I get it! Kuro-chan: [looks around, stretches, jumps off the wall to suri-suri around my ankles] Mrrowr? Me: …okay, if you say so? Kuro-chan [contentedly settles into my arms to relax langorously throughout the very short trip across the street to their putative actual home, while being stroked and crooned at in whatever language came into my head]. Cats.

I was thinking about what my family always called “household words” meaning phrases either from books/movies/etc. or heard in real life which we started using on a regular basis. Five cents, please (courtesy of Lucy van Pelt the psychiatrist, also allowing me to link my favorite Peanuts strip of all time here); long time no interface, I have no idea where this one came from or if anyone else says it, but I use it with online friends often; that’s life on a crocodile isle (from T.S. Eliot, sometimes used in full with “You see this egg? You see this egg?” too, I say it to myself when frying eggs); Study now, dance later. Plato AD 61, a graffito my mom saw once, which we use as shorthand for “get down to it”; after the opera—my dad ran a semi-professional opera company in his spare time, and was always exceptionally busy with rehearsals in the last few weeks before a performance, so that any normal household duties would be postponed until “after the opera,” a time sooner but not much more definite than the twelfth of never. What do you guys have of this kind?

I posted my Yuletide fic, considerably later than I’d planned but well before the deadline; it could still use (and will hopefully get) a brisk edit, but I think it hangs together. Big relief! Knock wood I will manage to write a couple of short treats before the 25th, we’ll see.

Jiang Dunhao song of the post: a couple of new ones from a music program, 好盆与 and 小孩与我, not all that exciting musically but fun to watch and listen to, the former in particular has a couple of really lovely vocal moments.

It’s the season when vending machines in Japan offer hot drinks of all kinds; many varieties of coffee and tea, to begin with. I’m not much of a coffee drinker except when very sleep-deprived, so I favor 焙じ茶 or roasted green tea (I also like to make it from teabags at home and soak dried fruit in it as a late-night snack). Corn tea is also much rarer but delicious (I was wondering if cornsilk tea, known in both Korean and Japanese as “corn beard tea,” is correspondingly 玉米胡茬茶 in Chinese…). I love hot chocolate, but vending machine cocoa is usually repulsive, basically hot brown water full of sugar and chemicals. Other standards include corn soup (with corn kernels in), お汁粉 hot sweet red-bean porridge, and Hot Lemon (just what it sounds like, hot flat lemon soda with honey, stickily sweet but very satisfying on a cold day). The less standard offerings are getting weirder and weirder every year, this year I took some notes: miso soup with clams, yukkejang soup with rice, sundubu soup with tofu, extra-fancy corn soup scented with truffles (at an extra-fancy price), Starbucks caramel macchiatos, and “milkshakes,” which as far as I can tell are hot sweet slightly thickened milk with caramel?

The download problem never ends! cobalt.tools was so great and now it’s not; it doesn’t do YouTube any more, which is YouTube’s fault, of course (and I’m still not sure of a decent YouTube downloader, none of them seem actually safe?) and now cobalt.tools won’t recognize bilibili URLs any more either, although it says it should work. And you can’t ask for support help with error messages without signing up to a github account, and… (Yes, it’s a free service! I would be happy to pay them some money and get some support in the normal way!) oh dear.

Rereading Melissa Scott’s Dreaming Metal, the second volume of her Dreamships SF duology (the eponymous first volume is also very good). I really love these, they are far and away my favorites of anything Melissa Scott has written. They are about, among other things, AI but not in the way we think of AI right now (although the first volume bears a little more resemblance). The worldbuilding is wonderful—everything is in there, technology and language and clothes and entertainment and politics and ethnic groups and class issues and public transit and food and jobs and religion and family structures and God knows what else, but it’s not infodumpy, you just get to live in the world for three hundred pages or so and see it all there. Spoilery thoughts on the central conceit of the book: where it’s also amazing is the ideas about what kind of music an AI musician might want to make, how it would be derived and what it would sound like, and the way human musicians might react to it and work with it—in a way that’s both plausible and sounds like something exciting that I actually want to hear.

Reading another book of essays by a Taiwan-born writer who lives in Japan and writes in Japanese; unlike Li Kotomi|李琴峰, who grew up in Taiwan, taught herself Japanese, and came to Japan as an adult, 温又柔 came to Japan with her parents at age three and has lived here ever since (she’s Wen Yourou in the Chinese reading and On Yuju in Japanese; her romanized name on the copyright page splits the difference and uses “Wen Yuju.” I’ll settle for the latter for convenience. She also comments on how much her real name sounds like a pen name). I’ve only read one of her novels, 祝宴, which is about a middle-aged Taiwanese businessman, resident in Japan for many years, and his family—he’s 外省人 and his wife is 本省人, their younger daughter is marrying a Japanese man and their older daughter has a girlfriend. Very little actually happens but it was affecting and hopeful without veering into melodrama or Japan Sentimental. I found a lot to resonate with in her essays (reminded also that for me, with no original connections to Japan or Taiwan or anywhere else in Asia at all, studying/writing in Japanese or Chinese can be a much less fraught matter for good or ill). Like me Wen Yuju was fascinated by Lee Yangji’s short story Yuhee—she’s the editor of a Lee Yangji collection, which she says drew her some criticism from Korean-Japanese readers who argued that a Taiwanese-Japanese woman shouldn’t be doing it, another complex issue.
In some ways she covers a lot of familiar ground—growing up as a first- or 1.5-generation immigrant, more comfortable with the new country’s language than her parents’, sometimes accepted and sometimes dealing with microaggressions and blank majority ignorance, struggling with identity and complicated relationships with her parents’ country and family, and so on. It occurs to me that though there are so many anglophone novels, both YA and adult, now that go into this—just from a quick look through my shelves right now, Elizabeth Acevedo, Bernadine Evaristo, Tanuja Desai Hidier, Jean Little, Melina Marchetta, Naomi Shihab Nye, Chaim Potok, Nina Mingya Powles, Isabel Quintero, Joyce Lee Wong, Lois Ann Yamanaka, and that’s just a tiny sample—and still so, so few in Japanese, so that Wen Yuju and just a few others are reinventing the wheel because they have to. It’s not like the “monoethnic Japan” myth was ever true, I wonder when this will change.

Photos: Seasonal leaves, flowers, and skies; Koron-chan, who doesn’t seem to feel the cold and maybe I wouldn’t either if I were that nicely rounded; a bakery with an interesting tagline; kumquat jam made by Y from the produce of his father’s kumquat bush, which was as delicious as it was beautiful, although the photo isn’t very good. I’ll take a better one next time.

Be safe and well.