Assignments Out; Pinch Hits #1-21

Sep. 18th, 2025 09:09 am
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[personal profile] modzilla posting in [community profile] fffx
You should now have received an assignment! Please contact me (mod.modzilla@gmail.com) if you have a problem with your assignment, or you got two assignments (!), or if you just have a question about your assignment, whether it's a question for me or a question for me to pass on to your recipient.

You are welcome to email me to ask to swap your assignment. Because assignments were out late, I'm extending the swaps deadline to September 25. I usually confirm swaps towards the end of that period, but may be able to confirm sooner.


The following pinch hits are due at 11:59pm EST on Saturday January 24th 2026, and pinch hitters are also asked to check in in November 2025. To claim, please reply with your AO3 name, and let me know which recipient/PH number you want. You're also welcome to claim by emailing mod.modzilla@gmail.com.

If you already have an assignment and want to swap your assignment for a pinch hit, please say so - otherwise I'll assume you want both assignments.

I will reply to claims on this post after approximately a day - this is to give priority to people who are looking to swap.

Minimum requirements: An art gift must be a completed comic at least 10 pages or 40 panels long; a fic gift must be a story at least 10,000 words long. You can also fulfil a pinch hit by giving two complete half-length works, if your recipient has opted into that for the fandom(s) you are creating in. Any work must be for a fandom your recipient has requested and one character/relationship/worldbuilding tag requested in that fandom, and must avoid their DNWs.


Pinch hit #1 - art, fic - Star Wars: The Bad Batch (Cartoon), Star Wars: Ahsoka (TV), Star Wars: Rebels, Star Wars: Resistance (Cartoon), Crossover Fandom [Star Wars Sequel Trilogy/Star Wars: Ahsoka] )

Pinch hit #2 - fic - Fright Night (2011), Our Flag Means Death (TV), Riptide (TV), Star Trek: The Price of the Phoenix - Sondra Marshak and Myrna Culbreath, Strange Angel (TV), Evil (TV 2019) )

Pinch hit #4 - art, fic [varies by request] - 전지적 독자 시점 - 싱숑 | Omniscient Reader - Sing-Shong, Natsume Yuujinchou | Natsume's Book of Friends, Thor (Movies), Hannibal (TV) )

Pinch hit #8 - fic - Dial M for Murder (1954), To Catch a Thief (1955), The Big Country (1958), Home Before Dark (1958) )

Canon promo post: Dial M for Murder

Pinch hit #11 - art, fic [varies by request] - Clair Obscur: Expedition 33 (Video Game), Original Work, Crossover Fandom [Brooklyn 99/Labyrinth], Hades (Supergiant Games Video Games) )

Canon promo post: Clair Obscur: Expedition 33

Pinch hit #12 - art, fic [varies by request] - One Piece (Live Action TV 2023), One Piece (Anime & Manga), Baldur's Gate (Video Games), 将进酒 - 唐酒卿 | Qiāng Jìn Jiǔ - Táng Jiǔ Qīng )

Pinch hit #13 - art, fic - World Wrestling Entertainment, The Hundred Line -Last Defense Academy- (Video Game), はたらく細胞 | Hataraku Saibou | Cells at Work! (Anime), Original Work )

Pinch hit #18 - fic - Nantucket Trilogy - S.M. Stirling, Crossover Fandom x2 [Grimm TV/Guardian TV, Grimm TV/Christabel - Coleridge], 长公主在上 | Zhǎng Gōng Zhǔ Zài Shàng (Web Series), 绅探 | Detective L (TV) )

Pinch hit #20 - fic - Tales of Berseria, Subarashiki Kono Sekai | The World Ends With You (Video Games), Kuroko no Basuke | Kuroko's Basketball, Bleach (Anime & Manga) )

Pinch hit #21 - art, fic [varies by request] - Hazbin Hotel (Cartoon), 黄金の太陽 | Golden Sun Series, BCV: Battle Construction Vehicles (Video Game), Yu-Gi-Oh! Duel Monsters (Anime & Manga) )

Click to see CLAIMED pinch hitsPinch hit #3 - fic - Hades (Supergiant Games Video Games), Interview with the Vampire (TV 2022), Baldur's Gate (Video Games), The Silmarillion and other histories of Middle-Earth - J. R. R. Tolkien, The Lord of the Rings - J. R. R. Tolkien

Pinch hit #5 - art, fic - Bridgerton (TV), Don't Worry Darling (2022), Dune (Movies - Villeneuve), Dungeons & Dragons: Honor Among Thieves (2023), Little Women (2019 Movie - Gerwig), Outlaw King (2018), The Princess Diaries (Movies), This Means War (2012)

Pinch hit #6 - fic - 魔道祖师 - 墨香铜臭 | Módào Zǔshī - Mòxiāng Tóngxiù, 화산귀환 | Return of the Blossoming Blade (Webcomic), 魔尊也想知道 - 青色羽翼 | Devil Venerable Also Wants to Know - Cyan Wings, 名探偵コナン | Detective Conan | Case Closed

Pinch hit #7 - art, fic - 奇蹟 | Kiseki: Dear to Me (TV), KinnPorsche: The Series (TV), We Are คือเรารักกัน | We Are (Thailand TV 2024), 山河令 | Word of Honor (TV 2021), Star Trek: The Original Series

Pinch hit #9 - fic - Final Fantasy XII x4, Metaphor: ReFantazio (Video Game), Persona 5, Wolf's Rain (Anime), Final Fantasy XV

Pinch hit #10 - art, fic [varies by request] - Agents of S.H.I.E.L.D. (TV), Hunger Games Trilogy - Suzanne Collins, Superman (Movie 2025), The Orville (TV), Fire Emblem: Soen no Kiseki/Akatsuki no Megami | Fire Emblem Path of Radiance/Radiant Dawn

Canon promo post: The Orville

Pinch hit #14 - fic - Stargate Atlantis, Kolja | Kolya (1996), Cesta do pravěku | Journey to the Beginning of Time (1955), Jurassic Park Original Trilogy (Movies)

Pinch hit #15 - fic - 神さまのいない日曜日 | Kamisama no Inai Nichiyoubi | Sunday Without God (Anime & Manga), Octopath Traveler (Video Game), Octopath Traveler II (Video Game), 終末のイゼッタ | Shuumatsu no Izetta | Izetta: The Last Witch (Anime), よるのないくに | Yoru no Nai Kuni | Nights of Azure (Video Games), Crossover Fandom [various]

Crossovers: Atelier Ryza/Märchen Forest, Octopath Traveller/Octopath Traveller II, Eva Evergreen/Sunday Without God

Canon promo posts: Sunday Without God, Atelier Ryza & Märchen Forest, Eva Evergreen, miscellaneous


Pinch hit #16 - fic - Killjoys (TV), Ocean's 8 (2018), Elementary (TV), The Avengers (Marvel Movies)

Pinch hit #17 - art, fic [varies by request] - Men's Hockey RPF, Wednesday (TV 2022), Outlast (Video Games), Original Work, Glee (TV 2009)

Pinch hit #19 - fic - Severance (TV), Mission: Impossible (Movies), Doctor Who (2005), Succession (TV 2018)



Thanks for your interest! Please also feel free to let me know of canon promo posts I've missed.

RIP (Read In Progress) Wednesday

Sep. 17th, 2025 04:37 pm
pauraque: butterfly trailing a rainbow through the sky from the Reading Rainbow TV show opening (butterfly in the sky)
[personal profile] pauraque posting in [community profile] booknook
What are you reading? Is the TBR pile growing or shrinking?
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] booknook
Title: The Long Way to a Small, Angry Planet
Author: Becky Chambers
Genre: Sci-fi

Last night I finished Becky Chambers' The Long Way to a Small, Angry Planet, a sci-fi book about a motley crew of spacefarers who "drill" wormholes to enable rapid travel across space for the diverse galactic alliance known as the GC. At the start of the book, they are offered a bid on a particularly difficult, lucrative job, and can't resist taking the bait.

This should be (another) lesson to me in not going all-in on a creator because I've enjoyed one of their works. I loved Chambers' To Be Taught, if Fortunate, and I've heard plenty of internet praise for The Long Way, so when I saw it at the bookstore recently, I dropped $20 on it readily. If I hadn't, I probably wouldn't have bothered finishing it.

First - if you picked up this book looking for the femslash, it's barely there, and it's a lot more friends-with-benefits than romance. The other two romances in the book get a lot more attention. This isn't a complaint from me, but if what you really want is F/F romance, it's not really here.

This is a character-driven book with barely a plot, which wouldn't be a problem if the characters were interesting. As it is, they are functionally interchangeable: a crew of people who are all optimistic, friendly, emotionally open, painstakingly polite, and obsessively well-intentioned (except for the one guy who's a Jerk, who exists to be a jerk whenever the scene calls for someone who needs to be less-than-fanatically-polite or there's a chance for Chambers to squeeze in another instance of his being a jerk, even when he's technically right). There is no character growth to speak of; none of these characters changes at all between the start of the book and the end. There's no complexity to anyone.

Read more... )






rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books
Last night I finished Becky Chambers' The Long Way to a Small, Angry Planet, a sci-fi book about a motley crew of spacefarers who "drill" wormholes to enable rapid travel across space for the diverse galactic alliance known as the GC. At the start of the book, they are offered a bid on a particularly difficult, lucrative job, and can't resist taking the bait.

This should be (another) lesson to me in not going all-in on a creator because I've enjoyed one of their works. I loved Chambers' To Be Taught, if Fortunate, and I've heard plenty of internet praise for The Long Way, so when I saw it at the bookstore recently, I dropped $20 on it readily. If I hadn't, I probably wouldn't have bothered finishing it.

First - if you picked up this book looking for the femslash, it's barely there, and it's a lot more friends-with-benefits than romance. The other two romances in the book get a lot more attention. This isn't a complaint from me, but if what you really want is F/F romance, it's not really here.

This is a character-driven book with barely a plot, which wouldn't be a problem if the characters were interesting. As it is, they are functionally interchangeable: a crew of people who are all optimistic, friendly, emotionally open, painstakingly polite, and obsessively well-intentioned (except for the one guy who's a Jerk, who exists to be a jerk whenever the scene calls for someone who needs to be less-than-fanatically-polite or there's a chance for Chambers to squeeze in another instance of his being a jerk, even when he's technically right). There is no character growth to speak of; none of these characters changes at all between the start of the book and the end. There's no complexity to anyone.

Read more... )






[syndicated profile] eff_feed

Posted by Andrew Crocker

This posted was drafted by EFF legal intern Alexandra Halbeck

The Court of Appeals for the Ninth Circuit, which covers California and most of the Western U.S., just delivered good news for digital privacy: abandoning a phone doesn’t abandon your Fourth Amendment rights in the phone’s contents. In United States v. Hunt, the court made clear that no longer having control of a device is not the same thing as surrendering the privacy of the information it contains. As a result, courts must separately analyze whether someone intended to abandon a physical phone and whether they intended to abandon the data stored within it. Given how much personal information our phones contain, it will be unlikely for courts to find that someone truly intended to give up their privacy rights in that data.

This approach mirrors what EFF urged in the amicus brief we filed in Hunt, joined by the ACLU, ACLU of Oregon, EPIC, and NACDL. We argued that a person may be separated from—or even discard—a device, yet still retain a robust privacy interest in the information it holds. Treating phones like wallets or backpacks ignores the reality of technology. Smartphones are comprehensive archives of our lives, containing years of messages, photos, location history, health data, browsing habits, and countless other intimate details. As the Supreme Court recognized in Riley v. California, our phones hold “the privacies of life,” and accessing those digital contents generally requires a warrant. This is an issue EFF has worked on across the country, and it is gratifying to see such an unambiguous ruling from an influential appellate court.

The facts of Hunt underscore why the court’s distinction between a device and its contents matters. In 2017, Dontae Hunt was shot multiple times and dropped an iPhone while fleeing for medical help. Police collected the phone from the crime scene and kept it as evidence. Nearly three years later—during an unrelated drug investigation—federal agents obtained a warrant and searched the phone’s contents. Hunt challenged both the warrantless seizure and the later search, arguing he never intended to abandon either the device or its data.

The court rejected the government’s sweeping abandonment theory and drew a crucial line for the digital age: even if police have legal possession of hardware, they do not have green light to rummage through its contents. The panel emphasized that courts must treat the device and the data as separate questions under a Fourth Amendment analysis.

In this specific case, because the government ultimately obtained a warrant before searching the device, that aspect of the case survived constitutional scrutiny—but crucially, only on that basis. The court also found that police acted reasonably in initially seizing the phone during the shooting investigation and keeping it as unclaimed property until a warrant could be obtained to search it.

Under Hunt, if officers find a phone that’s been misplaced, dropped during an emergency, or otherwise separated from its owner, they cannot leap from custody of the glass-and-metal shell to unfettered access to the comprehensive digital record inside. This decision ensures that constitutional protections don’t evaporate just because someone abandons their device, and that warrants still matter in the digital age. Our constitutional rights should follow our digital lives—no matter where our devices may end up.

slippery_fish: (calm)
[personal profile] slippery_fish
Kraven: I hoped for some entertaining trash when I chose to watch this movie. Unfortunately, it was mostly boring. Yes, there was the chance to ogle a half-naked, nicely-muscled guy a few times but I need a bit more than that. :D I hoped that the relationship between the brothers would get me on board but even with them, I needed a little bit more.

Wicked Part 1: This was fun. I loved the sets and the world building, the singing worked for me (but I'm not overly picky when it comes to stuff like this). I really liked Ariana in this, her acting and singing both were surprisingly good.

The relationship between Glinda and Elphaba was fun and I actually liked the men's places in this. I don't really see the Elphaba/Fiyero thing, but whatever. I never read the book or the musical so I'm curious to see how all things go to hell in the second part.

Flight Risk: Solid action movie with a likeable set of protags. Winston is fun, Madolyn is kinda stiff, and together they work pretty well. I also liked the chemistry between Madolyn and Hassan. Sure, Hassan played it up to calm her down but the actors sold it well.

But then, we have our villain: Darryl. Very one-note and Mark Wahlberg only managed to sell him until his identity was revealed. After that, he was just such a bland character.

It was pretty exiting at times and I think the pacing worked pretty well. It also didn't try to be unnecessarily clever. It didn't try to draw things out, it used its confrontations as effective punches. So yeah, it worked for me for the most part .
oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)
[personal profile] oursin

What I read

A little while ago Kobo had an edition of CS Lewis's 'Space Trilogy' on promotion, so I thought, aeons since I read that, why not? It turned out to have been not terribly well formatted for e-reader but I have encountered worse, it was bearable. Out of the Silent Planet, well, we do not go to CLS for cosmological realism, do we? But why aliens still so binary, hmmm? (okay, I think there is probably some theological point going on there, mmmhmm?) (though in That Hideous Strength there is a mention of 7 genders, okay Jack, could you expand that thought a little?) I remembered Perelandra as dull, at least for my taste - travelogue plus endless theological wafflery - and it pretty much matched the remembrance. However, while one still sees the problematic in That Hideous Strength (no, really, Jack, cheroot-chomping lesbian sadist? your id is very strange) he does do awfully well the horrible machinations of the nasty MEN in their masculine institutions, and boy, NICE is striking an unexpected resonance with its techbros and their transhuman agenda. Also - quite aside from BEARS!!! - actual female bonding.

Possibly it wasn't such a great idea to go on to Andrew Hickey, The Basilisk Murders (Sarah Turner Mysteries #1) (2017), set at a tech conference, which I think I saw someone recommend somewhere. Not sure it entirely works as a mystery (and I felt some aspects of the conference were a little implausible) - and what is this thing, that this thing is, of male authors doing the police in different voices writing first-person female narrative crime fiction? This is at least the second I have encountered within the space of a few weeks. We feel they have seen a market niche.... /cynicism

Apparently I already read this yonks ago and have a copy hanging around somewhere? I was actually looking for something else by Dame Rebecca and came across this, The Essential Rebecca West: Uncollected Prose (2010), which is more, some odd stray pieces it is nice to have (I laughed aloud at the one on Milton and Paradise Lost) but hardly essential among the rest of her oeuvre.

At the same time I picked up Carl Rollyson, Rebecca West and the God That Failed: Essays (2005), which apparently I have also read before. It's offcuts of stuff that didn't make it into his biography, mostly talks/articles on various aspects that he couldn't go into in as much detail as he would have liked.

On the go

Rebecca West, The Return of the Soldier (1918), on account of we watched a DVD of the movie recently. Yes, I have a copy of the book but have no idea where it is. I was also looking for Harriet Hume, ditto.

Up next

Not sure.

landingtree: Small person examining bottlecap (Default)
[personal profile] landingtree
From Hell, by Alan Moore.

I wonder what this would’ve been like in black and white. This is a book about Jack the Ripper’s killings, and it was interesting to see when this edition’s colourist chose to use black instead of red for blood. I read it because a media podcast I listen to, Shelved by Genre, is doing a run of Alan Moore. I am more interested in the podcast than I was in this book. I want them to tell me about Jack the Ripper scholarship, and British comics takes on Jack the Ripper (supernatural elements thereof) and this book in its context. I think the book is good and I didn’t need to read it, I got to the end and went ‘okay, I could’ve stopped in the middle, but I guess I needed to read to the end to discover that.’

(Also, why would you call this book The Master Edition? Maybe I am too attuned by Le Guin’s thoughts about the word Mastery. Maybe they thought it through, maybe they thought it was apt for this book full of the deliberate symbolic weight of men doing violence against women and Man doing violence against Woman.)

Tripoint, by C J Cherryh.

Which is also among the kinds of violence this book involves. The first of them, anyway: actually the second not so much. I do not recommend this as a place to start Cherryh because the emotional dynamics of the start of it made me put it down and go read various other things I’ve just posted about. It makes me think that I found Merchanter’s Luck so palatable in contrast to other Cherryh because its main characters start out in positions of deep control and competence. Do they stay there? Are the places they start in healthy ones? Not necessarily! But there is a comfort to it. Which this book does not have at all, the protagonist has very little to hold onto in life except a bad relationship with his mother. Also, Cherryh does not miss the opportunity to invent a kind of hyperspace travel that involves physical discomfort and sedative-hazed dreams about incest that might drive you insane. There’s one Diana Wynne Jones story in which a writer uses the sensory experience of being tiredly slumped over a keyboard drinking coffee and trying to finish a draft novel to write umpteen heroic captains at the controls of spaceships battling through physical discomfort, and I want to reread it to see if I think Jones read Cherryh directly before writing it.

Anyway! Do the emotional dynamics of this book get less fucked-up by the end? …arguably they get more so, but in a more bearable-to-me-personally way.
goddess47: Emu! (Default)
[personal profile] goddess47 posting in [community profile] no_true_pair
Title: Power to the People
Fandom: Stargate Atlantis
Pairing/Characters: Richard Woolsey, Rodney McKay
Word Count: 493
Content Notes: none
Prompt: [community profile] no_true_pair September 17 - Rodney McKay & Richard Woolsey - energy

Also for [community profile] sweetandshort September 2025 prompt - light


Link to fic: Power to the People (on AO3)
[syndicated profile] eff_feed

Posted by Christian Romero

It's easy to keep up with the fight for digital privacy and free expression. Our EFFector newsletter delivers bite-sized updates, stories, and actions you can take to stay informed and help out.

In this latest issue, we show how libraries and schools can safeguard their computers with Privacy Badger; highlight the dangers of unaccountable corporations and billionaires buying surveillance tech for policeand share news that EFF’s Executive Director, Cindy Cohn, will be stepping down in mid-2026 after more than two decades of leadership.

EFFector isn’t just for reading—you can listen, too! In our audio companion, EFF Senior Staff Technologist Cooper Quintin explains why ICE’s contract with Paragon Solutions is so dangerous. Catch the conversation on YouTube or the Internet Archive.

LISTEN TO EFFECTOR

EFFECTOR 37.12 - ICE 🤝 Cyber Mercenaries

Since 1990 EFF has published EFFector to help keep readers on the bleeding edge of their digital rights. We know that the intersection of technology, civil liberties, human rights, and the law can be complicated, so EFFector is a great way to stay on top of things. The newsletter is chock full of links to updates, announcements, blog posts, and other stories to help keep readers—and listeners—up to date on the movement to protect online privacy and free expression. 

Thank you to the supporters around the world who make our work possible! If you're not a member yet, join EFF today to help us fight for a brighter digital future.

landingtree: Small person examining bottlecap (Default)
[personal profile] landingtree
I started with rereading A Song for Arbonne by Guy Gavriel Kay. I still like it! I fell off reading Kay at a certain point and am not planning to run to keep up with the stuff he’s written in the last ten years, but I do like going back. I had entirely forgotten the plot of this one, I enjoyed being swept up in it as though for the first time. Melodrama about the hinge-points of lives and kingdoms set in slightly-fantasy alt versions of bits of history: it’s Kay’s thing, he does it well. He gets more polish in later books but has the heart of what he’s doing here.

Notes: it is so easy to knock people unconscious with a sharp blow to the head and this never causes problems. Every named female character wants to sleep with the protagonist if the book considers them figures of desire (the two exceptions are, respectively, old and disabled.) The words ‘nuance,’ ‘implications,’ and ‘complexities,’ are used as often as they possibly can be, and it is funny to me that Kay loves the sense of subtlety so much he always waves at it with great sweeping gestures. This is a book that underlines everything in gold ink and then repeats it to be sure you noticed. That is a thing I enjoy about it, though I do have a dosage limit, I went in to reread one of the Sarantine books and two Kays in one month is too much for me. I finished it, but haven’t gone on to read the second half of the story.

But it does mean I have read two Byzantine books this month: I am awake at five am because of high billowing winds outside, so I just finally finished M.T. Anderson’s Nicked, a book about a Byzantine saint heist conducted by a monk who can’t tell a lie to save his life and a con artist who can never be pinned down on a truth. (They fuck.) I did not find this propulsive exactly, I put it down for a week here and a fortnight there even though it’s very short. But I do like it a great deal. It is funny, neat, precise in its blending of formal and informal language, vividly descriptive in few words, going off into flights of abstraction and poetry. I see why George Saunders is blurbing it. The opening invocation includes the line ‘Though I am an unbeliever, I pray for faith,’ and faith and holiness are things this book about stealing a saint’s bones for reasons mainly of tourism cares about and respects. Also, travellers’ tales from the period are true and there is actually a nation of people with the heads of dogs, we meet one in the first paragraph.

I am now listening to an audiobook of Kushiel’s Dart, by Jacqueline Carey, which I’ve not read before. One can guess from Arbonne that Guy Gavriel Kay is interested in bdsm because there’s a lot of power-play and erotic masked balls and people getting tied to beds by wicked seductress Italians. One can guess that Carey is into bdsm because the protagonist is the chosen one of the bdsm angel and receives training at the bdsm guild. This one is also set in fantasy-France (so I’ve gone France, Byzantium, France, Byzantium): there is scheming, mentorship, foreshadowed grief, sex, and people who despite living in a society consisting solely of incredibly beautiful people are even more beautiful than that. I am having a good time.
goddess47: Emu! (Default)
[personal profile] goddess47 posting in [community profile] no_true_pair
Title: Making Something from Nothing
Fandom: Stargate Atlantis, Stargate SG-1
Pairing/Characters: Jack O'Neill, Miko Kusinagi
Word Count: 490
Content Notes: none
Prompt: [community profile] no_true_pair September 16 - Miko Kusinagi & Jack O'Neill - bring your own craft supplies


Link to fic: Making Something from Nothing (on AO3)
andrewducker: (Default)
[personal profile] andrewducker
Ooh, I thought, that's a really cool t-shirt! And the price is only £24, that's actually pretty reasonable!

Except no, it's £24 plus £6 tax plus £7 shipping *that takes up to 6 weeks*.

And this for an item that's print on demand. Which means, theoretically, they could print it in the UK in the first place and not have to presumably ship it to me by alpaca from Kazakhstan!

Shame, really, it's a nice t-shirt. But not £37 nice.

Yuletide!

Sep. 17th, 2025 12:28 pm
settiai: (Yuletide -- liviapenn)
[personal profile] settiai
Yuletide nominations are officially open, which means I have to get my ass in gear and actually figure out what I want to request and nominate this year.

A couple of my usual requests are almost always nominated by other people, so I can hopefully scratch those off the list. That doesn't help narrow it down a lot, though, because I've written down a frankly ridiculous number of fandoms this year that I've been considering requesting.

Right now, I'm leaning towards the following for my nominations:

Black Ships - Jo Graham OR Hand of Isis - Jo Graham OR Stealing Fire - Jo Graham
Home Alone (Movies) (mainly because of this post)
Hornblower (TV)
Peacemakers (2003)
The Witch Wolf (Webcomic)

My other requests will depend on what does or doesn't get nominated, but some of my ideas for fandoms that tend to show up in the tag set regularly are:

Gargoyles (Cartoon)
Jurassic Park Original Trilogy (Movies)
Justice League International
The Martian (2015)
The Scarlet Pimpernel (1982)
Titanic (1997)
Treasure Planet

Of course, there's always a chance that I'll see something in the tag set that I wasn't expecting that calls to me. That's definitely happened before, and it'll probably happen again.

I have had the call

Sep. 17th, 2025 05:17 pm
rmc28: Rachel in hockey gear on the frozen fen at Upware, near Cambridge (Default)
[personal profile] rmc28

Or rather the text message to book my covid & flu vaccinations. "For 75+ and immunosuppressed". I just double-checked and "have had a blood cancer" is still top of the NHS list of qualifying conditions, so that's my armour when the GP surgery gatekeepers are like, you're too young and you might be DEPRIVING someone of this vaccine who NEEDS it. (This has been the conversation the last three times I got invited to get vaccinated, sigh, and then they get a manager to look at my medical record, and then they grudgingly admit that maybe I can has jabs.)

Date is the Saturday when all the Cambridge undergraduates arrive, so just in time. I'll mostly be avoiding students for the first couple weeks of term to let the freshers flu play out, but I will be playing ice hockey so not entirely. Also getting in and out of the city centre that day may be entertaining, probably best done on foot.

[syndicated profile] eff_feed

Posted by Rindala Alajaji

This is the second instalment in a ten-part blog series documenting EFF's findings from the Stop Censoring Abortion campaign. You can read additional posts here. 

During our Stop Censoring Abortion campaign, we set out to collect and spotlight the growing number of stories from people and organizations that have had abortion-related content removed, suppressed, or flagged by dominant social media platforms. Our survey submissions have revealed some alarming trends, including: if you don’t have a personal or second-degree connection at Meta, your chances of restoring your content or account are likely to drop significantly. 

Through the survey, we heard from activists, clinics, and researchers whose accounts were suspended or permanently removed for allegedly violating Meta’s policies on promoting or selling “restricted goods,” even when their posts were purely educational or informational. What the submissions also showed is a pattern of overenforcement, lack of transparency, and arbitrary moderation decisions that have specifically affected reproductive health and reproductive justice advocates. 

When accounts are taken down, appeals can take days, weeks, or even months (if they're even resolved at all, or if users are even given the option to appeal). For organizations and providers, this means losing access to vital communication tools and being cut off from the communities they serve. This is highly damaging since so much of that interaction happens on Meta’s platforms. Yet we saw a disturbing pattern emerge in our survey: on several occasions, accounts are swiftly restored once someone with a connection to Meta intervenes.

The Case Studies: An Abortion Clinic

The Red River Women's Clinic is an abortion clinic in Moorhead, MN. It was originally located in Fargo, North Dakota, and for many years was the only abortion clinic in North Dakota. In early January, the clinic’s director heard from a patient that she thought they only offered procedural/surgical abortions and not medication abortion. To clarify for other patients, they posted on the clinic’s page that they offered both procedural and medication abortions—attaching an image of a box of mifepristone. When they tried to boost the post, the ad was flagged and their account was suspended.

They appealed the decision and initially got the ad approved, yet the page was suspended again shortly after. But this time, multiple appeals and direct emails went unanswered, until they reached out to a digital rights organization that was able to connect with staff at Meta that stepped in. Only then was their page restored, with Meta noting that their post did not violate the policies but warning that future violations could lead to permanent removal.

While this may have been a glitch in Meta’s systems or a misapplication of policy, the suspension of the clinic’s Facebook account was detrimental for them. “We were unable to update our followers about dates/times we were closed, we were unable to share important information and news about abortion that would have kept our followers up to date, there was a legislative session happening and we were unable to share events and timely asks for reaching out to legislators about issues,” shared Tammi Kromenaker, Director of Red River Women's Clinic. The clinic was also prevented from starting an Instagram page due to the suspension. “Facebook has a certain audience and Instagram has another audience,” said Kromenaker, “we are trying to cater to all of our supporters so the loss of FB and the inability to access and start an Instagram account were really troubling to us.” 

The Case Studies: RISE at Emory University

RISE, a reproductive health research center at Emory University, launched an Instagram account to share community-centered research and combat misinformation related to reproductive health. In January of this year, they posted educational content about mifepristone on their instagram. “Let's talk about Mifepristone + its uses + the importance of access”, read the post. Two months later, their account was suddenly suspended, flagging the account under its policy against selling illegal drugs. Their appeal was denied, which led to the account being permanently deleted. 

A screenshot of an instagram post from @emory.rise that reads "let's talk about mifepristone" in bold black font "+ its uses + the importance of access" in blue

Screenshot submitted by RISE to EFF

“As a team, this was a hit to our morale” shared Sara Redd, Director of Research Translation at RISE. “We pour countless hours of person-power, creativity, and passion into creating the content we have on our page, and having it vanish virtually overnight took a toll on our team.” For many organizational users like RISE, their social media accounts are a repository for resources and metrics that may not be stored elsewhere. “We spent a significant amount of already-constrained team capacity attempting to recover all of the content we’d created for Instagram that was potentially going to be permanently lost. [...] We also spent a significant amount of time and energy trying to understand what options we might have available from Meta to appeal our case and/or recover our account; their support options are not easily accessible, and the time it took to navigate this issue distracted from our existing work.”  

Meta restored the account only after RISE was able to connect with someone there. Once RISE logged back in, they confirmed that the flagged post was the one about mifepristone. The post never sold or directed people where to buy pills, it simply provided accurate information about the use and efficacy of the drug. 

This Shouldn’t Be How Content Moderation Works

Meta spokespersons have admitted to instances of “overenforcement” in various press statements, noting that content is sometimes incorrectly removed or blurred even when it doesn’t actually violate policy. Meta has insisted to the public that they care about free speech, as a spokesperson mentioned to The New York Times: “We want our platforms to be a place where people can access reliable information about health services, advertisers can promote health services and everyone can discuss and debate public policies in this space [...] That’s why we allow posts and ads about, discussing and debating abortion.” In fact, their platform policies directly mention this

Note that advertisers don’t need authorization to run ads that only:

  • Educate, advocate or give public service announcements related to prescription drugs

Additionally

Note: Debating or advocating for the legality or discussing scientific or medical merits of prescription drugs is allowed. This includes news and public service announcements. 

Meta also has policies specific to “Health and Wellness,” where they state: 

When targeting people 18 years or older, advertisers can run ads that:

  • Promote sexual and reproductive health and wellness products or services, as long as the focus is on health and the medical efficacy of the product or the service and not on the sexual pleasure or enhancement. And these ads must target people 18 years or older. This includes ads for: [...]
  • Family planning methods, such as:
    • Family planning clinics
    • In Vitro Fertilization (IVF) or any other artificial insemination procedures
    • Fertility awareness
    • Abortion medical consultation and related services

But these public commitments don’t always match users’ experiences. 

Take the widely covered case of Aid Access, a group that provides medication abortion by mail. This year, several of their Instagram posts were blurred and removed on Instagram, including one with tips for feeling safe and supported at home after taking abortion medication. But only after multiple national media outlets contacted Meta for comment on the story were the posts and account restored.

So the question becomes: If Meta admits its enforcement isn’t perfect, why does it still take knowing someone, or having the media involved, to get a fair review? When companies like Meta claim to uphold commitments to free speech, those commitments should materialize in clear policies that are enforced equally, not only when it is escalated through leveraging relationships with Meta personnel.

“Facebook Jail” Reform

There is no question that the enforcement of these content moderation policies on Meta platforms and the length of time people are spending in “content jail” or “Facebook/Instagram jail” has created a chilling effect

“I think that I am more cautious and aware that the 6.1K followers we have built up over time could be taken away at any time based on the whims of Meta,” Tammi from Red River Women’s Clinic told us. 

RISE sees it in a slightly different light, sharing that “[w]hile this experience has not affected our fundamental values and commitment to sharing our work and rigorous science, it has highlighted for us that no information posted on a third-party platform is entirely one’s own, and thus can be dismantled at any moment.”

At the end of the day, clinics are left afraid to post basic information, patients are left confused or misinformed, and researchers lose access to their audiences. But unless your issue catches the attention of a journalist or you know someone at Meta, you might never regain access to your account.

These case studies highlight the urgent need for transparent, equitable, and timely enforcement that is not dependent on insider connections, as well as accountability from platforms that claim to support open dialogue and free speech. Meta’s admitted overenforcement should, at minimum, be coupled with efficient and well-staffed review processes and policies that are transparent and easily understandable. 

It’s time for Meta and other social media platforms to implement the reforms they claim to support, and for them to prove that protecting access to vital health information doesn’t hinge on who you know.

This is the second post in our blog series documenting the findings from our Stop Censoring Abortion campaign. Read more in the series: https://www.eff.org/pages/stop-censoring-abortion   

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